Radar Keroxen, Vol. 4
Fata morgana-like ambient pop, cryptically spiced machine rhythms, psychoactive collage and wheezing lo-fi synth craft from The Canary Islands (and beyond) on the 4th Radar Keroxen almanac
Initiated in 2020, the Radar Keroxen volumes have annually shored up adventurous weirdo morsels from the volcanic archipelago in the Atlantic Ocean. Its 4th edition focusses on four artists new to the series, and expands its remit beyond the Canaries to forge links with fellow islanders from The Azores, Réunion, and landlubbers from French Guiana, on South America’s North east coast. There are two bits from each contributor, hailing waves of outsider music by insular artists who operate beyond the usual epicentres and understandably, naturally dare-to-differ in their outlooks and what matters, musically speaking.
The two-track-per-artist format gives each one room to display their range. Carolina Machado’s Akane alias follows up her dreamily memorable ‘Night-Time Birds’ LP with two iridescent highlights, coming off like BoC on Atlantean expedition with Spencer Clark in the low-slung hip hop grog to an edit of her LP’s title track, and the delicious synth wow and flutter of ‘Analog Sea’, neatly contrasting with the mercurial machine rhythm magick of Réunion’s Nyege Nyege Tapes alum Jako Maron on ’Ti Mok Rika Sistine’, and the skewed dembow bop ‘Sinni Touni’.
It also extends introduction to French Guiana’s Daryanna Jean with two cuts of Carl Stone-like glitch sampledelia in ‘DTT1’, and the jazz skirmish ‘DHS1’, and likewise the hauntological spectres of Azorean project Flipping Candy, who live up to their moniker with a lushly writhing, lysergic slant on ambient pastoralism in ‘Sounds from Haunted Times’ and the Pye Corner Audio-alike, see-sawing arps of ‘Two Red Flowers Spell’.
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Fata morgana-like ambient pop, cryptically spiced machine rhythms, psychoactive collage and wheezing lo-fi synth craft from The Canary Islands (and beyond) on the 4th Radar Keroxen almanac
Initiated in 2020, the Radar Keroxen volumes have annually shored up adventurous weirdo morsels from the volcanic archipelago in the Atlantic Ocean. Its 4th edition focusses on four artists new to the series, and expands its remit beyond the Canaries to forge links with fellow islanders from The Azores, Réunion, and landlubbers from French Guiana, on South America’s North east coast. There are two bits from each contributor, hailing waves of outsider music by insular artists who operate beyond the usual epicentres and understandably, naturally dare-to-differ in their outlooks and what matters, musically speaking.
The two-track-per-artist format gives each one room to display their range. Carolina Machado’s Akane alias follows up her dreamily memorable ‘Night-Time Birds’ LP with two iridescent highlights, coming off like BoC on Atlantean expedition with Spencer Clark in the low-slung hip hop grog to an edit of her LP’s title track, and the delicious synth wow and flutter of ‘Analog Sea’, neatly contrasting with the mercurial machine rhythm magick of Réunion’s Nyege Nyege Tapes alum Jako Maron on ’Ti Mok Rika Sistine’, and the skewed dembow bop ‘Sinni Touni’.
It also extends introduction to French Guiana’s Daryanna Jean with two cuts of Carl Stone-like glitch sampledelia in ‘DTT1’, and the jazz skirmish ‘DHS1’, and likewise the hauntological spectres of Azorean project Flipping Candy, who live up to their moniker with a lushly writhing, lysergic slant on ambient pastoralism in ‘Sounds from Haunted Times’ and the Pye Corner Audio-alike, see-sawing arps of ‘Two Red Flowers Spell’.
Fata morgana-like ambient pop, cryptically spiced machine rhythms, psychoactive collage and wheezing lo-fi synth craft from The Canary Islands (and beyond) on the 4th Radar Keroxen almanac
Initiated in 2020, the Radar Keroxen volumes have annually shored up adventurous weirdo morsels from the volcanic archipelago in the Atlantic Ocean. Its 4th edition focusses on four artists new to the series, and expands its remit beyond the Canaries to forge links with fellow islanders from The Azores, Réunion, and landlubbers from French Guiana, on South America’s North east coast. There are two bits from each contributor, hailing waves of outsider music by insular artists who operate beyond the usual epicentres and understandably, naturally dare-to-differ in their outlooks and what matters, musically speaking.
