PORTER RICKS
Same
Boomkat Product Review:
Much needed reissue of Porter Ricks’ 1997 follow-up to ‘Biokinetics’, plunging deep in the interzone between ambient, noise, and dub techno across its expanded and reshaped 2021 version
Re-floating an overlooked vessel from their 25 year voyage, ‘Same’ returns to the surface subtly resequenced to change its direction of flow, front-loading its rolling dub techno depths and pushing its mid-late ‘90s smoker-funk hip hop and D&B tracks to the back (to be fair they could have omitted them fully). Dodgy bits aside, what remains is a killer example of Porter Ricks’ patented subaquatic pressure in effect, oscillating waves of skanking and stepping groove with canny turns to funkier house and disco loop styles that acknowledge the era they were launched into.
Anyone taken by Porter Ricks’ preceding run of classics for Chain Reaction and Mille Plateaux will be in their element with this album’s dub techno dynamics, with wickedly offset grooves in the ‘Redundance’ parts at their skudgy best in the discoid grind of ‘Redundancy 3’, darker textural ambient scapes in ‘Redundance (Version)’, and a gorgeous scanner ‘Redundance 5’ surely laying the ground for Convextion’s album tracks. At its deepest point, ‘Scuba Lounge’ exerts 11 mins of menacing pressure, before the residual deep house throb of ‘Spoiled’ comes on like a rave heard from miles across dark sea, and ’Spoil’ cuts the filters to reveal a proper Chi-style disco-house loop in action.
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Boomkat Product Review:
Much needed reissue of Porter Ricks’ 1997 follow-up to ‘Biokinetics’, plunging deep in the interzone between ambient, noise, and dub techno across its expanded and reshaped 2021 version
Re-floating an overlooked vessel from their 25 year voyage, ‘Same’ returns to the surface subtly resequenced to change its direction of flow, front-loading its rolling dub techno depths and pushing its mid-late ‘90s smoker-funk hip hop and D&B tracks to the back (to be fair they could have omitted them fully). Dodgy bits aside, what remains is a killer example of Porter Ricks’ patented subaquatic pressure in effect, oscillating waves of skanking and stepping groove with canny turns to funkier house and disco loop styles that acknowledge the era they were launched into.
Anyone taken by Porter Ricks’ preceding run of classics for Chain Reaction and Mille Plateaux will be in their element with this album’s dub techno dynamics, with wickedly offset grooves in the ‘Redundance’ parts at their skudgy best in the discoid grind of ‘Redundancy 3’, darker textural ambient scapes in ‘Redundance (Version)’, and a gorgeous scanner ‘Redundance 5’ surely laying the ground for Convextion’s album tracks. At its deepest point, ‘Scuba Lounge’ exerts 11 mins of menacing pressure, before the residual deep house throb of ‘Spoiled’ comes on like a rave heard from miles across dark sea, and ’Spoil’ cuts the filters to reveal a proper Chi-style disco-house loop in action.
Boomkat Product Review:
Much needed reissue of Porter Ricks’ 1997 follow-up to ‘Biokinetics’, plunging deep in the interzone between ambient, noise, and dub techno across its expanded and reshaped 2021 version
Re-floating an overlooked vessel from their 25 year voyage, ‘Same’ returns to the surface subtly resequenced to change its direction of flow, front-loading its rolling dub techno depths and pushing its mid-late ‘90s smoker-funk hip hop and D&B tracks to the back (to be fair they could have omitted them fully). Dodgy bits aside, what remains is a killer example of Porter Ricks’ patented subaquatic pressure in effect, oscillating waves of skanking and stepping groove with canny turns to funkier house and disco loop styles that acknowledge the era they were launched into.
Anyone taken by Porter Ricks’ preceding run of classics for Chain Reaction and Mille Plateaux will be in their element with this album’s dub techno dynamics, with wickedly offset grooves in the ‘Redundance’ parts at their skudgy best in the discoid grind of ‘Redundancy 3’, darker textural ambient scapes in ‘Redundance (Version)’, and a gorgeous scanner ‘Redundance 5’ surely laying the ground for Convextion’s album tracks. At its deepest point, ‘Scuba Lounge’ exerts 11 mins of menacing pressure, before the residual deep house throb of ‘Spoiled’ comes on like a rave heard from miles across dark sea, and ’Spoil’ cuts the filters to reveal a proper Chi-style disco-house loop in action.
Boomkat Product Review:
Much needed reissue of Porter Ricks’ 1997 follow-up to ‘Biokinetics’, plunging deep in the interzone between ambient, noise, and dub techno across its expanded and reshaped 2021 version
Re-floating an overlooked vessel from their 25 year voyage, ‘Same’ returns to the surface subtly resequenced to change its direction of flow, front-loading its rolling dub techno depths and pushing its mid-late ‘90s smoker-funk hip hop and D&B tracks to the back (to be fair they could have omitted them fully). Dodgy bits aside, what remains is a killer example of Porter Ricks’ patented subaquatic pressure in effect, oscillating waves of skanking and stepping groove with canny turns to funkier house and disco loop styles that acknowledge the era they were launched into.
Anyone taken by Porter Ricks’ preceding run of classics for Chain Reaction and Mille Plateaux will be in their element with this album’s dub techno dynamics, with wickedly offset grooves in the ‘Redundance’ parts at their skudgy best in the discoid grind of ‘Redundancy 3’, darker textural ambient scapes in ‘Redundance (Version)’, and a gorgeous scanner ‘Redundance 5’ surely laying the ground for Convextion’s album tracks. At its deepest point, ‘Scuba Lounge’ exerts 11 mins of menacing pressure, before the residual deep house throb of ‘Spoiled’ comes on like a rave heard from miles across dark sea, and ’Spoil’ cuts the filters to reveal a proper Chi-style disco-house loop in action.
Out of Stock
Boomkat Product Review:
Much needed reissue of Porter Ricks’ 1997 follow-up to ‘Biokinetics’, plunging deep in the interzone between ambient, noise, and dub techno across its expanded and reshaped 2021 version
Re-floating an overlooked vessel from their 25 year voyage, ‘Same’ returns to the surface subtly resequenced to change its direction of flow, front-loading its rolling dub techno depths and pushing its mid-late ‘90s smoker-funk hip hop and D&B tracks to the back (to be fair they could have omitted them fully). Dodgy bits aside, what remains is a killer example of Porter Ricks’ patented subaquatic pressure in effect, oscillating waves of skanking and stepping groove with canny turns to funkier house and disco loop styles that acknowledge the era they were launched into.
Anyone taken by Porter Ricks’ preceding run of classics for Chain Reaction and Mille Plateaux will be in their element with this album’s dub techno dynamics, with wickedly offset grooves in the ‘Redundance’ parts at their skudgy best in the discoid grind of ‘Redundancy 3’, darker textural ambient scapes in ‘Redundance (Version)’, and a gorgeous scanner ‘Redundance 5’ surely laying the ground for Convextion’s album tracks. At its deepest point, ‘Scuba Lounge’ exerts 11 mins of menacing pressure, before the residual deep house throb of ‘Spoiled’ comes on like a rave heard from miles across dark sea, and ’Spoil’ cuts the filters to reveal a proper Chi-style disco-house loop in action.
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