Khotin harks back to simpler times with 'Release Spirit', melting warm electronic tones into beats that sound as if they're wrapped in a mud-stained drug rug.
Dylan Khotin-Foote had already shifted his focus towards softer sounds before the pandemic, lockdown just made the switch more complete. 'Release Spirit' is his attempt at a full-length to define this new era, combining the dusty lo-fi squiggling of his beloved early material with the softpacked haze of the ambient techno and IDM era. Using crusty old gear like a Casio SK-1, Khotin effectively captures that early oughties Neo Ouija/Merck sound on opening track 'HV Road' (seriously it sounds like Brothomstates) before pivoting to sandy psy-tronica on 'Lovely'.
The album's most successful excursions hover around the Artificial Intelligence era: 'Home World 303' sounds like Higher Intelligence Agency, and Tess Roby starrer 'Fountain, Growth' is like Pentatonik reworking Chicane.
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Khotin harks back to simpler times with 'Release Spirit', melting warm electronic tones into beats that sound as if they're wrapped in a mud-stained drug rug.
Dylan Khotin-Foote had already shifted his focus towards softer sounds before the pandemic, lockdown just made the switch more complete. 'Release Spirit' is his attempt at a full-length to define this new era, combining the dusty lo-fi squiggling of his beloved early material with the softpacked haze of the ambient techno and IDM era. Using crusty old gear like a Casio SK-1, Khotin effectively captures that early oughties Neo Ouija/Merck sound on opening track 'HV Road' (seriously it sounds like Brothomstates) before pivoting to sandy psy-tronica on 'Lovely'.
The album's most successful excursions hover around the Artificial Intelligence era: 'Home World 303' sounds like Higher Intelligence Agency, and Tess Roby starrer 'Fountain, Growth' is like Pentatonik reworking Chicane.
Khotin harks back to simpler times with 'Release Spirit', melting warm electronic tones into beats that sound as if they're wrapped in a mud-stained drug rug.
Dylan Khotin-Foote had already shifted his focus towards softer sounds before the pandemic, lockdown just made the switch more complete. 'Release Spirit' is his attempt at a full-length to define this new era, combining the dusty lo-fi squiggling of his beloved early material with the softpacked haze of the ambient techno and IDM era. Using crusty old gear like a Casio SK-1, Khotin effectively captures that early oughties Neo Ouija/Merck sound on opening track 'HV Road' (seriously it sounds like Brothomstates) before pivoting to sandy psy-tronica on 'Lovely'.
The album's most successful excursions hover around the Artificial Intelligence era: 'Home World 303' sounds like Higher Intelligence Agency, and Tess Roby starrer 'Fountain, Growth' is like Pentatonik reworking Chicane.
Khotin harks back to simpler times with 'Release Spirit', melting warm electronic tones into beats that sound as if they're wrapped in a mud-stained drug rug.
Dylan Khotin-Foote had already shifted his focus towards softer sounds before the pandemic, lockdown just made the switch more complete. 'Release Spirit' is his attempt at a full-length to define this new era, combining the dusty lo-fi squiggling of his beloved early material with the softpacked haze of the ambient techno and IDM era. Using crusty old gear like a Casio SK-1, Khotin effectively captures that early oughties Neo Ouija/Merck sound on opening track 'HV Road' (seriously it sounds like Brothomstates) before pivoting to sandy psy-tronica on 'Lovely'.
The album's most successful excursions hover around the Artificial Intelligence era: 'Home World 303' sounds like Higher Intelligence Agency, and Tess Roby starrer 'Fountain, Growth' is like Pentatonik reworking Chicane.
Black vinyl LP.
Out of Stock
Khotin harks back to simpler times with 'Release Spirit', melting warm electronic tones into beats that sound as if they're wrapped in a mud-stained drug rug.
Dylan Khotin-Foote had already shifted his focus towards softer sounds before the pandemic, lockdown just made the switch more complete. 'Release Spirit' is his attempt at a full-length to define this new era, combining the dusty lo-fi squiggling of his beloved early material with the softpacked haze of the ambient techno and IDM era. Using crusty old gear like a Casio SK-1, Khotin effectively captures that early oughties Neo Ouija/Merck sound on opening track 'HV Road' (seriously it sounds like Brothomstates) before pivoting to sandy psy-tronica on 'Lovely'.
The album's most successful excursions hover around the Artificial Intelligence era: 'Home World 303' sounds like Higher Intelligence Agency, and Tess Roby starrer 'Fountain, Growth' is like Pentatonik reworking Chicane.
Pink Sky coloured vinyl.
Out of Stock
Khotin harks back to simpler times with 'Release Spirit', melting warm electronic tones into beats that sound as if they're wrapped in a mud-stained drug rug.
Dylan Khotin-Foote had already shifted his focus towards softer sounds before the pandemic, lockdown just made the switch more complete. 'Release Spirit' is his attempt at a full-length to define this new era, combining the dusty lo-fi squiggling of his beloved early material with the softpacked haze of the ambient techno and IDM era. Using crusty old gear like a Casio SK-1, Khotin effectively captures that early oughties Neo Ouija/Merck sound on opening track 'HV Road' (seriously it sounds like Brothomstates) before pivoting to sandy psy-tronica on 'Lovely'.
The album's most successful excursions hover around the Artificial Intelligence era: 'Home World 303' sounds like Higher Intelligence Agency, and Tess Roby starrer 'Fountain, Growth' is like Pentatonik reworking Chicane.
Indies exclusive.
Out of Stock
Khotin harks back to simpler times with 'Release Spirit', melting warm electronic tones into beats that sound as if they're wrapped in a mud-stained drug rug.
Dylan Khotin-Foote had already shifted his focus towards softer sounds before the pandemic, lockdown just made the switch more complete. 'Release Spirit' is his attempt at a full-length to define this new era, combining the dusty lo-fi squiggling of his beloved early material with the softpacked haze of the ambient techno and IDM era. Using crusty old gear like a Casio SK-1, Khotin effectively captures that early oughties Neo Ouija/Merck sound on opening track 'HV Road' (seriously it sounds like Brothomstates) before pivoting to sandy psy-tronica on 'Lovely'.
The album's most successful excursions hover around the Artificial Intelligence era: 'Home World 303' sounds like Higher Intelligence Agency, and Tess Roby starrer 'Fountain, Growth' is like Pentatonik reworking Chicane.