Hugely surprising turn of angular, playful algorithmic experiments by composer Ryan Teague, best known for his sublime ambient minimalism, but here upending expectations with a very canny jazz-fusion winks to 0PN and the kind of mutated film music made by Maxwell Sterling
“Bristol–based composer Ryan Teague presents Recursive Iterations, a suite of seven extended compositions that incorporate cinematic arrangements and cutting edge sound design within an algorithmic framework to striking effect. The resulting pieces combine elements of neo-classical, post– rave, and soundtrack music, to create an utterly compelling contemporary soundscape balanced by a calculated, almost architectural use of space and restraint.
The musical structure is derived from a custom–written algorithmic system that sequences harmonic and rhythmic events in ever–shifting patterns. Hyperreal electro-acoustic phrases and digitally synthesised fragments come and go in continual rotation, re-framed and re-contextualised by their proximity to other events in the sequence as the compositions evolve. The effect evokes a minimalist bricolage, hypnotic and kaleidoscopic in nature, and calls to mind artists such as Oneohtrix Point Never, The Haxan Cloak and Ital Tek.
At the same time, a core theme running throughout the record is a masterly use of absence and inertia influenced by the Japanese concepts of ma (間 – negative space) and the enso (円相 – circle), which serve to complement and counterbalance the diverse sound palette. By integrating these qualities, tension is built and resolved in equal measure, creating a dramatic sonic impression where fragmented rhythms, dynamic textures, subsonic basses, and delicate ambience all coexist.
Recursive Iterations is a bold, powerful, and unique work that pushes sonic boundaries whilst revealing more with each listen.”
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Hugely surprising turn of angular, playful algorithmic experiments by composer Ryan Teague, best known for his sublime ambient minimalism, but here upending expectations with a very canny jazz-fusion winks to 0PN and the kind of mutated film music made by Maxwell Sterling
“Bristol–based composer Ryan Teague presents Recursive Iterations, a suite of seven extended compositions that incorporate cinematic arrangements and cutting edge sound design within an algorithmic framework to striking effect. The resulting pieces combine elements of neo-classical, post– rave, and soundtrack music, to create an utterly compelling contemporary soundscape balanced by a calculated, almost architectural use of space and restraint.
The musical structure is derived from a custom–written algorithmic system that sequences harmonic and rhythmic events in ever–shifting patterns. Hyperreal electro-acoustic phrases and digitally synthesised fragments come and go in continual rotation, re-framed and re-contextualised by their proximity to other events in the sequence as the compositions evolve. The effect evokes a minimalist bricolage, hypnotic and kaleidoscopic in nature, and calls to mind artists such as Oneohtrix Point Never, The Haxan Cloak and Ital Tek.
At the same time, a core theme running throughout the record is a masterly use of absence and inertia influenced by the Japanese concepts of ma (間 – negative space) and the enso (円相 – circle), which serve to complement and counterbalance the diverse sound palette. By integrating these qualities, tension is built and resolved in equal measure, creating a dramatic sonic impression where fragmented rhythms, dynamic textures, subsonic basses, and delicate ambience all coexist.
Recursive Iterations is a bold, powerful, and unique work that pushes sonic boundaries whilst revealing more with each listen.”
Hugely surprising turn of angular, playful algorithmic experiments by composer Ryan Teague, best known for his sublime ambient minimalism, but here upending expectations with a very canny jazz-fusion winks to 0PN and the kind of mutated film music made by Maxwell Sterling
“Bristol–based composer Ryan Teague presents Recursive Iterations, a suite of seven extended compositions that incorporate cinematic arrangements and cutting edge sound design within an algorithmic framework to striking effect. The resulting pieces combine elements of neo-classical, post– rave, and soundtrack music, to create an utterly compelling contemporary soundscape balanced by a calculated, almost architectural use of space and restraint.
