Relentless Trills
DJ Plead switches gears for a more infectious, slow and deadly percussive whirl on this killer 40 minute session for our Documenting Sound series, mostly recorded on a Yamaha ‘Oriental’ keyboard and inspired by the likes of CS + Kreme’s ’Snoopy’ album and Felix Hall’s dancehall mixtapes. Proper spacious, all-tension-no-release gear from one of the best in the game.
Recorded and sent from his home in Sydney, ‘Relentless Trills’ sees Jarred Beeler aka DJ Plead dismantling his much-loved hard drum club style. Dropping the tempo and conserving energy levels across a suite of smoky, tense works, he matches the waviest microtonal vamps with the signature, rhythmelodic lilt of his drums in a properly hypnotic style.
Equally influenced by vintage dancehall riddims and the inspirational glow of CS + Kreme's psycho-ambient heartmelters, the results sound to our ears like an offshoot of Mutamassik releases for DJ/Rupture’s Soot, or Shackleton slowed to a hash-smoking drift and heading on a Mahraganat tip. A hazy introductory piece of autotuned vocals and digital bass prodding seduces from the front, with the vibe spilling out into deep, spaced-out dancehall pressure with deliriously strong works almost nodding to Timbaland and The Neptunes in ‘RT5’, closing on a mesmerising beatless highlight in ‘RT6’ to seal the deal.
yeahhh proper.
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DJ Plead switches gears for a more infectious, slow and deadly percussive whirl on this killer 40 minute session for our Documenting Sound series, mostly recorded on a Yamaha ‘Oriental’ keyboard and inspired by the likes of CS + Kreme’s ’Snoopy’ album and Felix Hall’s dancehall mixtapes. Proper spacious, all-tension-no-release gear from one of the best in the game.
Recorded and sent from his home in Sydney, ‘Relentless Trills’ sees Jarred Beeler aka DJ Plead dismantling his much-loved hard drum club style. Dropping the tempo and conserving energy levels across a suite of smoky, tense works, he matches the waviest microtonal vamps with the signature, rhythmelodic lilt of his drums in a properly hypnotic style.
Equally influenced by vintage dancehall riddims and the inspirational glow of CS + Kreme's psycho-ambient heartmelters, the results sound to our ears like an offshoot of Mutamassik releases for DJ/Rupture’s Soot, or Shackleton slowed to a hash-smoking drift and heading on a Mahraganat tip. A hazy introductory piece of autotuned vocals and digital bass prodding seduces from the front, with the vibe spilling out into deep, spaced-out dancehall pressure with deliriously strong works almost nodding to Timbaland and The Neptunes in ‘RT5’, closing on a mesmerising beatless highlight in ‘RT6’ to seal the deal.
yeahhh proper.
DJ Plead switches gears for a more infectious, slow and deadly percussive whirl on this killer 40 minute session for our Documenting Sound series, mostly recorded on a Yamaha ‘Oriental’ keyboard and inspired by the likes of CS + Kreme’s ’Snoopy’ album and Felix Hall’s dancehall mixtapes. Proper spacious, all-tension-no-release gear from one of the best in the game.
Recorded and sent from his home in Sydney, ‘Relentless Trills’ sees Jarred Beeler aka DJ Plead dismantling his much-loved hard drum club style. Dropping the tempo and conserving energy levels across a suite of smoky, tense works, he matches the waviest microtonal vamps with the signature, rhythmelodic lilt of his drums in a properly hypnotic style.
Equally influenced by vintage dancehall riddims and the inspirational glow of CS + Kreme's psycho-ambient heartmelters, the results sound to our ears like an offshoot of Mutamassik releases for DJ/Rupture’s Soot, or Shackleton slowed to a hash-smoking drift and heading on a Mahraganat tip. A hazy introductory piece of autotuned vocals and digital bass prodding seduces from the front, with the vibe spilling out into deep, spaced-out dancehall pressure with deliriously strong works almost nodding to Timbaland and The Neptunes in ‘RT5’, closing on a mesmerising beatless highlight in ‘RT6’ to seal the deal.
yeahhh proper.
DJ Plead switches gears for a more infectious, slow and deadly percussive whirl on this killer 40 minute session for our Documenting Sound series, mostly recorded on a Yamaha ‘Oriental’ keyboard and inspired by the likes of CS + Kreme’s ’Snoopy’ album and Felix Hall’s dancehall mixtapes. Proper spacious, all-tension-no-release gear from one of the best in the game.
Recorded and sent from his home in Sydney, ‘Relentless Trills’ sees Jarred Beeler aka DJ Plead dismantling his much-loved hard drum club style. Dropping the tempo and conserving energy levels across a suite of smoky, tense works, he matches the waviest microtonal vamps with the signature, rhythmelodic lilt of his drums in a properly hypnotic style.
Equally influenced by vintage dancehall riddims and the inspirational glow of CS + Kreme's psycho-ambient heartmelters, the results sound to our ears like an offshoot of Mutamassik releases for DJ/Rupture’s Soot, or Shackleton slowed to a hash-smoking drift and heading on a Mahraganat tip. A hazy introductory piece of autotuned vocals and digital bass prodding seduces from the front, with the vibe spilling out into deep, spaced-out dancehall pressure with deliriously strong works almost nodding to Timbaland and The Neptunes in ‘RT5’, closing on a mesmerising beatless highlight in ‘RT6’ to seal the deal.
yeahhh proper.
Last box of copies. Includes an 8-panel insert with photos and liner notes by the artist. Includes a download of the album dropped to your account.
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DJ Plead switches gears for a more infectious, slow and deadly percussive whirl on this killer 40 minute session for our Documenting Sound series, mostly recorded on a Yamaha ‘Oriental’ keyboard and inspired by the likes of CS + Kreme’s ’Snoopy’ album and Felix Hall’s dancehall mixtapes. Proper spacious, all-tension-no-release gear from one of the best in the game.
Recorded and sent from his home in Sydney, ‘Relentless Trills’ sees Jarred Beeler aka DJ Plead dismantling his much-loved hard drum club style. Dropping the tempo and conserving energy levels across a suite of smoky, tense works, he matches the waviest microtonal vamps with the signature, rhythmelodic lilt of his drums in a properly hypnotic style.
Equally influenced by vintage dancehall riddims and the inspirational glow of CS + Kreme's psycho-ambient heartmelters, the results sound to our ears like an offshoot of Mutamassik releases for DJ/Rupture’s Soot, or Shackleton slowed to a hash-smoking drift and heading on a Mahraganat tip. A hazy introductory piece of autotuned vocals and digital bass prodding seduces from the front, with the vibe spilling out into deep, spaced-out dancehall pressure with deliriously strong works almost nodding to Timbaland and The Neptunes in ‘RT5’, closing on a mesmerising beatless highlight in ‘RT6’ to seal the deal.
yeahhh proper.