Boomkat Product Review:
Leading Australian contemporary music composer A. Pateras yields a stunning, phantasmic spectralist work for tape and live players, recorded in 2019 at the 17th Sacrum Profanum Festival in Krakow, Poland
‘Pseudacusis’ is the follow-up to Pateras’ work on Sunn 0)))’s ‘Life Metal’ and Judith Hamann’s ‘Music For Cello and Humming’, and features the latter artist among his Tape Septet recordings, which provide the bed for its live performance iteration, here recorded in Krakow’s impressive new arts space, Małopolska Garden of Arts for the festival closely associated with estimable Polish label, Bocian Records.
Reliably helmed by Pateras at his trusted piano, the live septet (Lucio Capece: bass clarinet / soprano saxophone; Krzysztof Guńka: saxophones; Riccardo La Foresta: percussion; Mike Majkowski: double bass; Anthony Pateras: piano; Deborah Walker: cello; Lizzy Welsh: violin) render his strikingly dynamic composition with vigour and precision, found here edited into seven movements.
The results are surreal, febrile, and compelling, sweeping over it’s 50 minute course from frightful string tintinnabulation down concrète wormholes to tracts of glacial stasis and belly-churning dread, with outstanding parts of technically challenging, sustained dissonance and massed, keening orchestration that introduces fractious percussive themes and outlandish electronics. We’ve no doubt it will light up the harder to reach pleasure centres of fans of everyone from Iancu Dumitrescu to Xenakis.