Boomkat Product Review:
Highly touted producer Hiro Kone follows her Drew McDowell link-up with a crackshot 2nd solo LP of jagged, physical rhythms and kinetic synth structures rent in acres of noumenal space on ‘Pure Expenditure’
Working intently at the point where EBM and avant-garde electronics collide, Nicky Mao a.k.a. Hiro Kone has opened up a vivid new space for phantasmic expressions of aerobic mysticism and techgnosis. Whether bending into Wetware with Roxy Farman, or taking cues from Equiknoxxx’s mutant dancehall instrumentals on ‘The Ghost of George Bataille’, Kone has consistently warped the fringes of modern, obscurantist electronica with a singular, gauntleted tactility.
On ‘Pure Expenditure’ she pursues that mix of EBM, fwd dancehall-dub and biting point electronics down ever darker lines of enquiry, uniquely probing a formerly, mutually exclusive juncture of emotively gothic themes, rudely rooted rhythms, and sheer, original sound design.
There’s almost too many highlights to mention, but if you need a jump off point, the percolated blend of Little Annie and angular modular shards in ‘Outside The Axiom’ is right up there along with the Byetone-meets-Coil pressure of her title track, and the exceptional play of sliding, bulbous shapes within sheer, hyaline dimensions in ‘Scotch Yoke, Pt. I & II’ and the pranging, sloshing designs of ‘Poortgebouw’.