MARSEN JULES
Shadows In Time
Boomkat Product Review:
Marsen Jules invites us to slip down a sublime chromatic vortex with his beautiful generative composition Shadows in Time.
Existing in a well established tradition of generative composition, most notably including works such as Steve Reich’s It’s Gonna Rain, Brian Eno’s Music for Airports, or Roland Kayn’s Cybernetic series, Jules is effectively attempting to remove himself as much as possible from the compositional process, bar vital gestures that frame and modulate the piece’s movements in terms of dimension, timbre and colour, as opposed to specific notation.
What comes out of the other end is a glistening, 50 minute mass of keening, bittersweet tone very much resembling an abstract painting that melts before your ears/eyes with a captivating synaesthetic quality which almost mimics the lushest digital-like integers of an acid trip, but without any of the hard work.
RIYL Tim Hecker, Maggi Payne, Brian Eno…
View more
Boomkat Product Review:
Marsen Jules invites us to slip down a sublime chromatic vortex with his beautiful generative composition Shadows in Time.
Existing in a well established tradition of generative composition, most notably including works such as Steve Reich’s It’s Gonna Rain, Brian Eno’s Music for Airports, or Roland Kayn’s Cybernetic series, Jules is effectively attempting to remove himself as much as possible from the compositional process, bar vital gestures that frame and modulate the piece’s movements in terms of dimension, timbre and colour, as opposed to specific notation.
What comes out of the other end is a glistening, 50 minute mass of keening, bittersweet tone very much resembling an abstract painting that melts before your ears/eyes with a captivating synaesthetic quality which almost mimics the lushest digital-like integers of an acid trip, but without any of the hard work.
RIYL Tim Hecker, Maggi Payne, Brian Eno…
Boomkat Product Review:
Marsen Jules invites us to slip down a sublime chromatic vortex with his beautiful generative composition Shadows in Time.
Existing in a well established tradition of generative composition, most notably including works such as Steve Reich’s It’s Gonna Rain, Brian Eno’s Music for Airports, or Roland Kayn’s Cybernetic series, Jules is effectively attempting to remove himself as much as possible from the compositional process, bar vital gestures that frame and modulate the piece’s movements in terms of dimension, timbre and colour, as opposed to specific notation.
What comes out of the other end is a glistening, 50 minute mass of keening, bittersweet tone very much resembling an abstract painting that melts before your ears/eyes with a captivating synaesthetic quality which almost mimics the lushest digital-like integers of an acid trip, but without any of the hard work.
RIYL Tim Hecker, Maggi Payne, Brian Eno…
Boomkat Product Review:
Marsen Jules invites us to slip down a sublime chromatic vortex with his beautiful generative composition Shadows in Time.
Existing in a well established tradition of generative composition, most notably including works such as Steve Reich’s It’s Gonna Rain, Brian Eno’s Music for Airports, or Roland Kayn’s Cybernetic series, Jules is effectively attempting to remove himself as much as possible from the compositional process, bar vital gestures that frame and modulate the piece’s movements in terms of dimension, timbre and colour, as opposed to specific notation.
What comes out of the other end is a glistening, 50 minute mass of keening, bittersweet tone very much resembling an abstract painting that melts before your ears/eyes with a captivating synaesthetic quality which almost mimics the lushest digital-like integers of an acid trip, but without any of the hard work.
RIYL Tim Hecker, Maggi Payne, Brian Eno…
Available To Order (Estimated Shipping between 7-14 Working Days)
This item is to the best of our knowledge available to us from the supplier and should ship to you within the time-frame indicated. If there are any unforeseen issues with availability we will notify you immediately
Boomkat Product Review:
Marsen Jules invites us to slip down a sublime chromatic vortex with his beautiful generative composition Shadows in Time.
Existing in a well established tradition of generative composition, most notably including works such as Steve Reich’s It’s Gonna Rain, Brian Eno’s Music for Airports, or Roland Kayn’s Cybernetic series, Jules is effectively attempting to remove himself as much as possible from the compositional process, bar vital gestures that frame and modulate the piece’s movements in terms of dimension, timbre and colour, as opposed to specific notation.
What comes out of the other end is a glistening, 50 minute mass of keening, bittersweet tone very much resembling an abstract painting that melts before your ears/eyes with a captivating synaesthetic quality which almost mimics the lushest digital-like integers of an acid trip, but without any of the hard work.
RIYL Tim Hecker, Maggi Payne, Brian Eno…
More from MARSEN JULES:
-
MARSEN JULES Shadows in Time Oktaf Music Modern Classical / Ambient -
MARSEN JULES Lazy Sunday Funerals Oktaf Music Modern Classical / Ambient
-
MARSEN JULES Yara (Remastered) Oktaf Music Modern Classical / Ambient
-
MARSEN JULES Nostalgia Oktaf Music Modern Classical / Ambient
-
MARSEN JULES Marsen Jules at GRM Oktaf Music Modern Classical / Ambient
More from Oktaf:
-
Teruyuki Nobuchika Still Air Oktaf Modern Classical / Ambient
- CD
-
Denzel + Huhn Brom Oktaf Electronic
- CD
-
Lufth Distanz Und Nähe Oktaf Modern Classical / Ambient
- CD