After 30 years up to the hilt in UK techno, Surgeon goes lounge jazz - nah we jest, it’s his answer to the question - what the fuck is techno? - and a resounding battery of variants on the Brum sound; from rolling girders to pounding meat motors and one shivering ambient piece.
Nowadays more an album artist than a singles guy, Anthony Child aka Surgeon is exemplary of an artist who has stuck to his guns and gained a cult following in the process, making him the elder statesman for Proper UK Techno™.
His ’Shell~Wave’ album follows from 2023’s ‘Crash Recoil’ and 2024 action in the resurrected British Murder Boys duo with Karl O’Connor, with a patented barrage of modular sculpted bangers that bear atavistic traces of his influential mid ‘90s sound, but tricked out with more layered sensuality and timbral intricacy thanks to his mastery of more unwieldy kit.
Ok yep, it’s lost a bit of the original sound’s upfront, concentrated energy in the process, but does also sound ace on bigger rigs, usually received by older crowds who are less about jacking their bodies (high cholesterol, mate) and more into appreciating the sounds and trying to survive a full night out. There’s a certain trancey venom to ‘Serpent Void’ that aligns his sound closer to classic Sandwell District at the front, whilst the bouncing bomb ‘Soul Fire’ resounds with an echo of his signature monotone noise, and the pendulum wrecking ball of ‘Divine Shadow’ marks up a big highlight.
A shivering beat-less centrepiece ‘Dying’ hails a return influence from his duo Transcendence Orchestra, and tilts into a 2nd half fizzing with classic Surgeon styles in the wriggly fire of ‘Infinite Eye’, thru the fanged attack of ‘Triple Treat’ and dubbed out variants that again pull him close to SD’s lane.
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After 30 years up to the hilt in UK techno, Surgeon goes lounge jazz - nah we jest, it’s his answer to the question - what the fuck is techno? - and a resounding battery of variants on the Brum sound; from rolling girders to pounding meat motors and one shivering ambient piece.
Nowadays more an album artist than a singles guy, Anthony Child aka Surgeon is exemplary of an artist who has stuck to his guns and gained a cult following in the process, making him the elder statesman for Proper UK Techno™.
His ’Shell~Wave’ album follows from 2023’s ‘Crash Recoil’ and 2024 action in the resurrected British Murder Boys duo with Karl O’Connor, with a patented barrage of modular sculpted bangers that bear atavistic traces of his influential mid ‘90s sound, but tricked out with more layered sensuality and timbral intricacy thanks to his mastery of more unwieldy kit.
Ok yep, it’s lost a bit of the original sound’s upfront, concentrated energy in the process, but does also sound ace on bigger rigs, usually received by older crowds who are less about jacking their bodies (high cholesterol, mate) and more into appreciating the sounds and trying to survive a full night out. There’s a certain trancey venom to ‘Serpent Void’ that aligns his sound closer to classic Sandwell District at the front, whilst the bouncing bomb ‘Soul Fire’ resounds with an echo of his signature monotone noise, and the pendulum wrecking ball of ‘Divine Shadow’ marks up a big highlight.
A shivering beat-less centrepiece ‘Dying’ hails a return influence from his duo Transcendence Orchestra, and tilts into a 2nd half fizzing with classic Surgeon styles in the wriggly fire of ‘Infinite Eye’, thru the fanged attack of ‘Triple Treat’ and dubbed out variants that again pull him close to SD’s lane.
After 30 years up to the hilt in UK techno, Surgeon goes lounge jazz - nah we jest, it’s his answer to the question - what the fuck is techno? - and a resounding battery of variants on the Brum sound; from rolling girders to pounding meat motors and one shivering ambient piece.
Nowadays more an album artist than a singles guy, Anthony Child aka Surgeon is exemplary of an artist who has stuck to his guns and gained a cult following in the process, making him the elder statesman for Proper UK Techno™.
His ’Shell~Wave’ album follows from 2023’s ‘Crash Recoil’ and 2024 action in the resurrected British Murder Boys duo with Karl O’Connor, with a patented barrage of modular sculpted bangers that bear atavistic traces of his influential mid ‘90s sound, but tricked out with more layered sensuality and timbral intricacy thanks to his mastery of more unwieldy kit.
