Identified Patient, Max Abysmal, Lamellan and Laura Agnusdei supply soundtracks for archival films in a commission for Dekmantel and The Netherlands Institute for Sound and Vision’s RE:VIVE initiative
The set portrays the likes of Identified Patient, who are perhaps best known for club gear, exploring a more sensitive side of their sound in the haunted ‘90s sci-fi noir of ‘Comeback’, for example, along with soporific drone and probing electronics from Laura Agnusdei in the funereal ‘Fuga’, and the spongiform FM Synth-sculpted and pastoral toned ‘80s pastiche and nu-disco sleaze of ‘De Stuiter’ by Lamellan, following their debut 12” of 2019.
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Identified Patient, Max Abysmal, Lamellan and Laura Agnusdei supply soundtracks for archival films in a commission for Dekmantel and The Netherlands Institute for Sound and Vision’s RE:VIVE initiative
The set portrays the likes of Identified Patient, who are perhaps best known for club gear, exploring a more sensitive side of their sound in the haunted ‘90s sci-fi noir of ‘Comeback’, for example, along with soporific drone and probing electronics from Laura Agnusdei in the funereal ‘Fuga’, and the spongiform FM Synth-sculpted and pastoral toned ‘80s pastiche and nu-disco sleaze of ‘De Stuiter’ by Lamellan, following their debut 12” of 2019.
Identified Patient, Max Abysmal, Lamellan and Laura Agnusdei supply soundtracks for archival films in a commission for Dekmantel and The Netherlands Institute for Sound and Vision’s RE:VIVE initiative
The set portrays the likes of Identified Patient, who are perhaps best known for club gear, exploring a more sensitive side of their sound in the haunted ‘90s sci-fi noir of ‘Comeback’, for example, along with soporific drone and probing electronics from Laura Agnusdei in the funereal ‘Fuga’, and the spongiform FM Synth-sculpted and pastoral toned ‘80s pastiche and nu-disco sleaze of ‘De Stuiter’ by Lamellan, following their debut 12” of 2019.
Identified Patient, Max Abysmal, Lamellan and Laura Agnusdei supply soundtracks for archival films in a commission for Dekmantel and The Netherlands Institute for Sound and Vision’s RE:VIVE initiative
The set portrays the likes of Identified Patient, who are perhaps best known for club gear, exploring a more sensitive side of their sound in the haunted ‘90s sci-fi noir of ‘Comeback’, for example, along with soporific drone and probing electronics from Laura Agnusdei in the funereal ‘Fuga’, and the spongiform FM Synth-sculpted and pastoral toned ‘80s pastiche and nu-disco sleaze of ‘De Stuiter’ by Lamellan, following their debut 12” of 2019.
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Identified Patient, Max Abysmal, Lamellan and Laura Agnusdei supply soundtracks for archival films in a commission for Dekmantel and The Netherlands Institute for Sound and Vision’s RE:VIVE initiative
The set portrays the likes of Identified Patient, who are perhaps best known for club gear, exploring a more sensitive side of their sound in the haunted ‘90s sci-fi noir of ‘Comeback’, for example, along with soporific drone and probing electronics from Laura Agnusdei in the funereal ‘Fuga’, and the spongiform FM Synth-sculpted and pastoral toned ‘80s pastiche and nu-disco sleaze of ‘De Stuiter’ by Lamellan, following their debut 12” of 2019.