Kassem Mosse blesses Youth with a gorgeous ambient album under his Seltene Erden alias making up for a noticeable absence from the release schedule in recent years.
‘Scorched Erden’ marks Kassem Mosse’s full solo debut with Youth after the ’Silica Gel’ cut on their ‘Sports’ CD in 2019. Reviving the Seltene Erden handle last used in 2011 on a 12" for Mule, the modern house auteur yields some of his most preciously melodic works to date, focussing his interests for retro-futuristic and otherworldly sounds into a form of crystalline, iridescent ambient that shimmers shades away from the likes of uon and Huerco S., the jazzier ambient end of Actress and ‘90s Move D, and the lushest Hassellian 4th World dimensions.
To be honest this is the sort of Kassem album we’ve wanted to hear for ages, seeing him leave the dance for dust and follow his nose into properly aetheric alternate head spaces, showing off that personalised, hybrid analogue/digital soundsphere and tactile design tekkers that we’ve come to love since his earliest turns in the ‘00s. He sucks us right in with the lush FM synth fronds of ‘Mythil Shard’ and, through enigmatic processes, keeps us there until the gravelly slosh of ‘Palestone’, via stunning pieces of GRM-like sound design in ‘Twinkling Titanite’, and the 0PN-like ‘Passage Jewel’, or the spiralling helixes of ‘Rising Core’ with a gripping sense of narration that marks this album, and him, out for soundtrack purposes.
Tip!
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Kassem Mosse blesses Youth with a gorgeous ambient album under his Seltene Erden alias making up for a noticeable absence from the release schedule in recent years.
‘Scorched Erden’ marks Kassem Mosse’s full solo debut with Youth after the ’Silica Gel’ cut on their ‘Sports’ CD in 2019. Reviving the Seltene Erden handle last used in 2011 on a 12" for Mule, the modern house auteur yields some of his most preciously melodic works to date, focussing his interests for retro-futuristic and otherworldly sounds into a form of crystalline, iridescent ambient that shimmers shades away from the likes of uon and Huerco S., the jazzier ambient end of Actress and ‘90s Move D, and the lushest Hassellian 4th World dimensions.
To be honest this is the sort of Kassem album we’ve wanted to hear for ages, seeing him leave the dance for dust and follow his nose into properly aetheric alternate head spaces, showing off that personalised, hybrid analogue/digital soundsphere and tactile design tekkers that we’ve come to love since his earliest turns in the ‘00s. He sucks us right in with the lush FM synth fronds of ‘Mythil Shard’ and, through enigmatic processes, keeps us there until the gravelly slosh of ‘Palestone’, via stunning pieces of GRM-like sound design in ‘Twinkling Titanite’, and the 0PN-like ‘Passage Jewel’, or the spiralling helixes of ‘Rising Core’ with a gripping sense of narration that marks this album, and him, out for soundtrack purposes.
Tip!
Kassem Mosse blesses Youth with a gorgeous ambient album under his Seltene Erden alias making up for a noticeable absence from the release schedule in recent years.
‘Scorched Erden’ marks Kassem Mosse’s full solo debut with Youth after the ’Silica Gel’ cut on their ‘Sports’ CD in 2019. Reviving the Seltene Erden handle last used in 2011 on a 12" for Mule, the modern house auteur yields some of his most preciously melodic works to date, focussing his interests for retro-futuristic and otherworldly sounds into a form of crystalline, iridescent ambient that shimmers shades away from the likes of uon and Huerco S., the jazzier ambient end of Actress and ‘90s Move D, and the lushest Hassellian 4th World dimensions.
To be honest this is the sort of Kassem album we’ve wanted to hear for ages, seeing him leave the dance for dust and follow his nose into properly aetheric alternate head spaces, showing off that personalised, hybrid analogue/digital soundsphere and tactile design tekkers that we’ve come to love since his earliest turns in the ‘00s. He sucks us right in with the lush FM synth fronds of ‘Mythil Shard’ and, through enigmatic processes, keeps us there until the gravelly slosh of ‘Palestone’, via stunning pieces of GRM-like sound design in ‘Twinkling Titanite’, and the 0PN-like ‘Passage Jewel’, or the spiralling helixes of ‘Rising Core’ with a gripping sense of narration that marks this album, and him, out for soundtrack purposes.
Tip!
Kassem Mosse blesses Youth with a gorgeous ambient album under his Seltene Erden alias making up for a noticeable absence from the release schedule in recent years.
‘Scorched Erden’ marks Kassem Mosse’s full solo debut with Youth after the ’Silica Gel’ cut on their ‘Sports’ CD in 2019. Reviving the Seltene Erden handle last used in 2011 on a 12" for Mule, the modern house auteur yields some of his most preciously melodic works to date, focussing his interests for retro-futuristic and otherworldly sounds into a form of crystalline, iridescent ambient that shimmers shades away from the likes of uon and Huerco S., the jazzier ambient end of Actress and ‘90s Move D, and the lushest Hassellian 4th World dimensions.
To be honest this is the sort of Kassem album we’ve wanted to hear for ages, seeing him leave the dance for dust and follow his nose into properly aetheric alternate head spaces, showing off that personalised, hybrid analogue/digital soundsphere and tactile design tekkers that we’ve come to love since his earliest turns in the ‘00s. He sucks us right in with the lush FM synth fronds of ‘Mythil Shard’ and, through enigmatic processes, keeps us there until the gravelly slosh of ‘Palestone’, via stunning pieces of GRM-like sound design in ‘Twinkling Titanite’, and the 0PN-like ‘Passage Jewel’, or the spiralling helixes of ‘Rising Core’ with a gripping sense of narration that marks this album, and him, out for soundtrack purposes.
Tip!
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Kassem Mosse blesses Youth with a gorgeous ambient album under his Seltene Erden alias making up for a noticeable absence from the release schedule in recent years.
‘Scorched Erden’ marks Kassem Mosse’s full solo debut with Youth after the ’Silica Gel’ cut on their ‘Sports’ CD in 2019. Reviving the Seltene Erden handle last used in 2011 on a 12" for Mule, the modern house auteur yields some of his most preciously melodic works to date, focussing his interests for retro-futuristic and otherworldly sounds into a form of crystalline, iridescent ambient that shimmers shades away from the likes of uon and Huerco S., the jazzier ambient end of Actress and ‘90s Move D, and the lushest Hassellian 4th World dimensions.
To be honest this is the sort of Kassem album we’ve wanted to hear for ages, seeing him leave the dance for dust and follow his nose into properly aetheric alternate head spaces, showing off that personalised, hybrid analogue/digital soundsphere and tactile design tekkers that we’ve come to love since his earliest turns in the ‘00s. He sucks us right in with the lush FM synth fronds of ‘Mythil Shard’ and, through enigmatic processes, keeps us there until the gravelly slosh of ‘Palestone’, via stunning pieces of GRM-like sound design in ‘Twinkling Titanite’, and the 0PN-like ‘Passage Jewel’, or the spiralling helixes of ‘Rising Core’ with a gripping sense of narration that marks this album, and him, out for soundtrack purposes.
Tip!