Same Place, Another Time
Silk-cut, downbeat ambient suss by Japan’s Soshi Takeda, flush with fluttering FM synths and peppery machine percussion in the style of his turns for 100% Silk and Dotei Records
Takeda really catches a breeze behind his sails with ‘Same Place, Another Time’, pushing off into the sublime somewhere between Japanese new age ambient and Larry Heard’s slower strains of deep house, or even Paddy McAloon. Perfect measures of angelic synth voices, restrained jazzy turns of phrase and smoking jacket sashay add up to a dream for the debonairness, giving it come to bed keys on ‘Analog Photography’, and liquid-hipped shimmy rubbed with special oils in ‘Blue Dress’, along with echoes of Balearic Vini Reilly in the tremulous guitar top line of its title tune and blushing FM synth chords of ‘Flower’.
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Silk-cut, downbeat ambient suss by Japan’s Soshi Takeda, flush with fluttering FM synths and peppery machine percussion in the style of his turns for 100% Silk and Dotei Records
Takeda really catches a breeze behind his sails with ‘Same Place, Another Time’, pushing off into the sublime somewhere between Japanese new age ambient and Larry Heard’s slower strains of deep house, or even Paddy McAloon. Perfect measures of angelic synth voices, restrained jazzy turns of phrase and smoking jacket sashay add up to a dream for the debonairness, giving it come to bed keys on ‘Analog Photography’, and liquid-hipped shimmy rubbed with special oils in ‘Blue Dress’, along with echoes of Balearic Vini Reilly in the tremulous guitar top line of its title tune and blushing FM synth chords of ‘Flower’.
Silk-cut, downbeat ambient suss by Japan’s Soshi Takeda, flush with fluttering FM synths and peppery machine percussion in the style of his turns for 100% Silk and Dotei Records
Takeda really catches a breeze behind his sails with ‘Same Place, Another Time’, pushing off into the sublime somewhere between Japanese new age ambient and Larry Heard’s slower strains of deep house, or even Paddy McAloon. Perfect measures of angelic synth voices, restrained jazzy turns of phrase and smoking jacket sashay add up to a dream for the debonairness, giving it come to bed keys on ‘Analog Photography’, and liquid-hipped shimmy rubbed with special oils in ‘Blue Dress’, along with echoes of Balearic Vini Reilly in the tremulous guitar top line of its title tune and blushing FM synth chords of ‘Flower’.
Silk-cut, downbeat ambient suss by Japan’s Soshi Takeda, flush with fluttering FM synths and peppery machine percussion in the style of his turns for 100% Silk and Dotei Records
Takeda really catches a breeze behind his sails with ‘Same Place, Another Time’, pushing off into the sublime somewhere between Japanese new age ambient and Larry Heard’s slower strains of deep house, or even Paddy McAloon. Perfect measures of angelic synth voices, restrained jazzy turns of phrase and smoking jacket sashay add up to a dream for the debonairness, giving it come to bed keys on ‘Analog Photography’, and liquid-hipped shimmy rubbed with special oils in ‘Blue Dress’, along with echoes of Balearic Vini Reilly in the tremulous guitar top line of its title tune and blushing FM synth chords of ‘Flower’.
12" EP.
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Silk-cut, downbeat ambient suss by Japan’s Soshi Takeda, flush with fluttering FM synths and peppery machine percussion in the style of his turns for 100% Silk and Dotei Records
Takeda really catches a breeze behind his sails with ‘Same Place, Another Time’, pushing off into the sublime somewhere between Japanese new age ambient and Larry Heard’s slower strains of deep house, or even Paddy McAloon. Perfect measures of angelic synth voices, restrained jazzy turns of phrase and smoking jacket sashay add up to a dream for the debonairness, giving it come to bed keys on ‘Analog Photography’, and liquid-hipped shimmy rubbed with special oils in ‘Blue Dress’, along with echoes of Balearic Vini Reilly in the tremulous guitar top line of its title tune and blushing FM synth chords of ‘Flower’.