Munich's Saroos cast out into otherworldly post-rock and cosmic headspaces on their 3rd album for Alien Transistor, following the split Anticon release, 'See Me Not'. Featuring members of Lali Puna and The Notwist at their core, Saroos deal in a subtly psychedelic sort of retro-futurism on 'Return', meeting Stereolab-esque vintage qualities with the same kind of appreciation for King Tubby as, say, Forest Swords, and a taste for exotica shared with the likes of Mike Cooper. It's a downbeat but buoyant set, ranging from the tempered fuzz buzz and post-rock dub wobble of 'Henderson Island' to the Can-like 'Tsalal Nights' and the sweetly drifting lilt of 'Seadance', each track imparting a clearly formed and personal vision of a timeless analogue nirvana.
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Munich's Saroos cast out into otherworldly post-rock and cosmic headspaces on their 3rd album for Alien Transistor, following the split Anticon release, 'See Me Not'. Featuring members of Lali Puna and The Notwist at their core, Saroos deal in a subtly psychedelic sort of retro-futurism on 'Return', meeting Stereolab-esque vintage qualities with the same kind of appreciation for King Tubby as, say, Forest Swords, and a taste for exotica shared with the likes of Mike Cooper. It's a downbeat but buoyant set, ranging from the tempered fuzz buzz and post-rock dub wobble of 'Henderson Island' to the Can-like 'Tsalal Nights' and the sweetly drifting lilt of 'Seadance', each track imparting a clearly formed and personal vision of a timeless analogue nirvana.
Munich's Saroos cast out into otherworldly post-rock and cosmic headspaces on their 3rd album for Alien Transistor, following the split Anticon release, 'See Me Not'. Featuring members of Lali Puna and The Notwist at their core, Saroos deal in a subtly psychedelic sort of retro-futurism on 'Return', meeting Stereolab-esque vintage qualities with the same kind of appreciation for King Tubby as, say, Forest Swords, and a taste for exotica shared with the likes of Mike Cooper. It's a downbeat but buoyant set, ranging from the tempered fuzz buzz and post-rock dub wobble of 'Henderson Island' to the Can-like 'Tsalal Nights' and the sweetly drifting lilt of 'Seadance', each track imparting a clearly formed and personal vision of a timeless analogue nirvana.
Available To Order (Estimated Shipping between 7-14 Working Days)
This item is to the best of our knowledge available to us from the supplier and should ship to you within the time-frame indicated. If there are any unforeseen issues with availability we will notify you immediately
Munich's Saroos cast out into otherworldly post-rock and cosmic headspaces on their 3rd album for Alien Transistor, following the split Anticon release, 'See Me Not'. Featuring members of Lali Puna and The Notwist at their core, Saroos deal in a subtly psychedelic sort of retro-futurism on 'Return', meeting Stereolab-esque vintage qualities with the same kind of appreciation for King Tubby as, say, Forest Swords, and a taste for exotica shared with the likes of Mike Cooper. It's a downbeat but buoyant set, ranging from the tempered fuzz buzz and post-rock dub wobble of 'Henderson Island' to the Can-like 'Tsalal Nights' and the sweetly drifting lilt of 'Seadance', each track imparting a clearly formed and personal vision of a timeless analogue nirvana.
Available To Order (Estimated Shipping between 7-14 Working Days)
This item is to the best of our knowledge available to us from the supplier and should ship to you within the time-frame indicated. If there are any unforeseen issues with availability we will notify you immediately
Munich's Saroos cast out into otherworldly post-rock and cosmic headspaces on their 3rd album for Alien Transistor, following the split Anticon release, 'See Me Not'. Featuring members of Lali Puna and The Notwist at their core, Saroos deal in a subtly psychedelic sort of retro-futurism on 'Return', meeting Stereolab-esque vintage qualities with the same kind of appreciation for King Tubby as, say, Forest Swords, and a taste for exotica shared with the likes of Mike Cooper. It's a downbeat but buoyant set, ranging from the tempered fuzz buzz and post-rock dub wobble of 'Henderson Island' to the Can-like 'Tsalal Nights' and the sweetly drifting lilt of 'Seadance', each track imparting a clearly formed and personal vision of a timeless analogue nirvana.