Gábor Lázár
Reflex
Boomkat Product Review:
Wizzkid Hungarian grid-bender Gábor Lázár finds an ideal home with modernist minimal pioneers, raster, a decade since his split debut and ventures on Lorenzo Senni’s Presto!?, The Death of Rave, and Planet Mu.
An in-the-zone - verging on bloody minded - focus on his thing has led Gábor to issue a slew of permutations on a singular (albeit derived from Mark Fell and SND) sound with some of contemporary electronic music’s leading labels. ‘Reflex’ now pitches him in with the most stringent of them all, raster, for an extremely fine-whisked showcase of nano-metric movements delivered with uncompromising flair.
Still working with the barest ingredients of dry drum machine and a flashing, polychromatic synth preset, Gábor embodies the notion of juicing the maximum from his minimalist palette - as opposed to having all the gear and no idea - on a procession of cuts that find increasing levels of detail in their syncopated suss, and eventually lockstep into more club-ready lattices akin the golden era of late ‘90s and ‘00s glitch that raster was a major proponent of.
Evidenced in the decimated stutter of ‘Event’, with its fizzed up Detroit chords, thru the sinew-activating needlepoint of ‘Pathway’, and almost footwork-esque flux of ‘Signal’, he sifts the finest, strobing funk from manic chops in the first half, before hingeing to steadier steppers meter and shearing chord modulations with ‘Message’, triggering a 2nd half of seriously rude chops reminding to a sped-up Akufen with ‘Receive’ and the lissom dexterity of ‘Execute’ that prove there’s plentiful disciplined energy still in his conceptual pot. A must check refresher for anyone bored with rigidly formulaic line-dancing club music.
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Boomkat Product Review:
Wizzkid Hungarian grid-bender Gábor Lázár finds an ideal home with modernist minimal pioneers, raster, a decade since his split debut and ventures on Lorenzo Senni’s Presto!?, The Death of Rave, and Planet Mu.
An in-the-zone - verging on bloody minded - focus on his thing has led Gábor to issue a slew of permutations on a singular (albeit derived from Mark Fell and SND) sound with some of contemporary electronic music’s leading labels. ‘Reflex’ now pitches him in with the most stringent of them all, raster, for an extremely fine-whisked showcase of nano-metric movements delivered with uncompromising flair.
Still working with the barest ingredients of dry drum machine and a flashing, polychromatic synth preset, Gábor embodies the notion of juicing the maximum from his minimalist palette - as opposed to having all the gear and no idea - on a procession of cuts that find increasing levels of detail in their syncopated suss, and eventually lockstep into more club-ready lattices akin the golden era of late ‘90s and ‘00s glitch that raster was a major proponent of.
Evidenced in the decimated stutter of ‘Event’, with its fizzed up Detroit chords, thru the sinew-activating needlepoint of ‘Pathway’, and almost footwork-esque flux of ‘Signal’, he sifts the finest, strobing funk from manic chops in the first half, before hingeing to steadier steppers meter and shearing chord modulations with ‘Message’, triggering a 2nd half of seriously rude chops reminding to a sped-up Akufen with ‘Receive’ and the lissom dexterity of ‘Execute’ that prove there’s plentiful disciplined energy still in his conceptual pot. A must check refresher for anyone bored with rigidly formulaic line-dancing club music.
Boomkat Product Review:
Wizzkid Hungarian grid-bender Gábor Lázár finds an ideal home with modernist minimal pioneers, raster, a decade since his split debut and ventures on Lorenzo Senni’s Presto!?, The Death of Rave, and Planet Mu.
An in-the-zone - verging on bloody minded - focus on his thing has led Gábor to issue a slew of permutations on a singular (albeit derived from Mark Fell and SND) sound with some of contemporary electronic music’s leading labels. ‘Reflex’ now pitches him in with the most stringent of them all, raster, for an extremely fine-whisked showcase of nano-metric movements delivered with uncompromising flair.
Still working with the barest ingredients of dry drum machine and a flashing, polychromatic synth preset, Gábor embodies the notion of juicing the maximum from his minimalist palette - as opposed to having all the gear and no idea - on a procession of cuts that find increasing levels of detail in their syncopated suss, and eventually lockstep into more club-ready lattices akin the golden era of late ‘90s and ‘00s glitch that raster was a major proponent of.
Evidenced in the decimated stutter of ‘Event’, with its fizzed up Detroit chords, thru the sinew-activating needlepoint of ‘Pathway’, and almost footwork-esque flux of ‘Signal’, he sifts the finest, strobing funk from manic chops in the first half, before hingeing to steadier steppers meter and shearing chord modulations with ‘Message’, triggering a 2nd half of seriously rude chops reminding to a sped-up Akufen with ‘Receive’ and the lissom dexterity of ‘Execute’ that prove there’s plentiful disciplined energy still in his conceptual pot. A must check refresher for anyone bored with rigidly formulaic line-dancing club music.
Boomkat Product Review:
Wizzkid Hungarian grid-bender Gábor Lázár finds an ideal home with modernist minimal pioneers, raster, a decade since his split debut and ventures on Lorenzo Senni’s Presto!?, The Death of Rave, and Planet Mu.
