Quiet Village, Tapes, and Good Block lend classy remix slants to hand-picked cuts from the catalogue of Jura Soundsystem, the solo project of the Isle of Jura and rented labels
Each operator refreshes Jura Soundsystem’s original productions with a finesse faithful to his intent, but licensed to go where they need. Joel Martin & Matt Edwards (Radioslave, REKIDS) slip comfortably back into their Quiet Village guise for a purring, deep and ambient house take on ‘Carafe denim’ off the ‘Monster Skies EP’ (2019), and Tapes gives rickety legs to ‘Udaberri Blues’, taken from a 2018 split 12”, and here resembling something we might expect from Mark Ernestus is its sinuous, hands-on dubbing and rolling chronics. The set also introduces us to London’s Good Block with their buoyant Balearic reshuffle of ‘Linn Fun’, lifted from Jura Soundsystem’s ‘Return to the Island’ album.
View more
Quiet Village, Tapes, and Good Block lend classy remix slants to hand-picked cuts from the catalogue of Jura Soundsystem, the solo project of the Isle of Jura and rented labels
Each operator refreshes Jura Soundsystem’s original productions with a finesse faithful to his intent, but licensed to go where they need. Joel Martin & Matt Edwards (Radioslave, REKIDS) slip comfortably back into their Quiet Village guise for a purring, deep and ambient house take on ‘Carafe denim’ off the ‘Monster Skies EP’ (2019), and Tapes gives rickety legs to ‘Udaberri Blues’, taken from a 2018 split 12”, and here resembling something we might expect from Mark Ernestus is its sinuous, hands-on dubbing and rolling chronics. The set also introduces us to London’s Good Block with their buoyant Balearic reshuffle of ‘Linn Fun’, lifted from Jura Soundsystem’s ‘Return to the Island’ album.
Quiet Village, Tapes, and Good Block lend classy remix slants to hand-picked cuts from the catalogue of Jura Soundsystem, the solo project of the Isle of Jura and rented labels
Each operator refreshes Jura Soundsystem’s original productions with a finesse faithful to his intent, but licensed to go where they need. Joel Martin & Matt Edwards (Radioslave, REKIDS) slip comfortably back into their Quiet Village guise for a purring, deep and ambient house take on ‘Carafe denim’ off the ‘Monster Skies EP’ (2019), and Tapes gives rickety legs to ‘Udaberri Blues’, taken from a 2018 split 12”, and here resembling something we might expect from Mark Ernestus is its sinuous, hands-on dubbing and rolling chronics. The set also introduces us to London’s Good Block with their buoyant Balearic reshuffle of ‘Linn Fun’, lifted from Jura Soundsystem’s ‘Return to the Island’ album.
Quiet Village, Tapes, and Good Block lend classy remix slants to hand-picked cuts from the catalogue of Jura Soundsystem, the solo project of the Isle of Jura and rented labels
Each operator refreshes Jura Soundsystem’s original productions with a finesse faithful to his intent, but licensed to go where they need. Joel Martin & Matt Edwards (Radioslave, REKIDS) slip comfortably back into their Quiet Village guise for a purring, deep and ambient house take on ‘Carafe denim’ off the ‘Monster Skies EP’ (2019), and Tapes gives rickety legs to ‘Udaberri Blues’, taken from a 2018 split 12”, and here resembling something we might expect from Mark Ernestus is its sinuous, hands-on dubbing and rolling chronics. The set also introduces us to London’s Good Block with their buoyant Balearic reshuffle of ‘Linn Fun’, lifted from Jura Soundsystem’s ‘Return to the Island’ album.
Out of Stock
Quiet Village, Tapes, and Good Block lend classy remix slants to hand-picked cuts from the catalogue of Jura Soundsystem, the solo project of the Isle of Jura and rented labels
Each operator refreshes Jura Soundsystem’s original productions with a finesse faithful to his intent, but licensed to go where they need. Joel Martin & Matt Edwards (Radioslave, REKIDS) slip comfortably back into their Quiet Village guise for a purring, deep and ambient house take on ‘Carafe denim’ off the ‘Monster Skies EP’ (2019), and Tapes gives rickety legs to ‘Udaberri Blues’, taken from a 2018 split 12”, and here resembling something we might expect from Mark Ernestus is its sinuous, hands-on dubbing and rolling chronics. The set also introduces us to London’s Good Block with their buoyant Balearic reshuffle of ‘Linn Fun’, lifted from Jura Soundsystem’s ‘Return to the Island’ album.