Boomkat Product Review:
Were it not for a chance meeting between two men on a airplane, more likely than not Ursula Bogner's entire musical oeuvre would have remained forever unheard. One of these men was Jan Jelinek while the other was Sebastian Bogner (Ursula's son), who through the course of some small talk and general chit chat revealed that his mother had spent 20 years dabbling in experimental electronic music unbeknownst to the rest of civilization. Her musical pursuits seem to have been relegated to being a mere hobby, something she would get up to in her spare time at home, tucked away in a makeshift studio. Bogner was a pharmacist by profession and a wife and mother at home, but it seems that there was something of a double life going on, and these fifteen tracks of fascinating experimentation reveal a talent that far exceeds her 'keen amateur' status. You mightn't necessarily think of all these pieces as musical compositions in the strictest sense, but rather sound designs and feats of engineering in the same sort of vein as Raymond Scott, although besides the wild and adventurous sonorities to be found in 'Metazoon' and the like, there are more conventionally structured pieces along the way, such as the comical electroacoustic jaunt 'Begleitung For Tuba' and 'Fur Ulrich' a piece composed for Ursula's husband's birthday. Although not always as overtly musical as her Radiophonic counterparts, it wouldn't be unreasonable to think of Bogner as a hausfrau version of Daphne Oram, or a Deutsch Delia Derbyshire, and her enormous talent deserves to be recognised by the widest possible audience. Sadly, Ursula passed away in 1994 and so never got to witness an electronic musician of Jan Jelinek's prestige celebrating her work. Better late than never though - highly recommended.