Equiknoxx, Gabber Modus Operandi, 33EMYBW and Varg lend club ready remix energies to Aïsha Devi’s Spiritual Liberation Front movement
Fresh from support slots for AFX, Svbkvlt’s 33EMYBW raises the tension of ‘Two Serpents’ with an upsetting remix full of pointillist, glassy melody and gnashing, footwork-related drums, while Svbkvlt’s other leading act, Indonesia’s boundary-trampling Gabber Modus Operandi transform ‘Uupar-Theory’ into a fever dream of hypnotic gamelan cadence and distorted hardcore kick drums with outernational scally alacrity. Scandinavia’s Varg follows with a skittish junglist twyst on ‘I’m Not Always Where My Body Is’ making poignant use of the original’s ohrwurm chorus, and Equiknoxx turn ‘The Favour Of Fire’ into something like a lost Radiophonic bashment dub.
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Equiknoxx, Gabber Modus Operandi, 33EMYBW and Varg lend club ready remix energies to Aïsha Devi’s Spiritual Liberation Front movement
Fresh from support slots for AFX, Svbkvlt’s 33EMYBW raises the tension of ‘Two Serpents’ with an upsetting remix full of pointillist, glassy melody and gnashing, footwork-related drums, while Svbkvlt’s other leading act, Indonesia’s boundary-trampling Gabber Modus Operandi transform ‘Uupar-Theory’ into a fever dream of hypnotic gamelan cadence and distorted hardcore kick drums with outernational scally alacrity. Scandinavia’s Varg follows with a skittish junglist twyst on ‘I’m Not Always Where My Body Is’ making poignant use of the original’s ohrwurm chorus, and Equiknoxx turn ‘The Favour Of Fire’ into something like a lost Radiophonic bashment dub.
Equiknoxx, Gabber Modus Operandi, 33EMYBW and Varg lend club ready remix energies to Aïsha Devi’s Spiritual Liberation Front movement
Fresh from support slots for AFX, Svbkvlt’s 33EMYBW raises the tension of ‘Two Serpents’ with an upsetting remix full of pointillist, glassy melody and gnashing, footwork-related drums, while Svbkvlt’s other leading act, Indonesia’s boundary-trampling Gabber Modus Operandi transform ‘Uupar-Theory’ into a fever dream of hypnotic gamelan cadence and distorted hardcore kick drums with outernational scally alacrity. Scandinavia’s Varg follows with a skittish junglist twyst on ‘I’m Not Always Where My Body Is’ making poignant use of the original’s ohrwurm chorus, and Equiknoxx turn ‘The Favour Of Fire’ into something like a lost Radiophonic bashment dub.
Equiknoxx, Gabber Modus Operandi, 33EMYBW and Varg lend club ready remix energies to Aïsha Devi’s Spiritual Liberation Front movement
Fresh from support slots for AFX, Svbkvlt’s 33EMYBW raises the tension of ‘Two Serpents’ with an upsetting remix full of pointillist, glassy melody and gnashing, footwork-related drums, while Svbkvlt’s other leading act, Indonesia’s boundary-trampling Gabber Modus Operandi transform ‘Uupar-Theory’ into a fever dream of hypnotic gamelan cadence and distorted hardcore kick drums with outernational scally alacrity. Scandinavia’s Varg follows with a skittish junglist twyst on ‘I’m Not Always Where My Body Is’ making poignant use of the original’s ohrwurm chorus, and Equiknoxx turn ‘The Favour Of Fire’ into something like a lost Radiophonic bashment dub.
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Equiknoxx, Gabber Modus Operandi, 33EMYBW and Varg lend club ready remix energies to Aïsha Devi’s Spiritual Liberation Front movement
Fresh from support slots for AFX, Svbkvlt’s 33EMYBW raises the tension of ‘Two Serpents’ with an upsetting remix full of pointillist, glassy melody and gnashing, footwork-related drums, while Svbkvlt’s other leading act, Indonesia’s boundary-trampling Gabber Modus Operandi transform ‘Uupar-Theory’ into a fever dream of hypnotic gamelan cadence and distorted hardcore kick drums with outernational scally alacrity. Scandinavia’s Varg follows with a skittish junglist twyst on ‘I’m Not Always Where My Body Is’ making poignant use of the original’s ohrwurm chorus, and Equiknoxx turn ‘The Favour Of Fire’ into something like a lost Radiophonic bashment dub.