NYC’s dub house veteran Brendon Moeller encourages me-time and self-care with a suite of sanguine beatdown dub and hip hop recalling aspects of Express Rising, N.o.W. and Levon Vincent’s ’Silent Cities’ LP
Best know for propulsive club music, Moeller here takes the opportunity to go slow with great results slanted toward loosey goosey bodies on the sofa of shuffling at the crack of dawn. The 10 tracks of ‘Quiet Quitting’ smartly transpose the jazzier vibes of his upbeat dance productions to atmospheric purpose, following a thread of beatdown logic between the frayed Nightmares on Wax vibes of ‘Cotton Fantasy’ to the gauziest strain of downbeat hip hop a la Dante Carfagna’s on ‘Dust Collector’ or its smudged title tune, with sweetly burnished bits of jazz-soul swing in ‘Red Night’, ruder electro-dub in ‘Optimal’, Ras G-alike dub abstraction of ‘Limited Capacity’, and a waking dream sequence ‘Phantoms’.
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NYC’s dub house veteran Brendon Moeller encourages me-time and self-care with a suite of sanguine beatdown dub and hip hop recalling aspects of Express Rising, N.o.W. and Levon Vincent’s ’Silent Cities’ LP
Best know for propulsive club music, Moeller here takes the opportunity to go slow with great results slanted toward loosey goosey bodies on the sofa of shuffling at the crack of dawn. The 10 tracks of ‘Quiet Quitting’ smartly transpose the jazzier vibes of his upbeat dance productions to atmospheric purpose, following a thread of beatdown logic between the frayed Nightmares on Wax vibes of ‘Cotton Fantasy’ to the gauziest strain of downbeat hip hop a la Dante Carfagna’s on ‘Dust Collector’ or its smudged title tune, with sweetly burnished bits of jazz-soul swing in ‘Red Night’, ruder electro-dub in ‘Optimal’, Ras G-alike dub abstraction of ‘Limited Capacity’, and a waking dream sequence ‘Phantoms’.
NYC’s dub house veteran Brendon Moeller encourages me-time and self-care with a suite of sanguine beatdown dub and hip hop recalling aspects of Express Rising, N.o.W. and Levon Vincent’s ’Silent Cities’ LP
Best know for propulsive club music, Moeller here takes the opportunity to go slow with great results slanted toward loosey goosey bodies on the sofa of shuffling at the crack of dawn. The 10 tracks of ‘Quiet Quitting’ smartly transpose the jazzier vibes of his upbeat dance productions to atmospheric purpose, following a thread of beatdown logic between the frayed Nightmares on Wax vibes of ‘Cotton Fantasy’ to the gauziest strain of downbeat hip hop a la Dante Carfagna’s on ‘Dust Collector’ or its smudged title tune, with sweetly burnished bits of jazz-soul swing in ‘Red Night’, ruder electro-dub in ‘Optimal’, Ras G-alike dub abstraction of ‘Limited Capacity’, and a waking dream sequence ‘Phantoms’.
NYC’s dub house veteran Brendon Moeller encourages me-time and self-care with a suite of sanguine beatdown dub and hip hop recalling aspects of Express Rising, N.o.W. and Levon Vincent’s ’Silent Cities’ LP
Best know for propulsive club music, Moeller here takes the opportunity to go slow with great results slanted toward loosey goosey bodies on the sofa of shuffling at the crack of dawn. The 10 tracks of ‘Quiet Quitting’ smartly transpose the jazzier vibes of his upbeat dance productions to atmospheric purpose, following a thread of beatdown logic between the frayed Nightmares on Wax vibes of ‘Cotton Fantasy’ to the gauziest strain of downbeat hip hop a la Dante Carfagna’s on ‘Dust Collector’ or its smudged title tune, with sweetly burnished bits of jazz-soul swing in ‘Red Night’, ruder electro-dub in ‘Optimal’, Ras G-alike dub abstraction of ‘Limited Capacity’, and a waking dream sequence ‘Phantoms’.