An in-the-zone - verging on bloody minded - focus on his thing has led Gábor to issue a slew of permutations on a singular (albeit derived from Mark Fell and SND) sound with some of contemporary electronic music’s leading labels. ‘Reflex’ now pitches him in with the most stringent of them all, raster, for an extremely fine-whisked showcase of nano-metric movements delivered with uncompromising flair.
Still working with the barest ingredients of dry drum machine and a flashing, polychromatic synth preset, Gábor embodies the notion of juicing the maximum from his minimalist palette - as opposed to having all the gear and no idea - on a procession of cuts that find increasing levels of detail in their syncopated suss, and eventually lockstep into more club-ready lattices akin the golden era of late ‘90s and ‘00s glitch that raster was a major proponent of.
Evidenced in the decimated stutter of ‘Event’, with its fizzed up Detroit chords, thru the sinew-activating needlepoint of ‘Pathway’, and almost footwork-esque flux of ‘Signal’, he sifts the finest, strobing funk from manic chops in the first half, before hingeing to steadier steppers meter and shearing chord modulations with ‘Message’, triggering a 2nd half of seriously rude chops reminding to a sped-up Akufen with ‘Receive’ and the lissom dexterity of ‘Execute’ that prove there’s plentiful disciplined energy still in his conceptual pot. A must check refresher for anyone bored with rigidly formulaic line-dancing club music.
Available To Order (Estimated Shipping between 7-14 Working Days)
This item is to the best of our knowledge available to us from the supplier and should ship to you within the time-frame indicated. If there are any unforeseen issues with availability we will notify you immediately
Boomkat Product Review:
Wizzkid Hungarian grid-bender Gábor Lázár finds an ideal home with modernist minimal pioneers, raster, a decade since his split debut and ventures on Lorenzo Senni’s Presto!?, The Death of Rave, and Planet Mu.
An in-the-zone - verging on bloody minded - focus on his thing has led Gábor to issue a slew of permutations on a singular (albeit derived from Mark Fell and SND) sound with some of contemporary electronic music’s leading labels. ‘Reflex’ now pitches him in with the most stringent of them all, raster, for an extremely fine-whisked showcase of nano-metric movements delivered with uncompromising flair.
Still working with the barest ingredients of dry drum machine and a flashing, polychromatic synth preset, Gábor embodies the notion of juicing the maximum from his minimalist palette - as opposed to having all the gear and no idea - on a procession of cuts that find increasing levels of detail in their syncopated suss, and eventually lockstep into more club-ready lattices akin the golden era of late ‘90s and ‘00s glitch that raster was a major proponent of.
Evidenced in the decimated stutter of ‘Event’, with its fizzed up Detroit chords, thru the sinew-activating needlepoint of ‘Pathway’, and almost footwork-esque flux of ‘Signal’, he sifts the finest, strobing funk from manic chops in the first half, before hingeing to steadier steppers meter and shearing chord modulations with ‘Message’, triggering a 2nd half of seriously rude chops reminding to a sped-up Akufen with ‘Receive’ and the lissom dexterity of ‘Execute’ that prove there’s plentiful disciplined energy still in his conceptual pot. A must check refresher for anyone bored with rigidly formulaic line-dancing club music.
Available To Order (Estimated Shipping between 7-14 Working Days)
This item is to the best of our knowledge available to us from the supplier and should ship to you within the time-frame indicated. If there are any unforeseen issues with availability we will notify you immediately
Boomkat Product Review:
Wizzkid Hungarian grid-bender Gábor Lázár finds an ideal home with modernist minimal pioneers, raster, a decade since his split debut and ventures on Lorenzo Senni’s Presto!?, The Death of Rave, and Planet Mu.
An in-the-zone - verging on bloody minded - focus on his thing has led Gábor to issue a slew of permutations on a singular (albeit derived from Mark Fell and SND) sound with some of contemporary electronic music’s leading labels. ‘Reflex’ now pitches him in with the most stringent of them all, raster, for an extremely fine-whisked showcase of nano-metric movements delivered with uncompromising flair.
Still working with the barest ingredients of dry drum machine and a flashing, polychromatic synth preset, Gábor embodies the notion of juicing the maximum from his minimalist palette - as opposed to having all the gear and no idea - on a procession of cuts that find increasing levels of detail in their syncopated suss, and eventually lockstep into more club-ready lattices akin the golden era of late ‘90s and ‘00s glitch that raster was a major proponent of.
Evidenced in the decimated stutter of ‘Event’, with its fizzed up Detroit chords, thru the sinew-activating needlepoint of ‘Pathway’, and almost footwork-esque flux of ‘Signal’, he sifts the finest, strobing funk from manic chops in the first half, before hingeing to steadier steppers meter and shearing chord modulations with ‘Message’, triggering a 2nd half of seriously rude chops reminding to a sped-up Akufen with ‘Receive’ and the lissom dexterity of ‘Execute’ that prove there’s plentiful disciplined energy still in his conceptual pot. A must check refresher for anyone bored with rigidly formulaic line-dancing club music.
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