The third release on Sasu Ripatti's eponymous imprint is the first on the label to come from the producer under his better known Vladislav Delay moniker, a complex, high velocity missive. It proceeds his Heisenberg collaboration with Max Loderbauer - Ripatti's partner in the MvO Trio with Moritz Von Oswald - with two tangled, forward-facing riddim attacks as detailed and daring as they are unforgiving. A-side '#5' hurtles on a double-timed meter accelerating his usually sparse aesthetic into denser structures of Juking percolations and knotty convolutions coming off something like Autechre doing Chicago Footwork for a Berlin warehouse. Flipside, '#22' is more tempered but just as tense, sparking SND-like clusters of pointillist percussion against signature dub bass heave and floating pads.
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The third release on Sasu Ripatti's eponymous imprint is the first on the label to come from the producer under his better known Vladislav Delay moniker, a complex, high velocity missive. It proceeds his Heisenberg collaboration with Max Loderbauer - Ripatti's partner in the MvO Trio with Moritz Von Oswald - with two tangled, forward-facing riddim attacks as detailed and daring as they are unforgiving. A-side '#5' hurtles on a double-timed meter accelerating his usually sparse aesthetic into denser structures of Juking percolations and knotty convolutions coming off something like Autechre doing Chicago Footwork for a Berlin warehouse. Flipside, '#22' is more tempered but just as tense, sparking SND-like clusters of pointillist percussion against signature dub bass heave and floating pads.
The third release on Sasu Ripatti's eponymous imprint is the first on the label to come from the producer under his better known Vladislav Delay moniker, a complex, high velocity missive. It proceeds his Heisenberg collaboration with Max Loderbauer - Ripatti's partner in the MvO Trio with Moritz Von Oswald - with two tangled, forward-facing riddim attacks as detailed and daring as they are unforgiving. A-side '#5' hurtles on a double-timed meter accelerating his usually sparse aesthetic into denser structures of Juking percolations and knotty convolutions coming off something like Autechre doing Chicago Footwork for a Berlin warehouse. Flipside, '#22' is more tempered but just as tense, sparking SND-like clusters of pointillist percussion against signature dub bass heave and floating pads.
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The third release on Sasu Ripatti's eponymous imprint is the first on the label to come from the producer under his better known Vladislav Delay moniker, a complex, high velocity missive. It proceeds his Heisenberg collaboration with Max Loderbauer - Ripatti's partner in the MvO Trio with Moritz Von Oswald - with two tangled, forward-facing riddim attacks as detailed and daring as they are unforgiving. A-side '#5' hurtles on a double-timed meter accelerating his usually sparse aesthetic into denser structures of Juking percolations and knotty convolutions coming off something like Autechre doing Chicago Footwork for a Berlin warehouse. Flipside, '#22' is more tempered but just as tense, sparking SND-like clusters of pointillist percussion against signature dub bass heave and floating pads.