River of Revenge: Brazilian Country Music 1929-1961, Vol. 2
Death is Not the End follow their collection of Brazilian "música caipira" with another volume of hillbilly music from South America.
This set rounds up some of the earliest examples of música caipira, a stripped-back style that's seen as the forerunner to the popular música sertaneja - the Brazilian equivalent to US country that still dominates local charts. Folklorist Cornélio Pires made the earliest recordings in the 1920s, but the set stretches into the 1960s, grabbing recordings from small-run 78s and 45s.
The music was traditionally recorded by duos singing in parallel thirds and sixths, accompanied by a guitarist playing a ten-string guitar, the viola caipira. And the music was born in the Brazilian outback, using invented tunings and singing songs of betrayal, love and loss - the usual biz. If you enjoyed the first compilation, this one adds even more color to a genre that's not so well known outside of South America.
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Death is Not the End follow their collection of Brazilian "música caipira" with another volume of hillbilly music from South America.
This set rounds up some of the earliest examples of música caipira, a stripped-back style that's seen as the forerunner to the popular música sertaneja - the Brazilian equivalent to US country that still dominates local charts. Folklorist Cornélio Pires made the earliest recordings in the 1920s, but the set stretches into the 1960s, grabbing recordings from small-run 78s and 45s.
The music was traditionally recorded by duos singing in parallel thirds and sixths, accompanied by a guitarist playing a ten-string guitar, the viola caipira. And the music was born in the Brazilian outback, using invented tunings and singing songs of betrayal, love and loss - the usual biz. If you enjoyed the first compilation, this one adds even more color to a genre that's not so well known outside of South America.
Death is Not the End follow their collection of Brazilian "música caipira" with another volume of hillbilly music from South America.
This set rounds up some of the earliest examples of música caipira, a stripped-back style that's seen as the forerunner to the popular música sertaneja - the Brazilian equivalent to US country that still dominates local charts. Folklorist Cornélio Pires made the earliest recordings in the 1920s, but the set stretches into the 1960s, grabbing recordings from small-run 78s and 45s.
The music was traditionally recorded by duos singing in parallel thirds and sixths, accompanied by a guitarist playing a ten-string guitar, the viola caipira. And the music was born in the Brazilian outback, using invented tunings and singing songs of betrayal, love and loss - the usual biz. If you enjoyed the first compilation, this one adds even more color to a genre that's not so well known outside of South America.
Death is Not the End follow their collection of Brazilian "música caipira" with another volume of hillbilly music from South America.
This set rounds up some of the earliest examples of música caipira, a stripped-back style that's seen as the forerunner to the popular música sertaneja - the Brazilian equivalent to US country that still dominates local charts. Folklorist Cornélio Pires made the earliest recordings in the 1920s, but the set stretches into the 1960s, grabbing recordings from small-run 78s and 45s.
The music was traditionally recorded by duos singing in parallel thirds and sixths, accompanied by a guitarist playing a ten-string guitar, the viola caipira. And the music was born in the Brazilian outback, using invented tunings and singing songs of betrayal, love and loss - the usual biz. If you enjoyed the first compilation, this one adds even more color to a genre that's not so well known outside of South America.
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Death is Not the End follow their collection of Brazilian "música caipira" with another volume of hillbilly music from South America.
This set rounds up some of the earliest examples of música caipira, a stripped-back style that's seen as the forerunner to the popular música sertaneja - the Brazilian equivalent to US country that still dominates local charts. Folklorist Cornélio Pires made the earliest recordings in the 1920s, but the set stretches into the 1960s, grabbing recordings from small-run 78s and 45s.
The music was traditionally recorded by duos singing in parallel thirds and sixths, accompanied by a guitarist playing a ten-string guitar, the viola caipira. And the music was born in the Brazilian outback, using invented tunings and singing songs of betrayal, love and loss - the usual biz. If you enjoyed the first compilation, this one adds even more color to a genre that's not so well known outside of South America.