The drizzly Manc miserablism of trio Shell Company is subtly eased up and augmented by Older Brother on their debut collaboration for Glasgow’s Numbers, real strong gear coming like a moodier Still House Plants on the downbeat.
Comprising artists from the breadth of UK - Brighton to Glasgow via Manchester and London - the quartet carry a torch for classic, mood-driven, downbeat UK music into the fraught present on four songs conceptually staged across one night. The story follows themes of distance, intimacy, break-ups and reconciliation as they open up and spleen feels from the crepuscular duet of Rosabella Allen’s signature spoken word and delivery and Older Brother’s shy mumbles on ‘Shard’, set to shimmering guitar and synth by the Banks siblings, to their transition from aching tristesse to crystalline crunch on closer ‘In the Silence it Only Gets Louder’.
The addition of Older Brother and refinements of the Banks’ palette prompt finer binds in the tense trip hop noir backdrop and subvocalised rumination of ‘4U (Luv Thing)’, and scuzzier texture to the caret-burned tone and frazzled feel of ’10AM’, metaphorically strung-out with the scuffle of after-party detritus and groggiest heads.
View more
The drizzly Manc miserablism of trio Shell Company is subtly eased up and augmented by Older Brother on their debut collaboration for Glasgow’s Numbers, real strong gear coming like a moodier Still House Plants on the downbeat.
Comprising artists from the breadth of UK - Brighton to Glasgow via Manchester and London - the quartet carry a torch for classic, mood-driven, downbeat UK music into the fraught present on four songs conceptually staged across one night. The story follows themes of distance, intimacy, break-ups and reconciliation as they open up and spleen feels from the crepuscular duet of Rosabella Allen’s signature spoken word and delivery and Older Brother’s shy mumbles on ‘Shard’, set to shimmering guitar and synth by the Banks siblings, to their transition from aching tristesse to crystalline crunch on closer ‘In the Silence it Only Gets Louder’.
The addition of Older Brother and refinements of the Banks’ palette prompt finer binds in the tense trip hop noir backdrop and subvocalised rumination of ‘4U (Luv Thing)’, and scuzzier texture to the caret-burned tone and frazzled feel of ’10AM’, metaphorically strung-out with the scuffle of after-party detritus and groggiest heads.
The drizzly Manc miserablism of trio Shell Company is subtly eased up and augmented by Older Brother on their debut collaboration for Glasgow’s Numbers, real strong gear coming like a moodier Still House Plants on the downbeat.
Comprising artists from the breadth of UK - Brighton to Glasgow via Manchester and London - the quartet carry a torch for classic, mood-driven, downbeat UK music into the fraught present on four songs conceptually staged across one night. The story follows themes of distance, intimacy, break-ups and reconciliation as they open up and spleen feels from the crepuscular duet of Rosabella Allen’s signature spoken word and delivery and Older Brother’s shy mumbles on ‘Shard’, set to shimmering guitar and synth by the Banks siblings, to their transition from aching tristesse to crystalline crunch on closer ‘In the Silence it Only Gets Louder’.
The addition of Older Brother and refinements of the Banks’ palette prompt finer binds in the tense trip hop noir backdrop and subvocalised rumination of ‘4U (Luv Thing)’, and scuzzier texture to the caret-burned tone and frazzled feel of ’10AM’, metaphorically strung-out with the scuffle of after-party detritus and groggiest heads.
The drizzly Manc miserablism of trio Shell Company is subtly eased up and augmented by Older Brother on their debut collaboration for Glasgow’s Numbers, real strong gear coming like a moodier Still House Plants on the downbeat.
Comprising artists from the breadth of UK - Brighton to Glasgow via Manchester and London - the quartet carry a torch for classic, mood-driven, downbeat UK music into the fraught present on four songs conceptually staged across one night. The story follows themes of distance, intimacy, break-ups and reconciliation as they open up and spleen feels from the crepuscular duet of Rosabella Allen’s signature spoken word and delivery and Older Brother’s shy mumbles on ‘Shard’, set to shimmering guitar and synth by the Banks siblings, to their transition from aching tristesse to crystalline crunch on closer ‘In the Silence it Only Gets Louder’.
The addition of Older Brother and refinements of the Banks’ palette prompt finer binds in the tense trip hop noir backdrop and subvocalised rumination of ‘4U (Luv Thing)’, and scuzzier texture to the caret-burned tone and frazzled feel of ’10AM’, metaphorically strung-out with the scuffle of after-party detritus and groggiest heads.
In Stock (Ready To Ship)
The drizzly Manc miserablism of trio Shell Company is subtly eased up and augmented by Older Brother on their debut collaboration for Glasgow’s Numbers, real strong gear coming like a moodier Still House Plants on the downbeat.
Comprising artists from the breadth of UK - Brighton to Glasgow via Manchester and London - the quartet carry a torch for classic, mood-driven, downbeat UK music into the fraught present on four songs conceptually staged across one night. The story follows themes of distance, intimacy, break-ups and reconciliation as they open up and spleen feels from the crepuscular duet of Rosabella Allen’s signature spoken word and delivery and Older Brother’s shy mumbles on ‘Shard’, set to shimmering guitar and synth by the Banks siblings, to their transition from aching tristesse to crystalline crunch on closer ‘In the Silence it Only Gets Louder’.
The addition of Older Brother and refinements of the Banks’ palette prompt finer binds in the tense trip hop noir backdrop and subvocalised rumination of ‘4U (Luv Thing)’, and scuzzier texture to the caret-burned tone and frazzled feel of ’10AM’, metaphorically strung-out with the scuffle of after-party detritus and groggiest heads.