Following his debut album, ‘Nothing Is Still’, Leon Vynhall returns with a sprawling album of trip hop, ambient, tech-house and breakbeats kinked with his jazzy turns of phrase
‘Rare, Forever’ spells out his style with intricate sound design and overripe emotions between the Aim-like trip hop of ‘Ecce! Ego!’, the skudgy tech-house swivel of ‘Mothra’, with nods to Neurofunk D&B spliced with garage influence in ‘Snakeskin ∞ Has-Been’, and sidesteps into Second Woman-like filter mazes on ‘An Exhale’, with a bittersweet spot of skull-rubbing dissonant resonance in ‘Farewell! Magnus Gabbro.’
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Following his debut album, ‘Nothing Is Still’, Leon Vynhall returns with a sprawling album of trip hop, ambient, tech-house and breakbeats kinked with his jazzy turns of phrase
‘Rare, Forever’ spells out his style with intricate sound design and overripe emotions between the Aim-like trip hop of ‘Ecce! Ego!’, the skudgy tech-house swivel of ‘Mothra’, with nods to Neurofunk D&B spliced with garage influence in ‘Snakeskin ∞ Has-Been’, and sidesteps into Second Woman-like filter mazes on ‘An Exhale’, with a bittersweet spot of skull-rubbing dissonant resonance in ‘Farewell! Magnus Gabbro.’
Following his debut album, ‘Nothing Is Still’, Leon Vynhall returns with a sprawling album of trip hop, ambient, tech-house and breakbeats kinked with his jazzy turns of phrase
‘Rare, Forever’ spells out his style with intricate sound design and overripe emotions between the Aim-like trip hop of ‘Ecce! Ego!’, the skudgy tech-house swivel of ‘Mothra’, with nods to Neurofunk D&B spliced with garage influence in ‘Snakeskin ∞ Has-Been’, and sidesteps into Second Woman-like filter mazes on ‘An Exhale’, with a bittersweet spot of skull-rubbing dissonant resonance in ‘Farewell! Magnus Gabbro.’
Following his debut album, ‘Nothing Is Still’, Leon Vynhall returns with a sprawling album of trip hop, ambient, tech-house and breakbeats kinked with his jazzy turns of phrase
‘Rare, Forever’ spells out his style with intricate sound design and overripe emotions between the Aim-like trip hop of ‘Ecce! Ego!’, the skudgy tech-house swivel of ‘Mothra’, with nods to Neurofunk D&B spliced with garage influence in ‘Snakeskin ∞ Has-Been’, and sidesteps into Second Woman-like filter mazes on ‘An Exhale’, with a bittersweet spot of skull-rubbing dissonant resonance in ‘Farewell! Magnus Gabbro.’
Available To Order (Estimated Shipping between 7-14 Working Days)
This item is to the best of our knowledge available to us from the supplier and should ship to you within the time-frame indicated. If there are any unforeseen issues with availability we will notify you immediately
Following his debut album, ‘Nothing Is Still’, Leon Vynhall returns with a sprawling album of trip hop, ambient, tech-house and breakbeats kinked with his jazzy turns of phrase
‘Rare, Forever’ spells out his style with intricate sound design and overripe emotions between the Aim-like trip hop of ‘Ecce! Ego!’, the skudgy tech-house swivel of ‘Mothra’, with nods to Neurofunk D&B spliced with garage influence in ‘Snakeskin ∞ Has-Been’, and sidesteps into Second Woman-like filter mazes on ‘An Exhale’, with a bittersweet spot of skull-rubbing dissonant resonance in ‘Farewell! Magnus Gabbro.’
Available To Order (Estimated Shipping between 7-14 Working Days)
This item is to the best of our knowledge available to us from the supplier and should ship to you within the time-frame indicated. If there are any unforeseen issues with availability we will notify you immediately
Following his debut album, ‘Nothing Is Still’, Leon Vynhall returns with a sprawling album of trip hop, ambient, tech-house and breakbeats kinked with his jazzy turns of phrase
‘Rare, Forever’ spells out his style with intricate sound design and overripe emotions between the Aim-like trip hop of ‘Ecce! Ego!’, the skudgy tech-house swivel of ‘Mothra’, with nods to Neurofunk D&B spliced with garage influence in ‘Snakeskin ∞ Has-Been’, and sidesteps into Second Woman-like filter mazes on ‘An Exhale’, with a bittersweet spot of skull-rubbing dissonant resonance in ‘Farewell! Magnus Gabbro.’