Pev deftly shifts weight between lissom strains of deep, rolling and swanging garage house on his 5th Pulse EP
Ongoing since 2023, the ‘Pulse EP’ series has clocked up some of Pev’s best gear since his golden run of lean and influential dubstep 12”s on Punch drunk. Nearly decades later, the Bristol linchpin plays to the grown ups with four effortlessly slinky and trim grooves in a finer bandwidth of bass music.
‘Pulse XVII’ syncs deep house chords and swivelling garage-house/broken beats drums shades away from classic Martyn styles, whereas ‘Pulse XVIII’ tweaks out a dominant top line and deep tech bottom end like prime Carl Craig dicing with UKF. He raises the energy levels to a pumping sort of dub techno x ghetto house DJ tool in the dead handy zinger ‘Pulse XIX’- think Omar-S jamming with Mike Huckaby - and sends it off with jelly-legs on the classic era dubstep echoes of ‘Pulse XX’.
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Pev deftly shifts weight between lissom strains of deep, rolling and swanging garage house on his 5th Pulse EP
Ongoing since 2023, the ‘Pulse EP’ series has clocked up some of Pev’s best gear since his golden run of lean and influential dubstep 12”s on Punch drunk. Nearly decades later, the Bristol linchpin plays to the grown ups with four effortlessly slinky and trim grooves in a finer bandwidth of bass music.
‘Pulse XVII’ syncs deep house chords and swivelling garage-house/broken beats drums shades away from classic Martyn styles, whereas ‘Pulse XVIII’ tweaks out a dominant top line and deep tech bottom end like prime Carl Craig dicing with UKF. He raises the energy levels to a pumping sort of dub techno x ghetto house DJ tool in the dead handy zinger ‘Pulse XIX’- think Omar-S jamming with Mike Huckaby - and sends it off with jelly-legs on the classic era dubstep echoes of ‘Pulse XX’.
Pev deftly shifts weight between lissom strains of deep, rolling and swanging garage house on his 5th Pulse EP
Ongoing since 2023, the ‘Pulse EP’ series has clocked up some of Pev’s best gear since his golden run of lean and influential dubstep 12”s on Punch drunk. Nearly decades later, the Bristol linchpin plays to the grown ups with four effortlessly slinky and trim grooves in a finer bandwidth of bass music.
‘Pulse XVII’ syncs deep house chords and swivelling garage-house/broken beats drums shades away from classic Martyn styles, whereas ‘Pulse XVIII’ tweaks out a dominant top line and deep tech bottom end like prime Carl Craig dicing with UKF. He raises the energy levels to a pumping sort of dub techno x ghetto house DJ tool in the dead handy zinger ‘Pulse XIX’- think Omar-S jamming with Mike Huckaby - and sends it off with jelly-legs on the classic era dubstep echoes of ‘Pulse XX’.
Pev deftly shifts weight between lissom strains of deep, rolling and swanging garage house on his 5th Pulse EP
Ongoing since 2023, the ‘Pulse EP’ series has clocked up some of Pev’s best gear since his golden run of lean and influential dubstep 12”s on Punch drunk. Nearly decades later, the Bristol linchpin plays to the grown ups with four effortlessly slinky and trim grooves in a finer bandwidth of bass music.
‘Pulse XVII’ syncs deep house chords and swivelling garage-house/broken beats drums shades away from classic Martyn styles, whereas ‘Pulse XVIII’ tweaks out a dominant top line and deep tech bottom end like prime Carl Craig dicing with UKF. He raises the energy levels to a pumping sort of dub techno x ghetto house DJ tool in the dead handy zinger ‘Pulse XIX’- think Omar-S jamming with Mike Huckaby - and sends it off with jelly-legs on the classic era dubstep echoes of ‘Pulse XX’.
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Pev deftly shifts weight between lissom strains of deep, rolling and swanging garage house on his 5th Pulse EP
Ongoing since 2023, the ‘Pulse EP’ series has clocked up some of Pev’s best gear since his golden run of lean and influential dubstep 12”s on Punch drunk. Nearly decades later, the Bristol linchpin plays to the grown ups with four effortlessly slinky and trim grooves in a finer bandwidth of bass music.
‘Pulse XVII’ syncs deep house chords and swivelling garage-house/broken beats drums shades away from classic Martyn styles, whereas ‘Pulse XVIII’ tweaks out a dominant top line and deep tech bottom end like prime Carl Craig dicing with UKF. He raises the energy levels to a pumping sort of dub techno x ghetto house DJ tool in the dead handy zinger ‘Pulse XIX’- think Omar-S jamming with Mike Huckaby - and sends it off with jelly-legs on the classic era dubstep echoes of ‘Pulse XX’.