Italian producer and electrical engineer Herva departs from 2017's sample-based "Hyper Flux" with a garbled set of semi-generative hardware-software productions put together using proprietary programs and home-made tech. RIYL latter-day Autechre, Aleksi Perälä, EOG.
Herva set himself a technical task on this one: to build a point-to-point mixer from scratch in an effort to help him transition from software to hardware. After a year of hard work, the Florence-based artist had quit music altogether to focus on electronics, using his new-found knowledge to found a company called Audio Gear Obsession that focused on building compressors and mixers. So with "Seez", he puts his new obsessions to the test, using his own hand-progammed software and home made gear to advance his sounds into fragmented - and completely self-directed - spaces.
It's a good fit on Planet Mu, who have always demarcated a space for artists operating in the electronic exploration zone. Herva's stuttering glitch rhythms and wonked microtonal synth drones sound like a direct descendent of Autechre's reined-in generative drawl: permanently lashed to dancefloor electro kinetics but transfixed by the open-ended opportunities presented by contemporary software composition methods.
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Italian producer and electrical engineer Herva departs from 2017's sample-based "Hyper Flux" with a garbled set of semi-generative hardware-software productions put together using proprietary programs and home-made tech. RIYL latter-day Autechre, Aleksi Perälä, EOG.
Herva set himself a technical task on this one: to build a point-to-point mixer from scratch in an effort to help him transition from software to hardware. After a year of hard work, the Florence-based artist had quit music altogether to focus on electronics, using his new-found knowledge to found a company called Audio Gear Obsession that focused on building compressors and mixers. So with "Seez", he puts his new obsessions to the test, using his own hand-progammed software and home made gear to advance his sounds into fragmented - and completely self-directed - spaces.
It's a good fit on Planet Mu, who have always demarcated a space for artists operating in the electronic exploration zone. Herva's stuttering glitch rhythms and wonked microtonal synth drones sound like a direct descendent of Autechre's reined-in generative drawl: permanently lashed to dancefloor electro kinetics but transfixed by the open-ended opportunities presented by contemporary software composition methods.
Italian producer and electrical engineer Herva departs from 2017's sample-based "Hyper Flux" with a garbled set of semi-generative hardware-software productions put together using proprietary programs and home-made tech. RIYL latter-day Autechre, Aleksi Perälä, EOG.
Herva set himself a technical task on this one: to build a point-to-point mixer from scratch in an effort to help him transition from software to hardware. After a year of hard work, the Florence-based artist had quit music altogether to focus on electronics, using his new-found knowledge to found a company called Audio Gear Obsession that focused on building compressors and mixers. So with "Seez", he puts his new obsessions to the test, using his own hand-progammed software and home made gear to advance his sounds into fragmented - and completely self-directed - spaces.
It's a good fit on Planet Mu, who have always demarcated a space for artists operating in the electronic exploration zone. Herva's stuttering glitch rhythms and wonked microtonal synth drones sound like a direct descendent of Autechre's reined-in generative drawl: permanently lashed to dancefloor electro kinetics but transfixed by the open-ended opportunities presented by contemporary software composition methods.
Italian producer and electrical engineer Herva departs from 2017's sample-based "Hyper Flux" with a garbled set of semi-generative hardware-software productions put together using proprietary programs and home-made tech. RIYL latter-day Autechre, Aleksi Perälä, EOG.
Herva set himself a technical task on this one: to build a point-to-point mixer from scratch in an effort to help him transition from software to hardware. After a year of hard work, the Florence-based artist had quit music altogether to focus on electronics, using his new-found knowledge to found a company called Audio Gear Obsession that focused on building compressors and mixers. So with "Seez", he puts his new obsessions to the test, using his own hand-progammed software and home made gear to advance his sounds into fragmented - and completely self-directed - spaces.
It's a good fit on Planet Mu, who have always demarcated a space for artists operating in the electronic exploration zone. Herva's stuttering glitch rhythms and wonked microtonal synth drones sound like a direct descendent of Autechre's reined-in generative drawl: permanently lashed to dancefloor electro kinetics but transfixed by the open-ended opportunities presented by contemporary software composition methods.
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Italian producer and electrical engineer Herva departs from 2017's sample-based "Hyper Flux" with a garbled set of semi-generative hardware-software productions put together using proprietary programs and home-made tech. RIYL latter-day Autechre, Aleksi Perälä, EOG.
Herva set himself a technical task on this one: to build a point-to-point mixer from scratch in an effort to help him transition from software to hardware. After a year of hard work, the Florence-based artist had quit music altogether to focus on electronics, using his new-found knowledge to found a company called Audio Gear Obsession that focused on building compressors and mixers. So with "Seez", he puts his new obsessions to the test, using his own hand-progammed software and home made gear to advance his sounds into fragmented - and completely self-directed - spaces.
It's a good fit on Planet Mu, who have always demarcated a space for artists operating in the electronic exploration zone. Herva's stuttering glitch rhythms and wonked microtonal synth drones sound like a direct descendent of Autechre's reined-in generative drawl: permanently lashed to dancefloor electro kinetics but transfixed by the open-ended opportunities presented by contemporary software composition methods.