Sweetly sore, contemplative chamber-pop missives from Newcastle’s Craig Pollard, returning to Slip with a subtle expansion of their quietly, confidently vulnerable style of songcraft - precisely puckered arrangements riddled with burred lyrics - imagine Mica meets Paddy McAloon.
“Competition makes a blue return to Slip with 'Repetititive Music': a sawn-off songbook of doting vocals and incisive, heart-ache instrumentals, carried with a soft swagger.
Poised between insistence and tenderness, 'Repetititive Music' is an assured, dreamy successor to 2018's 'You turned into a painting'. As ever, there is Competition's rare care and delight in the unadorned material of modern song. Chopped strings, keys, machines and speech are screwed with classical grace. A voice pines and frays as it circles. Beyond the cut and the loop something yearns and lingers.
Craig Pollard (aka Competition) is a quietly pivotal figure in Newcastle's musical underground, curating events as one half of the Wild Pop collective and operating across the city's artist-led communities. A collection of Craig's writing - 'Inside A Gleaming Feeling' - is forthcoming on Glasgow press The Grass is Green in the Fields For You.”
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Sweetly sore, contemplative chamber-pop missives from Newcastle’s Craig Pollard, returning to Slip with a subtle expansion of their quietly, confidently vulnerable style of songcraft - precisely puckered arrangements riddled with burred lyrics - imagine Mica meets Paddy McAloon.
“Competition makes a blue return to Slip with 'Repetititive Music': a sawn-off songbook of doting vocals and incisive, heart-ache instrumentals, carried with a soft swagger.
Poised between insistence and tenderness, 'Repetititive Music' is an assured, dreamy successor to 2018's 'You turned into a painting'. As ever, there is Competition's rare care and delight in the unadorned material of modern song. Chopped strings, keys, machines and speech are screwed with classical grace. A voice pines and frays as it circles. Beyond the cut and the loop something yearns and lingers.
Craig Pollard (aka Competition) is a quietly pivotal figure in Newcastle's musical underground, curating events as one half of the Wild Pop collective and operating across the city's artist-led communities. A collection of Craig's writing - 'Inside A Gleaming Feeling' - is forthcoming on Glasgow press The Grass is Green in the Fields For You.”
Sweetly sore, contemplative chamber-pop missives from Newcastle’s Craig Pollard, returning to Slip with a subtle expansion of their quietly, confidently vulnerable style of songcraft - precisely puckered arrangements riddled with burred lyrics - imagine Mica meets Paddy McAloon.
“Competition makes a blue return to Slip with 'Repetititive Music': a sawn-off songbook of doting vocals and incisive, heart-ache instrumentals, carried with a soft swagger.
Poised between insistence and tenderness, 'Repetititive Music' is an assured, dreamy successor to 2018's 'You turned into a painting'. As ever, there is Competition's rare care and delight in the unadorned material of modern song. Chopped strings, keys, machines and speech are screwed with classical grace. A voice pines and frays as it circles. Beyond the cut and the loop something yearns and lingers.
Craig Pollard (aka Competition) is a quietly pivotal figure in Newcastle's musical underground, curating events as one half of the Wild Pop collective and operating across the city's artist-led communities. A collection of Craig's writing - 'Inside A Gleaming Feeling' - is forthcoming on Glasgow press The Grass is Green in the Fields For You.”
Sweetly sore, contemplative chamber-pop missives from Newcastle’s Craig Pollard, returning to Slip with a subtle expansion of their quietly, confidently vulnerable style of songcraft - precisely puckered arrangements riddled with burred lyrics - imagine Mica meets Paddy McAloon.
“Competition makes a blue return to Slip with 'Repetititive Music': a sawn-off songbook of doting vocals and incisive, heart-ache instrumentals, carried with a soft swagger.
Poised between insistence and tenderness, 'Repetititive Music' is an assured, dreamy successor to 2018's 'You turned into a painting'. As ever, there is Competition's rare care and delight in the unadorned material of modern song. Chopped strings, keys, machines and speech are screwed with classical grace. A voice pines and frays as it circles. Beyond the cut and the loop something yearns and lingers.
Craig Pollard (aka Competition) is a quietly pivotal figure in Newcastle's musical underground, curating events as one half of the Wild Pop collective and operating across the city's artist-led communities. A collection of Craig's writing - 'Inside A Gleaming Feeling' - is forthcoming on Glasgow press The Grass is Green in the Fields For You.”
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Sweetly sore, contemplative chamber-pop missives from Newcastle’s Craig Pollard, returning to Slip with a subtle expansion of their quietly, confidently vulnerable style of songcraft - precisely puckered arrangements riddled with burred lyrics - imagine Mica meets Paddy McAloon.
“Competition makes a blue return to Slip with 'Repetititive Music': a sawn-off songbook of doting vocals and incisive, heart-ache instrumentals, carried with a soft swagger.
Poised between insistence and tenderness, 'Repetititive Music' is an assured, dreamy successor to 2018's 'You turned into a painting'. As ever, there is Competition's rare care and delight in the unadorned material of modern song. Chopped strings, keys, machines and speech are screwed with classical grace. A voice pines and frays as it circles. Beyond the cut and the loop something yearns and lingers.
Craig Pollard (aka Competition) is a quietly pivotal figure in Newcastle's musical underground, curating events as one half of the Wild Pop collective and operating across the city's artist-led communities. A collection of Craig's writing - 'Inside A Gleaming Feeling' - is forthcoming on Glasgow press The Grass is Green in the Fields For You.”