Pev’s ‘Pulse’ series adapts cues from Detroit techno, its offshoots in early ‘90s UK techno and garage, and Berlin variants, for another super tight but breezy suite of club dynamos
The Bristolian master of minimalist but full-bodied grooves alliterates the styles of the ‘Phase’ EP with 2023’s ‘Pulse EP’ and ‘Pulse Modulation’ session in four dance-dedicated cuts. The influence of classic Claude Young and Juan Atkins’ melodic, tracky ‘90s cuts informs the buoyant swing and parrying arps stealthily built to a lather on ‘Pulse IX’, before hingeing a darting top line around woodblock rimshots and pendulous subs like early Luke Slater or B12 in the sinuous rolige of ‘Pulse Ten’.
He dips the lights for a sexier sort of below-the-belt Berlin thrust that we could imagine Prosumer weaving into a Panobar set with ‘Pulse XI’, and his roots in rugged, UKG and techno-informed dubstep surface in the taut arrangement of glancing, dubbed-out 2-step drums and bass goop on ‘Pulse XII’.
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Pev’s ‘Pulse’ series adapts cues from Detroit techno, its offshoots in early ‘90s UK techno and garage, and Berlin variants, for another super tight but breezy suite of club dynamos
The Bristolian master of minimalist but full-bodied grooves alliterates the styles of the ‘Phase’ EP with 2023’s ‘Pulse EP’ and ‘Pulse Modulation’ session in four dance-dedicated cuts. The influence of classic Claude Young and Juan Atkins’ melodic, tracky ‘90s cuts informs the buoyant swing and parrying arps stealthily built to a lather on ‘Pulse IX’, before hingeing a darting top line around woodblock rimshots and pendulous subs like early Luke Slater or B12 in the sinuous rolige of ‘Pulse Ten’.
He dips the lights for a sexier sort of below-the-belt Berlin thrust that we could imagine Prosumer weaving into a Panobar set with ‘Pulse XI’, and his roots in rugged, UKG and techno-informed dubstep surface in the taut arrangement of glancing, dubbed-out 2-step drums and bass goop on ‘Pulse XII’.
Pev’s ‘Pulse’ series adapts cues from Detroit techno, its offshoots in early ‘90s UK techno and garage, and Berlin variants, for another super tight but breezy suite of club dynamos
The Bristolian master of minimalist but full-bodied grooves alliterates the styles of the ‘Phase’ EP with 2023’s ‘Pulse EP’ and ‘Pulse Modulation’ session in four dance-dedicated cuts. The influence of classic Claude Young and Juan Atkins’ melodic, tracky ‘90s cuts informs the buoyant swing and parrying arps stealthily built to a lather on ‘Pulse IX’, before hingeing a darting top line around woodblock rimshots and pendulous subs like early Luke Slater or B12 in the sinuous rolige of ‘Pulse Ten’.
He dips the lights for a sexier sort of below-the-belt Berlin thrust that we could imagine Prosumer weaving into a Panobar set with ‘Pulse XI’, and his roots in rugged, UKG and techno-informed dubstep surface in the taut arrangement of glancing, dubbed-out 2-step drums and bass goop on ‘Pulse XII’.
Pev’s ‘Pulse’ series adapts cues from Detroit techno, its offshoots in early ‘90s UK techno and garage, and Berlin variants, for another super tight but breezy suite of club dynamos
The Bristolian master of minimalist but full-bodied grooves alliterates the styles of the ‘Phase’ EP with 2023’s ‘Pulse EP’ and ‘Pulse Modulation’ session in four dance-dedicated cuts. The influence of classic Claude Young and Juan Atkins’ melodic, tracky ‘90s cuts informs the buoyant swing and parrying arps stealthily built to a lather on ‘Pulse IX’, before hingeing a darting top line around woodblock rimshots and pendulous subs like early Luke Slater or B12 in the sinuous rolige of ‘Pulse Ten’.
He dips the lights for a sexier sort of below-the-belt Berlin thrust that we could imagine Prosumer weaving into a Panobar set with ‘Pulse XI’, and his roots in rugged, UKG and techno-informed dubstep surface in the taut arrangement of glancing, dubbed-out 2-step drums and bass goop on ‘Pulse XII’.
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Pev’s ‘Pulse’ series adapts cues from Detroit techno, its offshoots in early ‘90s UK techno and garage, and Berlin variants, for another super tight but breezy suite of club dynamos
The Bristolian master of minimalist but full-bodied grooves alliterates the styles of the ‘Phase’ EP with 2023’s ‘Pulse EP’ and ‘Pulse Modulation’ session in four dance-dedicated cuts. The influence of classic Claude Young and Juan Atkins’ melodic, tracky ‘90s cuts informs the buoyant swing and parrying arps stealthily built to a lather on ‘Pulse IX’, before hingeing a darting top line around woodblock rimshots and pendulous subs like early Luke Slater or B12 in the sinuous rolige of ‘Pulse Ten’.
He dips the lights for a sexier sort of below-the-belt Berlin thrust that we could imagine Prosumer weaving into a Panobar set with ‘Pulse XI’, and his roots in rugged, UKG and techno-informed dubstep surface in the taut arrangement of glancing, dubbed-out 2-step drums and bass goop on ‘Pulse XII’.