Flaty and OL return with the third Serwed helping and another session of hi-gloss electronics and horizontal techno meditations in the Chain Reaction x Huerco x Actress x Kuedo continuum.
Coming to us via Flaty's own ANWO imprint, the duo transmute dynamic rhythmic flutters into dubby, wormhole ambience, shaping unglued techno pulse cycles into bass-heavy ASMR soundscapes, broken acid improvisations and spannered meltdown noise, dipping rhythmic pressure into limbo-pinned atmospherics and electrical malfunctions.
On 'Scruff', the skeleton of Atlanta trap is galvanized and launched into zero-gravity, surrounded by disembodied/panning vocals and smudged detritus. Serwed dangle from a precarious cliff edge unscathed, retaining the all-important throb of the genre, but never buckling under the weight of established convention. They follow suit on the demonically slopped 'Hobot', a ritualistic-yet-robotic Shackleton-esque burner that sounds like Phoenecia's "Brownout" funneled thru DJ Screw's tape machine.
It's Flaty and OL's ability to balance the old and new that makes Serwed III such an enjoyable listening experience; we've heard these sounds before, but their reorganization and electro-plating process serves them from new angles.
View more
Flaty and OL return with the third Serwed helping and another session of hi-gloss electronics and horizontal techno meditations in the Chain Reaction x Huerco x Actress x Kuedo continuum.
Coming to us via Flaty's own ANWO imprint, the duo transmute dynamic rhythmic flutters into dubby, wormhole ambience, shaping unglued techno pulse cycles into bass-heavy ASMR soundscapes, broken acid improvisations and spannered meltdown noise, dipping rhythmic pressure into limbo-pinned atmospherics and electrical malfunctions.
On 'Scruff', the skeleton of Atlanta trap is galvanized and launched into zero-gravity, surrounded by disembodied/panning vocals and smudged detritus. Serwed dangle from a precarious cliff edge unscathed, retaining the all-important throb of the genre, but never buckling under the weight of established convention. They follow suit on the demonically slopped 'Hobot', a ritualistic-yet-robotic Shackleton-esque burner that sounds like Phoenecia's "Brownout" funneled thru DJ Screw's tape machine.
It's Flaty and OL's ability to balance the old and new that makes Serwed III such an enjoyable listening experience; we've heard these sounds before, but their reorganization and electro-plating process serves them from new angles.
Flaty and OL return with the third Serwed helping and another session of hi-gloss electronics and horizontal techno meditations in the Chain Reaction x Huerco x Actress x Kuedo continuum.
Coming to us via Flaty's own ANWO imprint, the duo transmute dynamic rhythmic flutters into dubby, wormhole ambience, shaping unglued techno pulse cycles into bass-heavy ASMR soundscapes, broken acid improvisations and spannered meltdown noise, dipping rhythmic pressure into limbo-pinned atmospherics and electrical malfunctions.
On 'Scruff', the skeleton of Atlanta trap is galvanized and launched into zero-gravity, surrounded by disembodied/panning vocals and smudged detritus. Serwed dangle from a precarious cliff edge unscathed, retaining the all-important throb of the genre, but never buckling under the weight of established convention. They follow suit on the demonically slopped 'Hobot', a ritualistic-yet-robotic Shackleton-esque burner that sounds like Phoenecia's "Brownout" funneled thru DJ Screw's tape machine.
It's Flaty and OL's ability to balance the old and new that makes Serwed III such an enjoyable listening experience; we've heard these sounds before, but their reorganization and electro-plating process serves them from new angles.
Flaty and OL return with the third Serwed helping and another session of hi-gloss electronics and horizontal techno meditations in the Chain Reaction x Huerco x Actress x Kuedo continuum.
Coming to us via Flaty's own ANWO imprint, the duo transmute dynamic rhythmic flutters into dubby, wormhole ambience, shaping unglued techno pulse cycles into bass-heavy ASMR soundscapes, broken acid improvisations and spannered meltdown noise, dipping rhythmic pressure into limbo-pinned atmospherics and electrical malfunctions.
On 'Scruff', the skeleton of Atlanta trap is galvanized and launched into zero-gravity, surrounded by disembodied/panning vocals and smudged detritus. Serwed dangle from a precarious cliff edge unscathed, retaining the all-important throb of the genre, but never buckling under the weight of established convention. They follow suit on the demonically slopped 'Hobot', a ritualistic-yet-robotic Shackleton-esque burner that sounds like Phoenecia's "Brownout" funneled thru DJ Screw's tape machine.
It's Flaty and OL's ability to balance the old and new that makes Serwed III such an enjoyable listening experience; we've heard these sounds before, but their reorganization and electro-plating process serves them from new angles.
Back in stock.
Out of Stock
Flaty and OL return with the third Serwed helping and another session of hi-gloss electronics and horizontal techno meditations in the Chain Reaction x Huerco x Actress x Kuedo continuum.
Coming to us via Flaty's own ANWO imprint, the duo transmute dynamic rhythmic flutters into dubby, wormhole ambience, shaping unglued techno pulse cycles into bass-heavy ASMR soundscapes, broken acid improvisations and spannered meltdown noise, dipping rhythmic pressure into limbo-pinned atmospherics and electrical malfunctions.
On 'Scruff', the skeleton of Atlanta trap is galvanized and launched into zero-gravity, surrounded by disembodied/panning vocals and smudged detritus. Serwed dangle from a precarious cliff edge unscathed, retaining the all-important throb of the genre, but never buckling under the weight of established convention. They follow suit on the demonically slopped 'Hobot', a ritualistic-yet-robotic Shackleton-esque burner that sounds like Phoenecia's "Brownout" funneled thru DJ Screw's tape machine.
It's Flaty and OL's ability to balance the old and new that makes Serwed III such an enjoyable listening experience; we've heard these sounds before, but their reorganization and electro-plating process serves them from new angles.