Killer first EP in five years by the master of unhurried but insistent UK bass mutations
A key catalyst of dubstep’s 2nd wave from 2007, and later its whole post- phase, Tom Ford aka Peverelist has been notable by his absence from release schedules in recent years, though he’s kept a steady hand on the tiller of Livity Sound, behind ace releases by Forest Drive West, Two Shell, Tribal Bros, Azu Tiwaline, DJ Plead, and many others, over the interim. The ‘Pulse’ EP marks his return without missing a step in four cuts of loosely post-UKG styles leaning to dub techno and bleep techno rave, each kept tautly minimal but inflected with signature feel for space and effortlessly rolling club physics faithful to his style.
Perking up with the squeaky step and parry of his patterned permutations on ‘Pulse I’, he recalls vintage Peverelist functions in the skeletal syncopation of lilting, rhythmelodic percussion in ‘Pulse II’, and likewise with an added Detroit x Berlin techno fervour on the nagging chords and 2562-esque propulsion to his agile 8 minute stepper ’Pulse II’, before yoking it back to a sort f streamlined bleep techno chassis echoing classic early Warp via Smith & Mighty in ‘Pulse IV’. Good to have him back - the club needs this sort of slinky suss right now.
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Killer first EP in five years by the master of unhurried but insistent UK bass mutations
A key catalyst of dubstep’s 2nd wave from 2007, and later its whole post- phase, Tom Ford aka Peverelist has been notable by his absence from release schedules in recent years, though he’s kept a steady hand on the tiller of Livity Sound, behind ace releases by Forest Drive West, Two Shell, Tribal Bros, Azu Tiwaline, DJ Plead, and many others, over the interim. The ‘Pulse’ EP marks his return without missing a step in four cuts of loosely post-UKG styles leaning to dub techno and bleep techno rave, each kept tautly minimal but inflected with signature feel for space and effortlessly rolling club physics faithful to his style.
Perking up with the squeaky step and parry of his patterned permutations on ‘Pulse I’, he recalls vintage Peverelist functions in the skeletal syncopation of lilting, rhythmelodic percussion in ‘Pulse II’, and likewise with an added Detroit x Berlin techno fervour on the nagging chords and 2562-esque propulsion to his agile 8 minute stepper ’Pulse II’, before yoking it back to a sort f streamlined bleep techno chassis echoing classic early Warp via Smith & Mighty in ‘Pulse IV’. Good to have him back - the club needs this sort of slinky suss right now.
Killer first EP in five years by the master of unhurried but insistent UK bass mutations
A key catalyst of dubstep’s 2nd wave from 2007, and later its whole post- phase, Tom Ford aka Peverelist has been notable by his absence from release schedules in recent years, though he’s kept a steady hand on the tiller of Livity Sound, behind ace releases by Forest Drive West, Two Shell, Tribal Bros, Azu Tiwaline, DJ Plead, and many others, over the interim. The ‘Pulse’ EP marks his return without missing a step in four cuts of loosely post-UKG styles leaning to dub techno and bleep techno rave, each kept tautly minimal but inflected with signature feel for space and effortlessly rolling club physics faithful to his style.
Perking up with the squeaky step and parry of his patterned permutations on ‘Pulse I’, he recalls vintage Peverelist functions in the skeletal syncopation of lilting, rhythmelodic percussion in ‘Pulse II’, and likewise with an added Detroit x Berlin techno fervour on the nagging chords and 2562-esque propulsion to his agile 8 minute stepper ’Pulse II’, before yoking it back to a sort f streamlined bleep techno chassis echoing classic early Warp via Smith & Mighty in ‘Pulse IV’. Good to have him back - the club needs this sort of slinky suss right now.
Killer first EP in five years by the master of unhurried but insistent UK bass mutations
A key catalyst of dubstep’s 2nd wave from 2007, and later its whole post- phase, Tom Ford aka Peverelist has been notable by his absence from release schedules in recent years, though he’s kept a steady hand on the tiller of Livity Sound, behind ace releases by Forest Drive West, Two Shell, Tribal Bros, Azu Tiwaline, DJ Plead, and many others, over the interim. The ‘Pulse’ EP marks his return without missing a step in four cuts of loosely post-UKG styles leaning to dub techno and bleep techno rave, each kept tautly minimal but inflected with signature feel for space and effortlessly rolling club physics faithful to his style.
Perking up with the squeaky step and parry of his patterned permutations on ‘Pulse I’, he recalls vintage Peverelist functions in the skeletal syncopation of lilting, rhythmelodic percussion in ‘Pulse II’, and likewise with an added Detroit x Berlin techno fervour on the nagging chords and 2562-esque propulsion to his agile 8 minute stepper ’Pulse II’, before yoking it back to a sort f streamlined bleep techno chassis echoing classic early Warp via Smith & Mighty in ‘Pulse IV’. Good to have him back - the club needs this sort of slinky suss right now.
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Killer first EP in five years by the master of unhurried but insistent UK bass mutations
A key catalyst of dubstep’s 2nd wave from 2007, and later its whole post- phase, Tom Ford aka Peverelist has been notable by his absence from release schedules in recent years, though he’s kept a steady hand on the tiller of Livity Sound, behind ace releases by Forest Drive West, Two Shell, Tribal Bros, Azu Tiwaline, DJ Plead, and many others, over the interim. The ‘Pulse’ EP marks his return without missing a step in four cuts of loosely post-UKG styles leaning to dub techno and bleep techno rave, each kept tautly minimal but inflected with signature feel for space and effortlessly rolling club physics faithful to his style.
Perking up with the squeaky step and parry of his patterned permutations on ‘Pulse I’, he recalls vintage Peverelist functions in the skeletal syncopation of lilting, rhythmelodic percussion in ‘Pulse II’, and likewise with an added Detroit x Berlin techno fervour on the nagging chords and 2562-esque propulsion to his agile 8 minute stepper ’Pulse II’, before yoking it back to a sort f streamlined bleep techno chassis echoing classic early Warp via Smith & Mighty in ‘Pulse IV’. Good to have him back - the club needs this sort of slinky suss right now.