Cork-via-Manchester techno ambassador Kerrie pounds out four sleek and deadly techno missiles for James Ruskin’s Blueprint
Kerrie follows the subtle diversities of her 12”s for DBA, I Love Acid, and her Dark Machine Funk label with characteristically restless, stylish chops on the ‘Raw Regimen’ EP. The title tune is a classy take on the Detroit/UK axis fuelled with horsepower hoof and stacked, spiralling arps akin to Mills or indeed Ruskin, whereas ‘Native Intelligence’ works deeper into a minimalist electro-techno style with fluid hydrodynamics comparable to Mike Parker, but riddled with her own devilish details. ‘Poly Pressure’ switches again to swingeing, offset loops and properly bugged out leads, with ‘Turning Point’ as the EP’s most experimental cut in the classic B2 position, testing out pitch-bent microtonal motifs and odd drum programming shades away from recent Blawan workouts.
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Cork-via-Manchester techno ambassador Kerrie pounds out four sleek and deadly techno missiles for James Ruskin’s Blueprint
Kerrie follows the subtle diversities of her 12”s for DBA, I Love Acid, and her Dark Machine Funk label with characteristically restless, stylish chops on the ‘Raw Regimen’ EP. The title tune is a classy take on the Detroit/UK axis fuelled with horsepower hoof and stacked, spiralling arps akin to Mills or indeed Ruskin, whereas ‘Native Intelligence’ works deeper into a minimalist electro-techno style with fluid hydrodynamics comparable to Mike Parker, but riddled with her own devilish details. ‘Poly Pressure’ switches again to swingeing, offset loops and properly bugged out leads, with ‘Turning Point’ as the EP’s most experimental cut in the classic B2 position, testing out pitch-bent microtonal motifs and odd drum programming shades away from recent Blawan workouts.
Cork-via-Manchester techno ambassador Kerrie pounds out four sleek and deadly techno missiles for James Ruskin’s Blueprint
Kerrie follows the subtle diversities of her 12”s for DBA, I Love Acid, and her Dark Machine Funk label with characteristically restless, stylish chops on the ‘Raw Regimen’ EP. The title tune is a classy take on the Detroit/UK axis fuelled with horsepower hoof and stacked, spiralling arps akin to Mills or indeed Ruskin, whereas ‘Native Intelligence’ works deeper into a minimalist electro-techno style with fluid hydrodynamics comparable to Mike Parker, but riddled with her own devilish details. ‘Poly Pressure’ switches again to swingeing, offset loops and properly bugged out leads, with ‘Turning Point’ as the EP’s most experimental cut in the classic B2 position, testing out pitch-bent microtonal motifs and odd drum programming shades away from recent Blawan workouts.
Cork-via-Manchester techno ambassador Kerrie pounds out four sleek and deadly techno missiles for James Ruskin’s Blueprint
Kerrie follows the subtle diversities of her 12”s for DBA, I Love Acid, and her Dark Machine Funk label with characteristically restless, stylish chops on the ‘Raw Regimen’ EP. The title tune is a classy take on the Detroit/UK axis fuelled with horsepower hoof and stacked, spiralling arps akin to Mills or indeed Ruskin, whereas ‘Native Intelligence’ works deeper into a minimalist electro-techno style with fluid hydrodynamics comparable to Mike Parker, but riddled with her own devilish details. ‘Poly Pressure’ switches again to swingeing, offset loops and properly bugged out leads, with ‘Turning Point’ as the EP’s most experimental cut in the classic B2 position, testing out pitch-bent microtonal motifs and odd drum programming shades away from recent Blawan workouts.
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Cork-via-Manchester techno ambassador Kerrie pounds out four sleek and deadly techno missiles for James Ruskin’s Blueprint
Kerrie follows the subtle diversities of her 12”s for DBA, I Love Acid, and her Dark Machine Funk label with characteristically restless, stylish chops on the ‘Raw Regimen’ EP. The title tune is a classy take on the Detroit/UK axis fuelled with horsepower hoof and stacked, spiralling arps akin to Mills or indeed Ruskin, whereas ‘Native Intelligence’ works deeper into a minimalist electro-techno style with fluid hydrodynamics comparable to Mike Parker, but riddled with her own devilish details. ‘Poly Pressure’ switches again to swingeing, offset loops and properly bugged out leads, with ‘Turning Point’ as the EP’s most experimental cut in the classic B2 position, testing out pitch-bent microtonal motifs and odd drum programming shades away from recent Blawan workouts.