Recurring Horrors
Darkside D&B reflux from the Christoph De Babalon vaults, snaring seven cuts produced 1993-1998 and absolutely essential for fans of late ‘90s/early’00s breakcore rufige a la DJ Scud, Venetian Snares, Karl-Marx-Stadt, Digital Hardcore
Cold-rushing back to the styles circa CDB’s classic album ‘If You’re Into It, I’m Out Of It’, A Colourful Storm follow their previous archival excursion ‘Exquisite Angst’ with another clutch of wraithlike darkside phantasms from Hamburg, which, while not quite the centre of D&B during the era, still produced one of the sound’s most prized bastard sons with De Babalon’s take on the UK-born genre. Away from the scene’s quick moving trends, De Babalon forged his own take equally inspired by bleak classical scores and black metal atmospheres, but retaining the rhythmic innovations - if with his own, bone-clacking and gutted DIY style - in a way that escaped many other producers outside the main hotspots.
It’s unmissable for the 9” masterwork of darkcore strings and skeletal hardcore breaks in ‘No Man’s Land’, while ‘Toteninsel’ and ‘Blkue Hours’ are deadly strong pieces of gloaming BM ambience, and the likes of the title track’s ravishing bladesaw breaks and the vintage Ambush-style pressure of ‘Combine’ are straightup essential checks for the hardcore doom ravers.
View more
Darkside D&B reflux from the Christoph De Babalon vaults, snaring seven cuts produced 1993-1998 and absolutely essential for fans of late ‘90s/early’00s breakcore rufige a la DJ Scud, Venetian Snares, Karl-Marx-Stadt, Digital Hardcore
Cold-rushing back to the styles circa CDB’s classic album ‘If You’re Into It, I’m Out Of It’, A Colourful Storm follow their previous archival excursion ‘Exquisite Angst’ with another clutch of wraithlike darkside phantasms from Hamburg, which, while not quite the centre of D&B during the era, still produced one of the sound’s most prized bastard sons with De Babalon’s take on the UK-born genre. Away from the scene’s quick moving trends, De Babalon forged his own take equally inspired by bleak classical scores and black metal atmospheres, but retaining the rhythmic innovations - if with his own, bone-clacking and gutted DIY style - in a way that escaped many other producers outside the main hotspots.
It’s unmissable for the 9” masterwork of darkcore strings and skeletal hardcore breaks in ‘No Man’s Land’, while ‘Toteninsel’ and ‘Blkue Hours’ are deadly strong pieces of gloaming BM ambience, and the likes of the title track’s ravishing bladesaw breaks and the vintage Ambush-style pressure of ‘Combine’ are straightup essential checks for the hardcore doom ravers.
Darkside D&B reflux from the Christoph De Babalon vaults, snaring seven cuts produced 1993-1998 and absolutely essential for fans of late ‘90s/early’00s breakcore rufige a la DJ Scud, Venetian Snares, Karl-Marx-Stadt, Digital Hardcore
Cold-rushing back to the styles circa CDB’s classic album ‘If You’re Into It, I’m Out Of It’, A Colourful Storm follow their previous archival excursion ‘Exquisite Angst’ with another clutch of wraithlike darkside phantasms from Hamburg, which, while not quite the centre of D&B during the era, still produced one of the sound’s most prized bastard sons with De Babalon’s take on the UK-born genre. Away from the scene’s quick moving trends, De Babalon forged his own take equally inspired by bleak classical scores and black metal atmospheres, but retaining the rhythmic innovations - if with his own, bone-clacking and gutted DIY style - in a way that escaped many other producers outside the main hotspots.
It’s unmissable for the 9” masterwork of darkcore strings and skeletal hardcore breaks in ‘No Man’s Land’, while ‘Toteninsel’ and ‘Blkue Hours’ are deadly strong pieces of gloaming BM ambience, and the likes of the title track’s ravishing bladesaw breaks and the vintage Ambush-style pressure of ‘Combine’ are straightup essential checks for the hardcore doom ravers.
