ATL’s deep house dynamo Stefan Ringer dons his Black Suede cap for a dead tasty, 3-track follow up to his 2015 EP in this mode
Still cherished for his ‘MetaMusic EP’ that gets a lot of play up our way, Stefan Ringer’s music reps a distinctive slant on the best, offbeat, and deep Detroit, NYC and Chicago house styles from the relative, Southern outpost of Atlanta, Georgia. No doubt comparable to Theo Parrish or Kenny Dixon Jr., Ringer’s sound is riddled with his own sense of detail and soul, and at its rudest, jazz-blooziest as Black Suede. ’Rogue’ gets into it with a lathered syncopation of grunting bass, shakers, wood-cut drums and dubbed out chords that hit where it matters, before plotting it out on the 2-step like a rawer adjunct to fellow ATL ace, Leonce, in ‘Maze’, and gripping it below the bel with woodcut bass knocks and zippy hi-hats on ‘Dirt Dub’ recalling cult Manc producer Michael J. Blood.
Aye, this one works it.
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ATL’s deep house dynamo Stefan Ringer dons his Black Suede cap for a dead tasty, 3-track follow up to his 2015 EP in this mode
Still cherished for his ‘MetaMusic EP’ that gets a lot of play up our way, Stefan Ringer’s music reps a distinctive slant on the best, offbeat, and deep Detroit, NYC and Chicago house styles from the relative, Southern outpost of Atlanta, Georgia. No doubt comparable to Theo Parrish or Kenny Dixon Jr., Ringer’s sound is riddled with his own sense of detail and soul, and at its rudest, jazz-blooziest as Black Suede. ’Rogue’ gets into it with a lathered syncopation of grunting bass, shakers, wood-cut drums and dubbed out chords that hit where it matters, before plotting it out on the 2-step like a rawer adjunct to fellow ATL ace, Leonce, in ‘Maze’, and gripping it below the bel with woodcut bass knocks and zippy hi-hats on ‘Dirt Dub’ recalling cult Manc producer Michael J. Blood.
Aye, this one works it.
ATL’s deep house dynamo Stefan Ringer dons his Black Suede cap for a dead tasty, 3-track follow up to his 2015 EP in this mode
Still cherished for his ‘MetaMusic EP’ that gets a lot of play up our way, Stefan Ringer’s music reps a distinctive slant on the best, offbeat, and deep Detroit, NYC and Chicago house styles from the relative, Southern outpost of Atlanta, Georgia. No doubt comparable to Theo Parrish or Kenny Dixon Jr., Ringer’s sound is riddled with his own sense of detail and soul, and at its rudest, jazz-blooziest as Black Suede. ’Rogue’ gets into it with a lathered syncopation of grunting bass, shakers, wood-cut drums and dubbed out chords that hit where it matters, before plotting it out on the 2-step like a rawer adjunct to fellow ATL ace, Leonce, in ‘Maze’, and gripping it below the bel with woodcut bass knocks and zippy hi-hats on ‘Dirt Dub’ recalling cult Manc producer Michael J. Blood.
Aye, this one works it.
ATL’s deep house dynamo Stefan Ringer dons his Black Suede cap for a dead tasty, 3-track follow up to his 2015 EP in this mode
Still cherished for his ‘MetaMusic EP’ that gets a lot of play up our way, Stefan Ringer’s music reps a distinctive slant on the best, offbeat, and deep Detroit, NYC and Chicago house styles from the relative, Southern outpost of Atlanta, Georgia. No doubt comparable to Theo Parrish or Kenny Dixon Jr., Ringer’s sound is riddled with his own sense of detail and soul, and at its rudest, jazz-blooziest as Black Suede. ’Rogue’ gets into it with a lathered syncopation of grunting bass, shakers, wood-cut drums and dubbed out chords that hit where it matters, before plotting it out on the 2-step like a rawer adjunct to fellow ATL ace, Leonce, in ‘Maze’, and gripping it below the bel with woodcut bass knocks and zippy hi-hats on ‘Dirt Dub’ recalling cult Manc producer Michael J. Blood.
Aye, this one works it.