Vienna’s chra summons demonic dissonance and hackled noise on her 3rd album for Editions Mego, landing somewhere between Kevin Drumm and Hecate or the murky projection of Thought Broadcast
‘Seamons’ sees modern goth chra continue an “ongoing exploration of suffocating abstract audio” in a suite of dank creations dripping with curdled electronics and mired in distorted subbass.
Purely chthonic in scope and textured with a eerily close clamminess, the charred bass and sunken feel of ‘Vicious Water Regime’ and title track ‘Seamons’ call to mind the dark ambient sides of Switzerland’s Hecate, but minus the breaks, and ‘Let Sharks Sleep’ tweaks the nerve endings with fine grasp of battery-licking, bittersweet dissonance in a way that really gets us salivating, while ‘Widow Walks’ almost mimics the end stages of The Caretaker.
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Vienna’s chra summons demonic dissonance and hackled noise on her 3rd album for Editions Mego, landing somewhere between Kevin Drumm and Hecate or the murky projection of Thought Broadcast
‘Seamons’ sees modern goth chra continue an “ongoing exploration of suffocating abstract audio” in a suite of dank creations dripping with curdled electronics and mired in distorted subbass.
Purely chthonic in scope and textured with a eerily close clamminess, the charred bass and sunken feel of ‘Vicious Water Regime’ and title track ‘Seamons’ call to mind the dark ambient sides of Switzerland’s Hecate, but minus the breaks, and ‘Let Sharks Sleep’ tweaks the nerve endings with fine grasp of battery-licking, bittersweet dissonance in a way that really gets us salivating, while ‘Widow Walks’ almost mimics the end stages of The Caretaker.
Vienna’s chra summons demonic dissonance and hackled noise on her 3rd album for Editions Mego, landing somewhere between Kevin Drumm and Hecate or the murky projection of Thought Broadcast
‘Seamons’ sees modern goth chra continue an “ongoing exploration of suffocating abstract audio” in a suite of dank creations dripping with curdled electronics and mired in distorted subbass.
Purely chthonic in scope and textured with a eerily close clamminess, the charred bass and sunken feel of ‘Vicious Water Regime’ and title track ‘Seamons’ call to mind the dark ambient sides of Switzerland’s Hecate, but minus the breaks, and ‘Let Sharks Sleep’ tweaks the nerve endings with fine grasp of battery-licking, bittersweet dissonance in a way that really gets us salivating, while ‘Widow Walks’ almost mimics the end stages of The Caretaker.
Vienna’s chra summons demonic dissonance and hackled noise on her 3rd album for Editions Mego, landing somewhere between Kevin Drumm and Hecate or the murky projection of Thought Broadcast
‘Seamons’ sees modern goth chra continue an “ongoing exploration of suffocating abstract audio” in a suite of dank creations dripping with curdled electronics and mired in distorted subbass.
Purely chthonic in scope and textured with a eerily close clamminess, the charred bass and sunken feel of ‘Vicious Water Regime’ and title track ‘Seamons’ call to mind the dark ambient sides of Switzerland’s Hecate, but minus the breaks, and ‘Let Sharks Sleep’ tweaks the nerve endings with fine grasp of battery-licking, bittersweet dissonance in a way that really gets us salivating, while ‘Widow Walks’ almost mimics the end stages of The Caretaker.
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Vienna’s chra summons demonic dissonance and hackled noise on her 3rd album for Editions Mego, landing somewhere between Kevin Drumm and Hecate or the murky projection of Thought Broadcast
‘Seamons’ sees modern goth chra continue an “ongoing exploration of suffocating abstract audio” in a suite of dank creations dripping with curdled electronics and mired in distorted subbass.
Purely chthonic in scope and textured with a eerily close clamminess, the charred bass and sunken feel of ‘Vicious Water Regime’ and title track ‘Seamons’ call to mind the dark ambient sides of Switzerland’s Hecate, but minus the breaks, and ‘Let Sharks Sleep’ tweaks the nerve endings with fine grasp of battery-licking, bittersweet dissonance in a way that really gets us salivating, while ‘Widow Walks’ almost mimics the end stages of The Caretaker.