Debut album of rolling club music and feathered melody from UK bass/techno mainstay Hodge, marking 10 years in the game with a strong look for fans of Four Tet, Floating Points, Peverelist.
After 12”s for practically every label in Bristol, plus Berceuse Heroique and many more, Hodge expands his sound into the LP format with requisite amounts of beat less, ambient padding and coffee table vibes to balance the more club-wise cuts.
Aspects of Japanese environmental music, melancholy Detroit harmonics and space cadet AI electronica perfuse the album’s 10 tracks, taking in the rising sun optimism of ‘The World Is New Again’, along with plush and supple breakbeat rolige in ‘Sense Inversion’, the Four Tet-like folkdancetronica whim of ‘Shadows In Blue’, and leading up to swingeing, febrile dancefloor hypnotism on ‘Lanes’, with some Pantha Du Prince-esque posh techno rush in ‘Cutie’ balanced by the late ‘90s break trance lift of ‘Ghost Of Akina’.
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Debut album of rolling club music and feathered melody from UK bass/techno mainstay Hodge, marking 10 years in the game with a strong look for fans of Four Tet, Floating Points, Peverelist.
After 12”s for practically every label in Bristol, plus Berceuse Heroique and many more, Hodge expands his sound into the LP format with requisite amounts of beat less, ambient padding and coffee table vibes to balance the more club-wise cuts.
Aspects of Japanese environmental music, melancholy Detroit harmonics and space cadet AI electronica perfuse the album’s 10 tracks, taking in the rising sun optimism of ‘The World Is New Again’, along with plush and supple breakbeat rolige in ‘Sense Inversion’, the Four Tet-like folkdancetronica whim of ‘Shadows In Blue’, and leading up to swingeing, febrile dancefloor hypnotism on ‘Lanes’, with some Pantha Du Prince-esque posh techno rush in ‘Cutie’ balanced by the late ‘90s break trance lift of ‘Ghost Of Akina’.
Debut album of rolling club music and feathered melody from UK bass/techno mainstay Hodge, marking 10 years in the game with a strong look for fans of Four Tet, Floating Points, Peverelist.
After 12”s for practically every label in Bristol, plus Berceuse Heroique and many more, Hodge expands his sound into the LP format with requisite amounts of beat less, ambient padding and coffee table vibes to balance the more club-wise cuts.
Aspects of Japanese environmental music, melancholy Detroit harmonics and space cadet AI electronica perfuse the album’s 10 tracks, taking in the rising sun optimism of ‘The World Is New Again’, along with plush and supple breakbeat rolige in ‘Sense Inversion’, the Four Tet-like folkdancetronica whim of ‘Shadows In Blue’, and leading up to swingeing, febrile dancefloor hypnotism on ‘Lanes’, with some Pantha Du Prince-esque posh techno rush in ‘Cutie’ balanced by the late ‘90s break trance lift of ‘Ghost Of Akina’.
Debut album of rolling club music and feathered melody from UK bass/techno mainstay Hodge, marking 10 years in the game with a strong look for fans of Four Tet, Floating Points, Peverelist.
After 12”s for practically every label in Bristol, plus Berceuse Heroique and many more, Hodge expands his sound into the LP format with requisite amounts of beat less, ambient padding and coffee table vibes to balance the more club-wise cuts.
Aspects of Japanese environmental music, melancholy Detroit harmonics and space cadet AI electronica perfuse the album’s 10 tracks, taking in the rising sun optimism of ‘The World Is New Again’, along with plush and supple breakbeat rolige in ‘Sense Inversion’, the Four Tet-like folkdancetronica whim of ‘Shadows In Blue’, and leading up to swingeing, febrile dancefloor hypnotism on ‘Lanes’, with some Pantha Du Prince-esque posh techno rush in ‘Cutie’ balanced by the late ‘90s break trance lift of ‘Ghost Of Akina’.
Available To Order (Estimated Shipping between 1-3 Working Days)
This item is to the best of our knowledge available to us from the supplier and should ship to you within the time-frame indicated. If there are any unforeseen issues with availability we will notify you immediately
Debut album of rolling club music and feathered melody from UK bass/techno mainstay Hodge, marking 10 years in the game with a strong look for fans of Four Tet, Floating Points, Peverelist.
After 12”s for practically every label in Bristol, plus Berceuse Heroique and many more, Hodge expands his sound into the LP format with requisite amounts of beat less, ambient padding and coffee table vibes to balance the more club-wise cuts.
Aspects of Japanese environmental music, melancholy Detroit harmonics and space cadet AI electronica perfuse the album’s 10 tracks, taking in the rising sun optimism of ‘The World Is New Again’, along with plush and supple breakbeat rolige in ‘Sense Inversion’, the Four Tet-like folkdancetronica whim of ‘Shadows In Blue’, and leading up to swingeing, febrile dancefloor hypnotism on ‘Lanes’, with some Pantha Du Prince-esque posh techno rush in ‘Cutie’ balanced by the late ‘90s break trance lift of ‘Ghost Of Akina’.
Available To Order (Estimated Shipping between 1-3 Working Days)
This item is to the best of our knowledge available to us from the supplier and should ship to you within the time-frame indicated. If there are any unforeseen issues with availability we will notify you immediately
Debut album of rolling club music and feathered melody from UK bass/techno mainstay Hodge, marking 10 years in the game with a strong look for fans of Four Tet, Floating Points, Peverelist.
After 12”s for practically every label in Bristol, plus Berceuse Heroique and many more, Hodge expands his sound into the LP format with requisite amounts of beat less, ambient padding and coffee table vibes to balance the more club-wise cuts.
Aspects of Japanese environmental music, melancholy Detroit harmonics and space cadet AI electronica perfuse the album’s 10 tracks, taking in the rising sun optimism of ‘The World Is New Again’, along with plush and supple breakbeat rolige in ‘Sense Inversion’, the Four Tet-like folkdancetronica whim of ‘Shadows In Blue’, and leading up to swingeing, febrile dancefloor hypnotism on ‘Lanes’, with some Pantha Du Prince-esque posh techno rush in ‘Cutie’ balanced by the late ‘90s break trance lift of ‘Ghost Of Akina’.