Actress' 3rd album, 'R.I.P', his 2nd for Honest Jon's, is now a decade old.
Despite being a vital cog in the machinery of underground UK dance and electronics since at least 2004 (when he released his 'No Tricks' debut), it's fair to say that by the time 'R.I.P.' was released Darren J. Cunningham made the shift from cult concern to acknowledged auteur of some repute. His work with Damon Albarn's DRC Music, beside a legendary DJ set at Sonar and remixes of Shangaan Electro, Panda Bear and Radiohead all elevated the fact; so expectations were high for 'R.I.P'.
Produced exclusively on hardware and inspired by Milton's classic poem 'Paradise Lost', Actress arranged his most labyrinthine, esoteric release to date; a set of 15 tracks traversing crystallized radiophonics and subterranean Techno with a psychedelic sideswipe that left us dazed and beguiled. By assimilating machine-like characteristics - his notions of "seeping yourself liquid into the machinery" Cunningham effectively became an interpreter, a symbiotic conduit with the potential to manipulate your consciousness. The newfound clarity and fluid narration made 'R.I.P.' the most intriguing chapter in the Actress saga so far - an unmissable experience.
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Actress' 3rd album, 'R.I.P', his 2nd for Honest Jon's, is now a decade old.
Despite being a vital cog in the machinery of underground UK dance and electronics since at least 2004 (when he released his 'No Tricks' debut), it's fair to say that by the time 'R.I.P.' was released Darren J. Cunningham made the shift from cult concern to acknowledged auteur of some repute. His work with Damon Albarn's DRC Music, beside a legendary DJ set at Sonar and remixes of Shangaan Electro, Panda Bear and Radiohead all elevated the fact; so expectations were high for 'R.I.P'.
Produced exclusively on hardware and inspired by Milton's classic poem 'Paradise Lost', Actress arranged his most labyrinthine, esoteric release to date; a set of 15 tracks traversing crystallized radiophonics and subterranean Techno with a psychedelic sideswipe that left us dazed and beguiled. By assimilating machine-like characteristics - his notions of "seeping yourself liquid into the machinery" Cunningham effectively became an interpreter, a symbiotic conduit with the potential to manipulate your consciousness. The newfound clarity and fluid narration made 'R.I.P.' the most intriguing chapter in the Actress saga so far - an unmissable experience.
Actress' 3rd album, 'R.I.P', his 2nd for Honest Jon's, is now a decade old.
Despite being a vital cog in the machinery of underground UK dance and electronics since at least 2004 (when he released his 'No Tricks' debut), it's fair to say that by the time 'R.I.P.' was released Darren J. Cunningham made the shift from cult concern to acknowledged auteur of some repute. His work with Damon Albarn's DRC Music, beside a legendary DJ set at Sonar and remixes of Shangaan Electro, Panda Bear and Radiohead all elevated the fact; so expectations were high for 'R.I.P'.
Produced exclusively on hardware and inspired by Milton's classic poem 'Paradise Lost', Actress arranged his most labyrinthine, esoteric release to date; a set of 15 tracks traversing crystallized radiophonics and subterranean Techno with a psychedelic sideswipe that left us dazed and beguiled. By assimilating machine-like characteristics - his notions of "seeping yourself liquid into the machinery" Cunningham effectively became an interpreter, a symbiotic conduit with the potential to manipulate your consciousness. The newfound clarity and fluid narration made 'R.I.P.' the most intriguing chapter in the Actress saga so far - an unmissable experience.
Actress' 3rd album, 'R.I.P', his 2nd for Honest Jon's, is now a decade old.
Despite being a vital cog in the machinery of underground UK dance and electronics since at least 2004 (when he released his 'No Tricks' debut), it's fair to say that by the time 'R.I.P.' was released Darren J. Cunningham made the shift from cult concern to acknowledged auteur of some repute. His work with Damon Albarn's DRC Music, beside a legendary DJ set at Sonar and remixes of Shangaan Electro, Panda Bear and Radiohead all elevated the fact; so expectations were high for 'R.I.P'.
Produced exclusively on hardware and inspired by Milton's classic poem 'Paradise Lost', Actress arranged his most labyrinthine, esoteric release to date; a set of 15 tracks traversing crystallized radiophonics and subterranean Techno with a psychedelic sideswipe that left us dazed and beguiled. By assimilating machine-like characteristics - his notions of "seeping yourself liquid into the machinery" Cunningham effectively became an interpreter, a symbiotic conduit with the potential to manipulate your consciousness. The newfound clarity and fluid narration made 'R.I.P.' the most intriguing chapter in the Actress saga so far - an unmissable experience.
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Actress' 3rd album, 'R.I.P', his 2nd for Honest Jon's, is now a decade old.
Despite being a vital cog in the machinery of underground UK dance and electronics since at least 2004 (when he released his 'No Tricks' debut), it's fair to say that by the time 'R.I.P.' was released Darren J. Cunningham made the shift from cult concern to acknowledged auteur of some repute. His work with Damon Albarn's DRC Music, beside a legendary DJ set at Sonar and remixes of Shangaan Electro, Panda Bear and Radiohead all elevated the fact; so expectations were high for 'R.I.P'.
Produced exclusively on hardware and inspired by Milton's classic poem 'Paradise Lost', Actress arranged his most labyrinthine, esoteric release to date; a set of 15 tracks traversing crystallized radiophonics and subterranean Techno with a psychedelic sideswipe that left us dazed and beguiled. By assimilating machine-like characteristics - his notions of "seeping yourself liquid into the machinery" Cunningham effectively became an interpreter, a symbiotic conduit with the potential to manipulate your consciousness. The newfound clarity and fluid narration made 'R.I.P.' the most intriguing chapter in the Actress saga so far - an unmissable experience.
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Actress' 3rd album, 'R.I.P', his 2nd for Honest Jon's, is now a decade old.
Despite being a vital cog in the machinery of underground UK dance and electronics since at least 2004 (when he released his 'No Tricks' debut), it's fair to say that by the time 'R.I.P.' was released Darren J. Cunningham made the shift from cult concern to acknowledged auteur of some repute. His work with Damon Albarn's DRC Music, beside a legendary DJ set at Sonar and remixes of Shangaan Electro, Panda Bear and Radiohead all elevated the fact; so expectations were high for 'R.I.P'.
Produced exclusively on hardware and inspired by Milton's classic poem 'Paradise Lost', Actress arranged his most labyrinthine, esoteric release to date; a set of 15 tracks traversing crystallized radiophonics and subterranean Techno with a psychedelic sideswipe that left us dazed and beguiled. By assimilating machine-like characteristics - his notions of "seeping yourself liquid into the machinery" Cunningham effectively became an interpreter, a symbiotic conduit with the potential to manipulate your consciousness. The newfound clarity and fluid narration made 'R.I.P.' the most intriguing chapter in the Actress saga so far - an unmissable experience.