Ok yep, it’s lost a bit of the original sound’s upfront, concentrated energy in the process, but does also sound ace on bigger rigs, usually received by older crowds who are less about jacking their bodies (high cholesterol, mate) and more into appreciating the sounds and trying to survive a full night out. There’s a certain trancey venom to ‘Serpent Void’ that aligns his sound closer to classic Sandwell District at the front, whilst the bouncing bomb ‘Soul Fire’ resounds with an echo of his signature monotone noise, and the pendulum wrecking ball of ‘Divine Shadow’ marks up a big highlight.
A shivering beat-less centrepiece ‘Dying’ hails a return influence from his duo Transcendence Orchestra, and tilts into a 2nd half fizzing with classic Surgeon styles in the wriggly fire of ‘Infinite Eye’, thru the fanged attack of ‘Triple Treat’ and dubbed out variants that again pull him close to SD’s lane.
After 30 years up to the hilt in UK techno, Surgeon goes lounge jazz - nah we jest, it’s his answer to the question - what the fuck is techno? - and a resounding battery of variants on the Brum sound; from rolling girders to pounding meat motors and one shivering ambient piece.
Nowadays more an album artist than a singles guy, Anthony Child aka Surgeon is exemplary of an artist who has stuck to his guns and gained a cult following in the process, making him the elder statesman for Proper UK Techno™.
His ’Shell~Wave’ album follows from 2023’s ‘Crash Recoil’ and 2024 action in the resurrected British Murder Boys duo with Karl O’Connor, with a patented barrage of modular sculpted bangers that bear atavistic traces of his influential mid ‘90s sound, but tricked out with more layered sensuality and timbral intricacy thanks to his mastery of more unwieldy kit.
Ok yep, it’s lost a bit of the original sound’s upfront, concentrated energy in the process, but does also sound ace on bigger rigs, usually received by older crowds who are less about jacking their bodies (high cholesterol, mate) and more into appreciating the sounds and trying to survive a full night out. There’s a certain trancey venom to ‘Serpent Void’ that aligns his sound closer to classic Sandwell District at the front, whilst the bouncing bomb ‘Soul Fire’ resounds with an echo of his signature monotone noise, and the pendulum wrecking ball of ‘Divine Shadow’ marks up a big highlight.
A shivering beat-less centrepiece ‘Dying’ hails a return influence from his duo Transcendence Orchestra, and tilts into a 2nd half fizzing with classic Surgeon styles in the wriggly fire of ‘Infinite Eye’, thru the fanged attack of ‘Triple Treat’ and dubbed out variants that again pull him close to SD’s lane.
Full printed special color sleeve (gold & blue pantone), download included.
Estimated Release Date: 02 May 2025
Please note that shipping dates for pre-orders are estimated and are subject to change
After 30 years up to the hilt in UK techno, Surgeon goes lounge jazz - nah we jest, it’s his answer to the question - what the fuck is techno? - and a resounding battery of variants on the Brum sound; from rolling girders to pounding meat motors and one shivering ambient piece.
Nowadays more an album artist than a singles guy, Anthony Child aka Surgeon is exemplary of an artist who has stuck to his guns and gained a cult following in the process, making him the elder statesman for Proper UK Techno™.
His ’Shell~Wave’ album follows from 2023’s ‘Crash Recoil’ and 2024 action in the resurrected British Murder Boys duo with Karl O’Connor, with a patented barrage of modular sculpted bangers that bear atavistic traces of his influential mid ‘90s sound, but tricked out with more layered sensuality and timbral intricacy thanks to his mastery of more unwieldy kit.
Ok yep, it’s lost a bit of the original sound’s upfront, concentrated energy in the process, but does also sound ace on bigger rigs, usually received by older crowds who are less about jacking their bodies (high cholesterol, mate) and more into appreciating the sounds and trying to survive a full night out. There’s a certain trancey venom to ‘Serpent Void’ that aligns his sound closer to classic Sandwell District at the front, whilst the bouncing bomb ‘Soul Fire’ resounds with an echo of his signature monotone noise, and the pendulum wrecking ball of ‘Divine Shadow’ marks up a big highlight.
A shivering beat-less centrepiece ‘Dying’ hails a return influence from his duo Transcendence Orchestra, and tilts into a 2nd half fizzing with classic Surgeon styles in the wriggly fire of ‘Infinite Eye’, thru the fanged attack of ‘Triple Treat’ and dubbed out variants that again pull him close to SD’s lane.