Quantized Angel
Alberich
Quantized Angel
Boomkat Product Review:
Almighty sophomore album by industrial overload Kris Lapke aka Alberich - Hospital Productions’ mastering engineer, scene-defining producer, and right hand man to Dominick Fernow (Prurient, Vatican Shadow, RSE).
Where Alberich’s infamous, 3 hour long ‘NATO Uniformen’ [2010] series can be heard as a cornerstone for this decade’s tilt into noise techno experimentation, its follow-up is a bitterly refined and exquisitely crafted single disc bedevilled by increasingly excoriating detail via bombed-out rhythms and eschaton-limning atmospheres. Lapke distills and pokes his most potent ideas into their most succinct, brutalist forms, but also makes room for one durational pulverizer that is on its own worthy of the cost of admission.
A master of calibrating maximalist and minimalist scopes, Lapke has a gift for getting right in-the-mix and pulling sounds to the biting point or allow them to glisten in the periphery; emphasising their grotesqueness, stark beauty and visceral nature in the process. It’s an approach which has elevated him to the vanguard of modern industrial music, evidenced in production work and mastering for Prurient, The Haxan Cloak and Nothing, as well as audio restoration for COUM Transmissions and Shizuka, but rarely felt as strongly or as nuanced as in his solo work.
Between opener ‘Upper Mountains’, casting some of the gloomiest synth pads this side of Silent Servant’s ‘Negative Fascination’, to the entrenched techno of ‘Unity House’ with its asphyxiating, buried-by-mud effect buoyed only by drily resigned vocals, and the aching synth poignancy of ‘No Reference to The Absence of Allegory’ at the album’s charred heart, Lapke's sounds adopt a frightening meaning thru their manacled grip of reality.
But its the B-side that will really see off any half-hearted types, as he sucks us down the title track’s rabbit hole of collapsing techno and lo-NRG vox into the reverberating negative space of ‘Freeze’, and the masterfully dense yet wide open paradox of his closing ‘Radio Op’ transmission.
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Boomkat Product Review:
Almighty sophomore album by industrial overload Kris Lapke aka Alberich - Hospital Productions’ mastering engineer, scene-defining producer, and right hand man to Dominick Fernow (Prurient, Vatican Shadow, RSE).
Where Alberich’s infamous, 3 hour long ‘NATO Uniformen’ [2010] series can be heard as a cornerstone for this decade’s tilt into noise techno experimentation, its follow-up is a bitterly refined and exquisitely crafted single disc bedevilled by increasingly excoriating detail via bombed-out rhythms and eschaton-limning atmospheres. Lapke distills and pokes his most potent ideas into their most succinct, brutalist forms, but also makes room for one durational pulverizer that is on its own worthy of the cost of admission.
A master of calibrating maximalist and minimalist scopes, Lapke has a gift for getting right in-the-mix and pulling sounds to the biting point or allow them to glisten in the periphery; emphasising their grotesqueness, stark beauty and visceral nature in the process. It’s an approach which has elevated him to the vanguard of modern industrial music, evidenced in production work and mastering for Prurient, The Haxan Cloak and Nothing, as well as audio restoration for COUM Transmissions and Shizuka, but rarely felt as strongly or as nuanced as in his solo work.
Between opener ‘Upper Mountains’, casting some of the gloomiest synth pads this side of Silent Servant’s ‘Negative Fascination’, to the entrenched techno of ‘Unity House’ with its asphyxiating, buried-by-mud effect buoyed only by drily resigned vocals, and the aching synth poignancy of ‘No Reference to The Absence of Allegory’ at the album’s charred heart, Lapke's sounds adopt a frightening meaning thru their manacled grip of reality.
But its the B-side that will really see off any half-hearted types, as he sucks us down the title track’s rabbit hole of collapsing techno and lo-NRG vox into the reverberating negative space of ‘Freeze’, and the masterfully dense yet wide open paradox of his closing ‘Radio Op’ transmission.
Boomkat Product Review:
Almighty sophomore album by industrial overload Kris Lapke aka Alberich - Hospital Productions’ mastering engineer, scene-defining producer, and right hand man to Dominick Fernow (Prurient, Vatican Shadow, RSE).
Where Alberich’s infamous, 3 hour long ‘NATO Uniformen’ [2010] series can be heard as a cornerstone for this decade’s tilt into noise techno experimentation, its follow-up is a bitterly refined and exquisitely crafted single disc bedevilled by increasingly excoriating detail via bombed-out rhythms and eschaton-limning atmospheres. Lapke distills and pokes his most potent ideas into their most succinct, brutalist forms, but also makes room for one durational pulverizer that is on its own worthy of the cost of admission.