The two-track-per-artist format gives each one room to display their range. Carolina Machado’s Akane alias follows up her dreamily memorable ‘Night-Time Birds’ LP with two iridescent highlights, coming off like BoC on Atlantean expedition with Spencer Clark in the low-slung hip hop grog to an edit of her LP’s title track, and the delicious synth wow and flutter of ‘Analog Sea’, neatly contrasting with the mercurial machine rhythm magick of Réunion’s Nyege Nyege Tapes alum Jako Maron on ’Ti Mok Rika Sistine’, and the skewed dembow bop ‘Sinni Touni’.
It also extends introduction to French Guiana’s Daryanna Jean with two cuts of Carl Stone-like glitch sampledelia in ‘DTT1’, and the jazz skirmish ‘DHS1’, and likewise the hauntological spectres of Azorean project Flipping Candy, who live up to their moniker with a lushly writhing, lysergic slant on ambient pastoralism in ‘Sounds from Haunted Times’ and the Pye Corner Audio-alike, see-sawing arps of ‘Two Red Flowers Spell’.
Fata morgana-like ambient pop, cryptically spiced machine rhythms, psychoactive collage and wheezing lo-fi synth craft from The Canary Islands (and beyond) on the 4th Radar Keroxen almanac
Initiated in 2020, the Radar Keroxen volumes have annually shored up adventurous weirdo morsels from the volcanic archipelago in the Atlantic Ocean. Its 4th edition focusses on four artists new to the series, and expands its remit beyond the Canaries to forge links with fellow islanders from The Azores, Réunion, and landlubbers from French Guiana, on South America’s North east coast. There are two bits from each contributor, hailing waves of outsider music by insular artists who operate beyond the usual epicentres and understandably, naturally dare-to-differ in their outlooks and what matters, musically speaking.
The two-track-per-artist format gives each one room to display their range. Carolina Machado’s Akane alias follows up her dreamily memorable ‘Night-Time Birds’ LP with two iridescent highlights, coming off like BoC on Atlantean expedition with Spencer Clark in the low-slung hip hop grog to an edit of her LP’s title track, and the delicious synth wow and flutter of ‘Analog Sea’, neatly contrasting with the mercurial machine rhythm magick of Réunion’s Nyege Nyege Tapes alum Jako Maron on ’Ti Mok Rika Sistine’, and the skewed dembow bop ‘Sinni Touni’.
It also extends introduction to French Guiana’s Daryanna Jean with two cuts of Carl Stone-like glitch sampledelia in ‘DTT1’, and the jazz skirmish ‘DHS1’, and likewise the hauntological spectres of Azorean project Flipping Candy, who live up to their moniker with a lushly writhing, lysergic slant on ambient pastoralism in ‘Sounds from Haunted Times’ and the Pye Corner Audio-alike, see-sawing arps of ‘Two Red Flowers Spell’.
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Fata morgana-like ambient pop, cryptically spiced machine rhythms, psychoactive collage and wheezing lo-fi synth craft from The Canary Islands (and beyond) on the 4th Radar Keroxen almanac
Initiated in 2020, the Radar Keroxen volumes have annually shored up adventurous weirdo morsels from the volcanic archipelago in the Atlantic Ocean. Its 4th edition focusses on four artists new to the series, and expands its remit beyond the Canaries to forge links with fellow islanders from The Azores, Réunion, and landlubbers from French Guiana, on South America’s North east coast. There are two bits from each contributor, hailing waves of outsider music by insular artists who operate beyond the usual epicentres and understandably, naturally dare-to-differ in their outlooks and what matters, musically speaking.
The two-track-per-artist format gives each one room to display their range. Carolina Machado’s Akane alias follows up her dreamily memorable ‘Night-Time Birds’ LP with two iridescent highlights, coming off like BoC on Atlantean expedition with Spencer Clark in the low-slung hip hop grog to an edit of her LP’s title track, and the delicious synth wow and flutter of ‘Analog Sea’, neatly contrasting with the mercurial machine rhythm magick of Réunion’s Nyege Nyege Tapes alum Jako Maron on ’Ti Mok Rika Sistine’, and the skewed dembow bop ‘Sinni Touni’.
It also extends introduction to French Guiana’s Daryanna Jean with two cuts of Carl Stone-like glitch sampledelia in ‘DTT1’, and the jazz skirmish ‘DHS1’, and likewise the hauntological spectres of Azorean project Flipping Candy, who live up to their moniker with a lushly writhing, lysergic slant on ambient pastoralism in ‘Sounds from Haunted Times’ and the Pye Corner Audio-alike, see-sawing arps of ‘Two Red Flowers Spell’.