Optimo Music serve a proper peach with reissue of three Ted Milton / Blurt aces from lesser-known nooks of UK jazz/post-punk/electronics on a fresh new double-AA side.
Ted Milton is a ground-breaking saxophonist and frontman of Blurt since their inception. This 12” documents his work under both names, giving up the killer swerve and Hammer-esque vocals of Love Is Like A Violence, and his frothy freakbeat It’s Only Recently That Stalins Have Begun To Roost (what a title!) both from 1984, on top, then a dose of Blurt on the B-side, namely the unmissable charms of The Ruminant Plinth [1983], featuring wickedly off-the-cuff vocals woven into what sounds like Afrobeat skronk played in a massive silo.
This one’s bound to set a lot of heads on a Ted Milton tangent!
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Optimo Music serve a proper peach with reissue of three Ted Milton / Blurt aces from lesser-known nooks of UK jazz/post-punk/electronics on a fresh new double-AA side.
Ted Milton is a ground-breaking saxophonist and frontman of Blurt since their inception. This 12” documents his work under both names, giving up the killer swerve and Hammer-esque vocals of Love Is Like A Violence, and his frothy freakbeat It’s Only Recently That Stalins Have Begun To Roost (what a title!) both from 1984, on top, then a dose of Blurt on the B-side, namely the unmissable charms of The Ruminant Plinth [1983], featuring wickedly off-the-cuff vocals woven into what sounds like Afrobeat skronk played in a massive silo.
This one’s bound to set a lot of heads on a Ted Milton tangent!
Optimo Music serve a proper peach with reissue of three Ted Milton / Blurt aces from lesser-known nooks of UK jazz/post-punk/electronics on a fresh new double-AA side.
Ted Milton is a ground-breaking saxophonist and frontman of Blurt since their inception. This 12” documents his work under both names, giving up the killer swerve and Hammer-esque vocals of Love Is Like A Violence, and his frothy freakbeat It’s Only Recently That Stalins Have Begun To Roost (what a title!) both from 1984, on top, then a dose of Blurt on the B-side, namely the unmissable charms of The Ruminant Plinth [1983], featuring wickedly off-the-cuff vocals woven into what sounds like Afrobeat skronk played in a massive silo.
This one’s bound to set a lot of heads on a Ted Milton tangent!
Optimo Music serve a proper peach with reissue of three Ted Milton / Blurt aces from lesser-known nooks of UK jazz/post-punk/electronics on a fresh new double-AA side.
Ted Milton is a ground-breaking saxophonist and frontman of Blurt since their inception. This 12” documents his work under both names, giving up the killer swerve and Hammer-esque vocals of Love Is Like A Violence, and his frothy freakbeat It’s Only Recently That Stalins Have Begun To Roost (what a title!) both from 1984, on top, then a dose of Blurt on the B-side, namely the unmissable charms of The Ruminant Plinth [1983], featuring wickedly off-the-cuff vocals woven into what sounds like Afrobeat skronk played in a massive silo.
This one’s bound to set a lot of heads on a Ted Milton tangent!
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Optimo Music serve a proper peach with reissue of three Ted Milton / Blurt aces from lesser-known nooks of UK jazz/post-punk/electronics on a fresh new double-AA side.
Ted Milton is a ground-breaking saxophonist and frontman of Blurt since their inception. This 12” documents his work under both names, giving up the killer swerve and Hammer-esque vocals of Love Is Like A Violence, and his frothy freakbeat It’s Only Recently That Stalins Have Begun To Roost (what a title!) both from 1984, on top, then a dose of Blurt on the B-side, namely the unmissable charms of The Ruminant Plinth [1983], featuring wickedly off-the-cuff vocals woven into what sounds like Afrobeat skronk played in a massive silo.
This one’s bound to set a lot of heads on a Ted Milton tangent!