A master of calibrating maximalist and minimalist scopes, Lapke has a gift for getting right in-the-mix and pulling sounds to the biting point or allow them to glisten in the periphery; emphasising their grotesqueness, stark beauty and visceral nature in the process. It’s an approach which has elevated him to the vanguard of modern industrial music, evidenced in production work and mastering for Prurient, The Haxan Cloak and Nothing, as well as audio restoration for COUM Transmissions and Shizuka, but rarely felt as strongly or as nuanced as in his solo work.
Between opener ‘Upper Mountains’, casting some of the gloomiest synth pads this side of Silent Servant’s ‘Negative Fascination’, to the entrenched techno of ‘Unity House’ with its asphyxiating, buried-by-mud effect buoyed only by drily resigned vocals, and the aching synth poignancy of ‘No Reference to The Absence of Allegory’ at the album’s charred heart, Lapke's sounds adopt a frightening meaning thru their manacled grip of reality.
But its the B-side that will really see off any half-hearted types, as he sucks us down the title track’s rabbit hole of collapsing techno and lo-NRG vox into the reverberating negative space of ‘Freeze’, and the masterfully dense yet wide open paradox of his closing ‘Radio Op’ transmission.
Boomkat Product Review:
Almighty sophomore album by industrial overload Kris Lapke aka Alberich - Hospital Productions’ mastering engineer, scene-defining producer, and right hand man to Dominick Fernow (Prurient, Vatican Shadow, RSE).
Where Alberich’s infamous, 3 hour long ‘NATO Uniformen’ [2010] series can be heard as a cornerstone for this decade’s tilt into noise techno experimentation, its follow-up is a bitterly refined and exquisitely crafted single disc bedevilled by increasingly excoriating detail via bombed-out rhythms and eschaton-limning atmospheres. Lapke distills and pokes his most potent ideas into their most succinct, brutalist forms, but also makes room for one durational pulverizer that is on its own worthy of the cost of admission.
A master of calibrating maximalist and minimalist scopes, Lapke has a gift for getting right in-the-mix and pulling sounds to the biting point or allow them to glisten in the periphery; emphasising their grotesqueness, stark beauty and visceral nature in the process. It’s an approach which has elevated him to the vanguard of modern industrial music, evidenced in production work and mastering for Prurient, The Haxan Cloak and Nothing, as well as audio restoration for COUM Transmissions and Shizuka, but rarely felt as strongly or as nuanced as in his solo work.
Between opener ‘Upper Mountains’, casting some of the gloomiest synth pads this side of Silent Servant’s ‘Negative Fascination’, to the entrenched techno of ‘Unity House’ with its asphyxiating, buried-by-mud effect buoyed only by drily resigned vocals, and the aching synth poignancy of ‘No Reference to The Absence of Allegory’ at the album’s charred heart, Lapke's sounds adopt a frightening meaning thru their manacled grip of reality.
But its the B-side that will really see off any half-hearted types, as he sucks us down the title track’s rabbit hole of collapsing techno and lo-NRG vox into the reverberating negative space of ‘Freeze’, and the masterfully dense yet wide open paradox of his closing ‘Radio Op’ transmission.
More from Alberich:
-
Alberich Precursor Hospital Productions Industrial / Wave / Electro- Cassette
-
Alberich Machine Gun Nest: Cassette Works, Vol. 0 Hospital Productions Electronic
- MP3
- FLAC
-
Alberich Turned Back Hospital Productions Electronic
- MP3
- FLAC
-
Alberich Fall Where They Would Hospital Productions Electronic
- MP3
- FLAC
-
Alberich Guard Tower: Cassette Works, Vol. 1 Hospital Productions Extreme / Noise / Computer Music
- MP3
- FLAC
More from Hospital Productions:
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Phase Fatale Burning The Rural District Remixes Hospital Productions Industrial / Wave / Electro
- MP3
- FLAC
- WAV
-
Phase Fatale Burning the Rural District Hospital Productions Industrial / Wave / Electro
- MP3
- FLAC
- WAV
-
PRURIENT Son of Sam of Mice and Men Hospital Productions Extreme / Noise / Computer Music
- MP3
- FLAC
- WAV
-
PRURIENT Creationist Hospital Productions Extreme / Noise / Computer Music
- MP3
- FLAC
- WAV
-
Geography Of Hell Verdun, 1916 Hospital Productions Extreme / Noise / Computer Music
- MP3
- FLAC
- WAV