The musical structure is derived from a custom–written algorithmic system that sequences harmonic and rhythmic events in ever–shifting patterns. Hyperreal electro-acoustic phrases and digitally synthesised fragments come and go in continual rotation, re-framed and re-contextualised by their proximity to other events in the sequence as the compositions evolve. The effect evokes a minimalist bricolage, hypnotic and kaleidoscopic in nature, and calls to mind artists such as Oneohtrix Point Never, The Haxan Cloak and Ital Tek.
At the same time, a core theme running throughout the record is a masterly use of absence and inertia influenced by the Japanese concepts of ma (間 – negative space) and the enso (円相 – circle), which serve to complement and counterbalance the diverse sound palette. By integrating these qualities, tension is built and resolved in equal measure, creating a dramatic sonic impression where fragmented rhythms, dynamic textures, subsonic basses, and delicate ambience all coexist.
Recursive Iterations is a bold, powerful, and unique work that pushes sonic boundaries whilst revealing more with each listen.”
Hugely surprising turn of angular, playful algorithmic experiments by composer Ryan Teague, best known for his sublime ambient minimalism, but here upending expectations with a very canny jazz-fusion winks to 0PN and the kind of mutated film music made by Maxwell Sterling
“Bristol–based composer Ryan Teague presents Recursive Iterations, a suite of seven extended compositions that incorporate cinematic arrangements and cutting edge sound design within an algorithmic framework to striking effect. The resulting pieces combine elements of neo-classical, post– rave, and soundtrack music, to create an utterly compelling contemporary soundscape balanced by a calculated, almost architectural use of space and restraint.
The musical structure is derived from a custom–written algorithmic system that sequences harmonic and rhythmic events in ever–shifting patterns. Hyperreal electro-acoustic phrases and digitally synthesised fragments come and go in continual rotation, re-framed and re-contextualised by their proximity to other events in the sequence as the compositions evolve. The effect evokes a minimalist bricolage, hypnotic and kaleidoscopic in nature, and calls to mind artists such as Oneohtrix Point Never, The Haxan Cloak and Ital Tek.
At the same time, a core theme running throughout the record is a masterly use of absence and inertia influenced by the Japanese concepts of ma (間 – negative space) and the enso (円相 – circle), which serve to complement and counterbalance the diverse sound palette. By integrating these qualities, tension is built and resolved in equal measure, creating a dramatic sonic impression where fragmented rhythms, dynamic textures, subsonic basses, and delicate ambience all coexist.
Recursive Iterations is a bold, powerful, and unique work that pushes sonic boundaries whilst revealing more with each listen.”
180g vinyl LP.
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Hugely surprising turn of angular, playful algorithmic experiments by composer Ryan Teague, best known for his sublime ambient minimalism, but here upending expectations with a very canny jazz-fusion winks to 0PN and the kind of mutated film music made by Maxwell Sterling
“Bristol–based composer Ryan Teague presents Recursive Iterations, a suite of seven extended compositions that incorporate cinematic arrangements and cutting edge sound design within an algorithmic framework to striking effect. The resulting pieces combine elements of neo-classical, post– rave, and soundtrack music, to create an utterly compelling contemporary soundscape balanced by a calculated, almost architectural use of space and restraint.
The musical structure is derived from a custom–written algorithmic system that sequences harmonic and rhythmic events in ever–shifting patterns. Hyperreal electro-acoustic phrases and digitally synthesised fragments come and go in continual rotation, re-framed and re-contextualised by their proximity to other events in the sequence as the compositions evolve. The effect evokes a minimalist bricolage, hypnotic and kaleidoscopic in nature, and calls to mind artists such as Oneohtrix Point Never, The Haxan Cloak and Ital Tek.
At the same time, a core theme running throughout the record is a masterly use of absence and inertia influenced by the Japanese concepts of ma (間 – negative space) and the enso (円相 – circle), which serve to complement and counterbalance the diverse sound palette. By integrating these qualities, tension is built and resolved in equal measure, creating a dramatic sonic impression where fragmented rhythms, dynamic textures, subsonic basses, and delicate ambience all coexist.
Recursive Iterations is a bold, powerful, and unique work that pushes sonic boundaries whilst revealing more with each listen.”