Vivid, phantastical and alien concrète electronics from Joseph Raglani. With 'Real Colors Of The Physical World' he operates in a very similar sphere to Bee Mask over on Spectrum Spools, presenting an abstract dramatisation of electronic experiments in a 3D realm where time, space and velocity are all that matters. Melodies, if you can call them that, feel like coincidence, as though the electrons happened in a syzygy formation from collisions of cosmic starlight and celestial phenomenon. But that's not the case; this is highly considered, plotted music, constructed with a rigour and element of near-scientific research that eschews neo-kosmiche's freer psychedelia for a more academic approach which yields possibly more intriguing, hectic, and dynamic experience that's more in tune with the universe's epic and challenging nature and the real potential of electronic music to reflect that.
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Vivid, phantastical and alien concrète electronics from Joseph Raglani. With 'Real Colors Of The Physical World' he operates in a very similar sphere to Bee Mask over on Spectrum Spools, presenting an abstract dramatisation of electronic experiments in a 3D realm where time, space and velocity are all that matters. Melodies, if you can call them that, feel like coincidence, as though the electrons happened in a syzygy formation from collisions of cosmic starlight and celestial phenomenon. But that's not the case; this is highly considered, plotted music, constructed with a rigour and element of near-scientific research that eschews neo-kosmiche's freer psychedelia for a more academic approach which yields possibly more intriguing, hectic, and dynamic experience that's more in tune with the universe's epic and challenging nature and the real potential of electronic music to reflect that.
Vivid, phantastical and alien concrète electronics from Joseph Raglani. With 'Real Colors Of The Physical World' he operates in a very similar sphere to Bee Mask over on Spectrum Spools, presenting an abstract dramatisation of electronic experiments in a 3D realm where time, space and velocity are all that matters. Melodies, if you can call them that, feel like coincidence, as though the electrons happened in a syzygy formation from collisions of cosmic starlight and celestial phenomenon. But that's not the case; this is highly considered, plotted music, constructed with a rigour and element of near-scientific research that eschews neo-kosmiche's freer psychedelia for a more academic approach which yields possibly more intriguing, hectic, and dynamic experience that's more in tune with the universe's epic and challenging nature and the real potential of electronic music to reflect that.
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Vivid, phantastical and alien concrète electronics from Joseph Raglani. With 'Real Colors Of The Physical World' he operates in a very similar sphere to Bee Mask over on Spectrum Spools, presenting an abstract dramatisation of electronic experiments in a 3D realm where time, space and velocity are all that matters. Melodies, if you can call them that, feel like coincidence, as though the electrons happened in a syzygy formation from collisions of cosmic starlight and celestial phenomenon. But that's not the case; this is highly considered, plotted music, constructed with a rigour and element of near-scientific research that eschews neo-kosmiche's freer psychedelia for a more academic approach which yields possibly more intriguing, hectic, and dynamic experience that's more in tune with the universe's epic and challenging nature and the real potential of electronic music to reflect that.