Shackleton & Vengeance Tenfold
Sferic Ghost Transmits
Shackleton tends to his roots and branches, remerging with vocalist Vengeance Tenfold for the doomy incantations of Sferic Ghost Transmits - their first collaboration since 2012’s The Drawbar Organ EPs - which acts as a more sullen counterpart to the radiant vibes of this year’s brilliant Devotional Songs with Ernesto Tomasini.
Shackleton’s input oscillates from pointillist gamelan percussions and abyssal bass thru to elusive, unfathomable electronic diffusions whilst the impish spirit of Vengeance Tenfold is, at best, a John Balance-like conduit channelling messages older than time itself.
If you can handle the portentousness, though, you’ll be absorbed into a psychedelic narrative of cryptic percussive communication, blues-hooked chants, metallic polymetric cadence and shimmering dissonant miasmas, which, as with any string substance, may leave you feeling dazed and queasy, but ultimately better for undergoing it.
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Shackleton tends to his roots and branches, remerging with vocalist Vengeance Tenfold for the doomy incantations of Sferic Ghost Transmits - their first collaboration since 2012’s The Drawbar Organ EPs - which acts as a more sullen counterpart to the radiant vibes of this year’s brilliant Devotional Songs with Ernesto Tomasini.
Shackleton’s input oscillates from pointillist gamelan percussions and abyssal bass thru to elusive, unfathomable electronic diffusions whilst the impish spirit of Vengeance Tenfold is, at best, a John Balance-like conduit channelling messages older than time itself.
If you can handle the portentousness, though, you’ll be absorbed into a psychedelic narrative of cryptic percussive communication, blues-hooked chants, metallic polymetric cadence and shimmering dissonant miasmas, which, as with any string substance, may leave you feeling dazed and queasy, but ultimately better for undergoing it.
Shackleton tends to his roots and branches, remerging with vocalist Vengeance Tenfold for the doomy incantations of Sferic Ghost Transmits - their first collaboration since 2012’s The Drawbar Organ EPs - which acts as a more sullen counterpart to the radiant vibes of this year’s brilliant Devotional Songs with Ernesto Tomasini.
Shackleton’s input oscillates from pointillist gamelan percussions and abyssal bass thru to elusive, unfathomable electronic diffusions whilst the impish spirit of Vengeance Tenfold is, at best, a John Balance-like conduit channelling messages older than time itself.
If you can handle the portentousness, though, you’ll be absorbed into a psychedelic narrative of cryptic percussive communication, blues-hooked chants, metallic polymetric cadence and shimmering dissonant miasmas, which, as with any string substance, may leave you feeling dazed and queasy, but ultimately better for undergoing it.
Shackleton tends to his roots and branches, remerging with vocalist Vengeance Tenfold for the doomy incantations of Sferic Ghost Transmits - their first collaboration since 2012’s The Drawbar Organ EPs - which acts as a more sullen counterpart to the radiant vibes of this year’s brilliant Devotional Songs with Ernesto Tomasini.
Shackleton’s input oscillates from pointillist gamelan percussions and abyssal bass thru to elusive, unfathomable electronic diffusions whilst the impish spirit of Vengeance Tenfold is, at best, a John Balance-like conduit channelling messages older than time itself.
If you can handle the portentousness, though, you’ll be absorbed into a psychedelic narrative of cryptic percussive communication, blues-hooked chants, metallic polymetric cadence and shimmering dissonant miasmas, which, as with any string substance, may leave you feeling dazed and queasy, but ultimately better for undergoing it.
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Shackleton tends to his roots and branches, remerging with vocalist Vengeance Tenfold for the doomy incantations of Sferic Ghost Transmits - their first collaboration since 2012’s The Drawbar Organ EPs - which acts as a more sullen counterpart to the radiant vibes of this year’s brilliant Devotional Songs with Ernesto Tomasini.
Shackleton’s input oscillates from pointillist gamelan percussions and abyssal bass thru to elusive, unfathomable electronic diffusions whilst the impish spirit of Vengeance Tenfold is, at best, a John Balance-like conduit channelling messages older than time itself.
If you can handle the portentousness, though, you’ll be absorbed into a psychedelic narrative of cryptic percussive communication, blues-hooked chants, metallic polymetric cadence and shimmering dissonant miasmas, which, as with any string substance, may leave you feeling dazed and queasy, but ultimately better for undergoing it.