Freshest West London soul and dance-pop pressure from an emerging starlet, building on the promise of her vocals for Anz and Fauzia records with a late summer gem of an album
Arriving on the brilliant PLZ Make It Ruins label (Vegyn, pigbaby, OTTO), the debut LP from George Riley introduces the gifted vocalist/song-writer with a neat bouquet of 8 songs spanning symphonic soul, R&B, raving UKG and finer integers of electronic pop. It’s got Vegyn - collaborator of Dean Blunt, JPEGMAFIA, and Kali Uchis - on the buttons, which is always a strong sign, and the pair patently gel in perfect style, cooking up a record that rings out with late summer melancholy and a certain sort of changing-szn promise.
The lavish string arrangements by John Keek, who’s previously worked with Georgia Anne Muldrow and King Krule - and here performed by Karl McComas-Reichl - are a big attraction on the purling opener ‘Sacrifice’ and the opulent sweep of ‘Honesty’, while the the record’s bevy of dance-pop tunes ideally exemplify George’s versatility and vitality, nimbly gilding the gnashing breaks and grungy guitar of ‘Time’ with a classic stardust that’s also present in the sweeter bop of ‘Delusion’. Together with the album’s simmering downstrokes of ‘90s R&B keys and peppery 808 in ‘Jealously’ and ‘Running In Waves’, or the late night shuffle of ‘Acceptance’, it’s an all round peach - not too overproduced, leaving room for imagination and scope for where she’s going next.
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Freshest West London soul and dance-pop pressure from an emerging starlet, building on the promise of her vocals for Anz and Fauzia records with a late summer gem of an album
Arriving on the brilliant PLZ Make It Ruins label (Vegyn, pigbaby, OTTO), the debut LP from George Riley introduces the gifted vocalist/song-writer with a neat bouquet of 8 songs spanning symphonic soul, R&B, raving UKG and finer integers of electronic pop. It’s got Vegyn - collaborator of Dean Blunt, JPEGMAFIA, and Kali Uchis - on the buttons, which is always a strong sign, and the pair patently gel in perfect style, cooking up a record that rings out with late summer melancholy and a certain sort of changing-szn promise.
The lavish string arrangements by John Keek, who’s previously worked with Georgia Anne Muldrow and King Krule - and here performed by Karl McComas-Reichl - are a big attraction on the purling opener ‘Sacrifice’ and the opulent sweep of ‘Honesty’, while the the record’s bevy of dance-pop tunes ideally exemplify George’s versatility and vitality, nimbly gilding the gnashing breaks and grungy guitar of ‘Time’ with a classic stardust that’s also present in the sweeter bop of ‘Delusion’. Together with the album’s simmering downstrokes of ‘90s R&B keys and peppery 808 in ‘Jealously’ and ‘Running In Waves’, or the late night shuffle of ‘Acceptance’, it’s an all round peach - not too overproduced, leaving room for imagination and scope for where she’s going next.
Freshest West London soul and dance-pop pressure from an emerging starlet, building on the promise of her vocals for Anz and Fauzia records with a late summer gem of an album
Arriving on the brilliant PLZ Make It Ruins label (Vegyn, pigbaby, OTTO), the debut LP from George Riley introduces the gifted vocalist/song-writer with a neat bouquet of 8 songs spanning symphonic soul, R&B, raving UKG and finer integers of electronic pop. It’s got Vegyn - collaborator of Dean Blunt, JPEGMAFIA, and Kali Uchis - on the buttons, which is always a strong sign, and the pair patently gel in perfect style, cooking up a record that rings out with late summer melancholy and a certain sort of changing-szn promise.
The lavish string arrangements by John Keek, who’s previously worked with Georgia Anne Muldrow and King Krule - and here performed by Karl McComas-Reichl - are a big attraction on the purling opener ‘Sacrifice’ and the opulent sweep of ‘Honesty’, while the the record’s bevy of dance-pop tunes ideally exemplify George’s versatility and vitality, nimbly gilding the gnashing breaks and grungy guitar of ‘Time’ with a classic stardust that’s also present in the sweeter bop of ‘Delusion’. Together with the album’s simmering downstrokes of ‘90s R&B keys and peppery 808 in ‘Jealously’ and ‘Running In Waves’, or the late night shuffle of ‘Acceptance’, it’s an all round peach - not too overproduced, leaving room for imagination and scope for where she’s going next.
Freshest West London soul and dance-pop pressure from an emerging starlet, building on the promise of her vocals for Anz and Fauzia records with a late summer gem of an album
Arriving on the brilliant PLZ Make It Ruins label (Vegyn, pigbaby, OTTO), the debut LP from George Riley introduces the gifted vocalist/song-writer with a neat bouquet of 8 songs spanning symphonic soul, R&B, raving UKG and finer integers of electronic pop. It’s got Vegyn - collaborator of Dean Blunt, JPEGMAFIA, and Kali Uchis - on the buttons, which is always a strong sign, and the pair patently gel in perfect style, cooking up a record that rings out with late summer melancholy and a certain sort of changing-szn promise.
The lavish string arrangements by John Keek, who’s previously worked with Georgia Anne Muldrow and King Krule - and here performed by Karl McComas-Reichl - are a big attraction on the purling opener ‘Sacrifice’ and the opulent sweep of ‘Honesty’, while the the record’s bevy of dance-pop tunes ideally exemplify George’s versatility and vitality, nimbly gilding the gnashing breaks and grungy guitar of ‘Time’ with a classic stardust that’s also present in the sweeter bop of ‘Delusion’. Together with the album’s simmering downstrokes of ‘90s R&B keys and peppery 808 in ‘Jealously’ and ‘Running In Waves’, or the late night shuffle of ‘Acceptance’, it’s an all round peach - not too overproduced, leaving room for imagination and scope for where she’s going next.
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Freshest West London soul and dance-pop pressure from an emerging starlet, building on the promise of her vocals for Anz and Fauzia records with a late summer gem of an album
Arriving on the brilliant PLZ Make It Ruins label (Vegyn, pigbaby, OTTO), the debut LP from George Riley introduces the gifted vocalist/song-writer with a neat bouquet of 8 songs spanning symphonic soul, R&B, raving UKG and finer integers of electronic pop. It’s got Vegyn - collaborator of Dean Blunt, JPEGMAFIA, and Kali Uchis - on the buttons, which is always a strong sign, and the pair patently gel in perfect style, cooking up a record that rings out with late summer melancholy and a certain sort of changing-szn promise.
The lavish string arrangements by John Keek, who’s previously worked with Georgia Anne Muldrow and King Krule - and here performed by Karl McComas-Reichl - are a big attraction on the purling opener ‘Sacrifice’ and the opulent sweep of ‘Honesty’, while the the record’s bevy of dance-pop tunes ideally exemplify George’s versatility and vitality, nimbly gilding the gnashing breaks and grungy guitar of ‘Time’ with a classic stardust that’s also present in the sweeter bop of ‘Delusion’. Together with the album’s simmering downstrokes of ‘90s R&B keys and peppery 808 in ‘Jealously’ and ‘Running In Waves’, or the late night shuffle of ‘Acceptance’, it’s an all round peach - not too overproduced, leaving room for imagination and scope for where she’s going next.