Final Fantasy soundtrack composer Yasunori Nishiki joins Anastasia Kristiansen, Yamaneko, Ziúr and more to remix superstar games soundtrack designer Lena Raine’s debut solo album for Local Action
Yasunori Nishiki’s gloriously melodramatic breakbeat reworn of ‘Light Rail’ is no doubt a big attraction for the gamers and those who know Lena’s award-winning work from that world, including their breakout indie success ‘Celeste’ and recent Minecraft updates. They’re joined by Finnish composer Jukio Kallio, who also worked on ‘Celeste’ and supplies a hyperpastoral-pop spin on ‘Wake Up’ here, while the dancefloor is left to Anastasia Kristensen and her grouchy breakbeat-techno take on ‘Trance State’, and Al ‘D’Anthoni’ Wooten (Deadboy) cushions the breathy dreampop of ’Tsukuyomi’ in creamy subs and feathered city-pop ambient styles.
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Final Fantasy soundtrack composer Yasunori Nishiki joins Anastasia Kristiansen, Yamaneko, Ziúr and more to remix superstar games soundtrack designer Lena Raine’s debut solo album for Local Action
Yasunori Nishiki’s gloriously melodramatic breakbeat reworn of ‘Light Rail’ is no doubt a big attraction for the gamers and those who know Lena’s award-winning work from that world, including their breakout indie success ‘Celeste’ and recent Minecraft updates. They’re joined by Finnish composer Jukio Kallio, who also worked on ‘Celeste’ and supplies a hyperpastoral-pop spin on ‘Wake Up’ here, while the dancefloor is left to Anastasia Kristensen and her grouchy breakbeat-techno take on ‘Trance State’, and Al ‘D’Anthoni’ Wooten (Deadboy) cushions the breathy dreampop of ’Tsukuyomi’ in creamy subs and feathered city-pop ambient styles.
Final Fantasy soundtrack composer Yasunori Nishiki joins Anastasia Kristiansen, Yamaneko, Ziúr and more to remix superstar games soundtrack designer Lena Raine’s debut solo album for Local Action
Yasunori Nishiki’s gloriously melodramatic breakbeat reworn of ‘Light Rail’ is no doubt a big attraction for the gamers and those who know Lena’s award-winning work from that world, including their breakout indie success ‘Celeste’ and recent Minecraft updates. They’re joined by Finnish composer Jukio Kallio, who also worked on ‘Celeste’ and supplies a hyperpastoral-pop spin on ‘Wake Up’ here, while the dancefloor is left to Anastasia Kristensen and her grouchy breakbeat-techno take on ‘Trance State’, and Al ‘D’Anthoni’ Wooten (Deadboy) cushions the breathy dreampop of ’Tsukuyomi’ in creamy subs and feathered city-pop ambient styles.
Final Fantasy soundtrack composer Yasunori Nishiki joins Anastasia Kristiansen, Yamaneko, Ziúr and more to remix superstar games soundtrack designer Lena Raine’s debut solo album for Local Action
Yasunori Nishiki’s gloriously melodramatic breakbeat reworn of ‘Light Rail’ is no doubt a big attraction for the gamers and those who know Lena’s award-winning work from that world, including their breakout indie success ‘Celeste’ and recent Minecraft updates. They’re joined by Finnish composer Jukio Kallio, who also worked on ‘Celeste’ and supplies a hyperpastoral-pop spin on ‘Wake Up’ here, while the dancefloor is left to Anastasia Kristensen and her grouchy breakbeat-techno take on ‘Trance State’, and Al ‘D’Anthoni’ Wooten (Deadboy) cushions the breathy dreampop of ’Tsukuyomi’ in creamy subs and feathered city-pop ambient styles.
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Final Fantasy soundtrack composer Yasunori Nishiki joins Anastasia Kristiansen, Yamaneko, Ziúr and more to remix superstar games soundtrack designer Lena Raine’s debut solo album for Local Action
Yasunori Nishiki’s gloriously melodramatic breakbeat reworn of ‘Light Rail’ is no doubt a big attraction for the gamers and those who know Lena’s award-winning work from that world, including their breakout indie success ‘Celeste’ and recent Minecraft updates. They’re joined by Finnish composer Jukio Kallio, who also worked on ‘Celeste’ and supplies a hyperpastoral-pop spin on ‘Wake Up’ here, while the dancefloor is left to Anastasia Kristensen and her grouchy breakbeat-techno take on ‘Trance State’, and Al ‘D’Anthoni’ Wooten (Deadboy) cushions the breathy dreampop of ’Tsukuyomi’ in creamy subs and feathered city-pop ambient styles.