To Rococo Rot helmsman Robert Lippok comes good (again) with an engrossing solo album on Raster-Noton, based on a live performance he gave at Villa Massimo in September of last year. The ricocheting marimba tech-noir of 'inphase' sounds like Steve Reich jamming with Monoton, while 'sugarcubes' connects the digital minimalism of R-N with the plangent post-rock moves of Lippok's 90s work, while 'nycycle' and 'whitesuperstructure' offer the warmth of vintage deep house through a sound design of chilly, spotless futurity. The skill and humanity that Lippok puts into his digital synthesis means that even the more conventionally droning, ambient pieces feel fresh and of-the-moment; the long, beautiful closing piece, 'daylightastronomy', is brought to life by the Beatrice Martini's harp contributions. For fans of timelessly emotive but technically advanced electronics, this album is hugely recommended.
View more
To Rococo Rot helmsman Robert Lippok comes good (again) with an engrossing solo album on Raster-Noton, based on a live performance he gave at Villa Massimo in September of last year. The ricocheting marimba tech-noir of 'inphase' sounds like Steve Reich jamming with Monoton, while 'sugarcubes' connects the digital minimalism of R-N with the plangent post-rock moves of Lippok's 90s work, while 'nycycle' and 'whitesuperstructure' offer the warmth of vintage deep house through a sound design of chilly, spotless futurity. The skill and humanity that Lippok puts into his digital synthesis means that even the more conventionally droning, ambient pieces feel fresh and of-the-moment; the long, beautiful closing piece, 'daylightastronomy', is brought to life by the Beatrice Martini's harp contributions. For fans of timelessly emotive but technically advanced electronics, this album is hugely recommended.
To Rococo Rot helmsman Robert Lippok comes good (again) with an engrossing solo album on Raster-Noton, based on a live performance he gave at Villa Massimo in September of last year. The ricocheting marimba tech-noir of 'inphase' sounds like Steve Reich jamming with Monoton, while 'sugarcubes' connects the digital minimalism of R-N with the plangent post-rock moves of Lippok's 90s work, while 'nycycle' and 'whitesuperstructure' offer the warmth of vintage deep house through a sound design of chilly, spotless futurity. The skill and humanity that Lippok puts into his digital synthesis means that even the more conventionally droning, ambient pieces feel fresh and of-the-moment; the long, beautiful closing piece, 'daylightastronomy', is brought to life by the Beatrice Martini's harp contributions. For fans of timelessly emotive but technically advanced electronics, this album is hugely recommended.
Available To Order (Estimated Shipping between 1-3 Working Days)
This item is to the best of our knowledge available to us from the supplier and should ship to you within the time-frame indicated. If there are any unforeseen issues with availability we will notify you immediately
To Rococo Rot helmsman Robert Lippok comes good (again) with an engrossing solo album on Raster-Noton, based on a live performance he gave at Villa Massimo in September of last year. The ricocheting marimba tech-noir of 'inphase' sounds like Steve Reich jamming with Monoton, while 'sugarcubes' connects the digital minimalism of R-N with the plangent post-rock moves of Lippok's 90s work, while 'nycycle' and 'whitesuperstructure' offer the warmth of vintage deep house through a sound design of chilly, spotless futurity. The skill and humanity that Lippok puts into his digital synthesis means that even the more conventionally droning, ambient pieces feel fresh and of-the-moment; the long, beautiful closing piece, 'daylightastronomy', is brought to life by the Beatrice Martini's harp contributions. For fans of timelessly emotive but technically advanced electronics, this album is hugely recommended.