Darkside D&B reflux from the Christoph De Babalon vaults, snaring seven cuts produced 1993-1998 and absolutely essential for fans of late ‘90s/early’00s breakcore rufige a la DJ Scud, Venetian Snares, Karl-Marx-Stadt, Digital Hardcore
Cold-rushing back to the styles circa CDB’s classic album ‘If You’re Into It, I’m Out Of It’, A Colourful Storm follow their previous archival excursion ‘Exquisite Angst’ with another clutch of wraithlike darkside phantasms from Hamburg, which, while not quite the centre of D&B during the era, still produced one of the sound’s most prized bastard sons with De Babalon’s take on the UK-born genre. Away from the scene’s quick moving trends, De Babalon forged his own take equally inspired by bleak classical scores and black metal atmospheres, but retaining the rhythmic innovations - if with his own, bone-clacking and gutted DIY style - in a way that escaped many other producers outside the main hotspots.
It’s unmissable for the 9” masterwork of darkcore strings and skeletal hardcore breaks in ‘No Man’s Land’, while ‘Toteninsel’ and ‘Blkue Hours’ are deadly strong pieces of gloaming BM ambience, and the likes of the title track’s ravishing bladesaw breaks and the vintage Ambush-style pressure of ‘Combine’ are straightup essential checks for the hardcore doom ravers.
Back in stock.
Available To Order (Estimated Shipping between 7-14 Working Days)
This item is to the best of our knowledge available to us from the supplier and should ship to you within the time-frame indicated. If there are any unforeseen issues with availability we will notify you immediately
Darkside D&B reflux from the Christoph De Babalon vaults, snaring seven cuts produced 1993-1998 and absolutely essential for fans of late ‘90s/early’00s breakcore rufige a la DJ Scud, Venetian Snares, Karl-Marx-Stadt, Digital Hardcore
Cold-rushing back to the styles circa CDB’s classic album ‘If You’re Into It, I’m Out Of It’, A Colourful Storm follow their previous archival excursion ‘Exquisite Angst’ with another clutch of wraithlike darkside phantasms from Hamburg, which, while not quite the centre of D&B during the era, still produced one of the sound’s most prized bastard sons with De Babalon’s take on the UK-born genre. Away from the scene’s quick moving trends, De Babalon forged his own take equally inspired by bleak classical scores and black metal atmospheres, but retaining the rhythmic innovations - if with his own, bone-clacking and gutted DIY style - in a way that escaped many other producers outside the main hotspots.
It’s unmissable for the 9” masterwork of darkcore strings and skeletal hardcore breaks in ‘No Man’s Land’, while ‘Toteninsel’ and ‘Blkue Hours’ are deadly strong pieces of gloaming BM ambience, and the likes of the title track’s ravishing bladesaw breaks and the vintage Ambush-style pressure of ‘Combine’ are straightup essential checks for the hardcore doom ravers.
Includes exclusive bonus track "Day By Day (Life Fades Away)".
Available To Order (Estimated Shipping between 7-14 Working Days)
This item is to the best of our knowledge available to us from the supplier and should ship to you within the time-frame indicated. If there are any unforeseen issues with availability we will notify you immediately
Darkside D&B reflux from the Christoph De Babalon vaults, snaring seven cuts produced 1993-1998 and absolutely essential for fans of late ‘90s/early’00s breakcore rufige a la DJ Scud, Venetian Snares, Karl-Marx-Stadt, Digital Hardcore
Cold-rushing back to the styles circa CDB’s classic album ‘If You’re Into It, I’m Out Of It’, A Colourful Storm follow their previous archival excursion ‘Exquisite Angst’ with another clutch of wraithlike darkside phantasms from Hamburg, which, while not quite the centre of D&B during the era, still produced one of the sound’s most prized bastard sons with De Babalon’s take on the UK-born genre. Away from the scene’s quick moving trends, De Babalon forged his own take equally inspired by bleak classical scores and black metal atmospheres, but retaining the rhythmic innovations - if with his own, bone-clacking and gutted DIY style - in a way that escaped many other producers outside the main hotspots.
It’s unmissable for the 9” masterwork of darkcore strings and skeletal hardcore breaks in ‘No Man’s Land’, while ‘Toteninsel’ and ‘Blkue Hours’ are deadly strong pieces of gloaming BM ambience, and the likes of the title track’s ravishing bladesaw breaks and the vintage Ambush-style pressure of ‘Combine’ are straightup essential checks for the hardcore doom ravers.