Body-chewing abstract techno of the kind that really gets between your teeth - fresh from the machines of Germany’s by-now legendary Siegmar Fricke - a producer who has been active for 4 decades and still going strong, out now via Hamburg’s excellent V I S label.
Toiling under the Pharmakustik moniker that’s been his main hood since 2009, ‘Propulsion’ deftly dices with ideals of inexorable forward motion that have driven techno and electronic dance music over the past three decades. He’s been at it since the late ‘80s at the least, so he surely knows a thing or two about this stuff, and more importantly has worked out how to really get within the structure and f#ck with it from the inside-out.
Cannily following suit with the ‘Yield’ tape by Herron - another artist who’s recently got to grips with his style - and also compatible with the likes of L. Lund’s mutant moves on Youth, the five tracks of ‘Propulsion’ diffract the idea of forward motion in as many ways. From the gritty brownian slosh of the first, to the 2.1-step origami of the 2nd part, thru the Autechrian refusal/acceptance of linearity in the 3rd, to the fine-tuned robotic mechanics of the 4th cut, and the persistently morphing algorithmic swagger of the 5th part, this one’s a must for all hard-to-satisfy ravers with three feet and extra hips.
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Body-chewing abstract techno of the kind that really gets between your teeth - fresh from the machines of Germany’s by-now legendary Siegmar Fricke - a producer who has been active for 4 decades and still going strong, out now via Hamburg’s excellent V I S label.
Toiling under the Pharmakustik moniker that’s been his main hood since 2009, ‘Propulsion’ deftly dices with ideals of inexorable forward motion that have driven techno and electronic dance music over the past three decades. He’s been at it since the late ‘80s at the least, so he surely knows a thing or two about this stuff, and more importantly has worked out how to really get within the structure and f#ck with it from the inside-out.
Cannily following suit with the ‘Yield’ tape by Herron - another artist who’s recently got to grips with his style - and also compatible with the likes of L. Lund’s mutant moves on Youth, the five tracks of ‘Propulsion’ diffract the idea of forward motion in as many ways. From the gritty brownian slosh of the first, to the 2.1-step origami of the 2nd part, thru the Autechrian refusal/acceptance of linearity in the 3rd, to the fine-tuned robotic mechanics of the 4th cut, and the persistently morphing algorithmic swagger of the 5th part, this one’s a must for all hard-to-satisfy ravers with three feet and extra hips.
Body-chewing abstract techno of the kind that really gets between your teeth - fresh from the machines of Germany’s by-now legendary Siegmar Fricke - a producer who has been active for 4 decades and still going strong, out now via Hamburg’s excellent V I S label.
Toiling under the Pharmakustik moniker that’s been his main hood since 2009, ‘Propulsion’ deftly dices with ideals of inexorable forward motion that have driven techno and electronic dance music over the past three decades. He’s been at it since the late ‘80s at the least, so he surely knows a thing or two about this stuff, and more importantly has worked out how to really get within the structure and f#ck with it from the inside-out.
Cannily following suit with the ‘Yield’ tape by Herron - another artist who’s recently got to grips with his style - and also compatible with the likes of L. Lund’s mutant moves on Youth, the five tracks of ‘Propulsion’ diffract the idea of forward motion in as many ways. From the gritty brownian slosh of the first, to the 2.1-step origami of the 2nd part, thru the Autechrian refusal/acceptance of linearity in the 3rd, to the fine-tuned robotic mechanics of the 4th cut, and the persistently morphing algorithmic swagger of the 5th part, this one’s a must for all hard-to-satisfy ravers with three feet and extra hips.
Body-chewing abstract techno of the kind that really gets between your teeth - fresh from the machines of Germany’s by-now legendary Siegmar Fricke - a producer who has been active for 4 decades and still going strong, out now via Hamburg’s excellent V I S label.
Toiling under the Pharmakustik moniker that’s been his main hood since 2009, ‘Propulsion’ deftly dices with ideals of inexorable forward motion that have driven techno and electronic dance music over the past three decades. He’s been at it since the late ‘80s at the least, so he surely knows a thing or two about this stuff, and more importantly has worked out how to really get within the structure and f#ck with it from the inside-out.
Cannily following suit with the ‘Yield’ tape by Herron - another artist who’s recently got to grips with his style - and also compatible with the likes of L. Lund’s mutant moves on Youth, the five tracks of ‘Propulsion’ diffract the idea of forward motion in as many ways. From the gritty brownian slosh of the first, to the 2.1-step origami of the 2nd part, thru the Autechrian refusal/acceptance of linearity in the 3rd, to the fine-tuned robotic mechanics of the 4th cut, and the persistently morphing algorithmic swagger of the 5th part, this one’s a must for all hard-to-satisfy ravers with three feet and extra hips.
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Back in stock. Limited, hand-numbered 12". Edition of 300 copies.
Body-chewing abstract techno of the kind that really gets between your teeth - fresh from the machines of Germany’s by-now legendary Siegmar Fricke - a producer who has been active for 4 decades and still going strong, out now via Hamburg’s excellent V I S label.
Toiling under the Pharmakustik moniker that’s been his main hood since 2009, ‘Propulsion’ deftly dices with ideals of inexorable forward motion that have driven techno and electronic dance music over the past three decades. He’s been at it since the late ‘80s at the least, so he surely knows a thing or two about this stuff, and more importantly has worked out how to really get within the structure and f#ck with it from the inside-out.
Cannily following suit with the ‘Yield’ tape by Herron - another artist who’s recently got to grips with his style - and also compatible with the likes of L. Lund’s mutant moves on Youth, the five tracks of ‘Propulsion’ diffract the idea of forward motion in as many ways. From the gritty brownian slosh of the first, to the 2.1-step origami of the 2nd part, thru the Autechrian refusal/acceptance of linearity in the 3rd, to the fine-tuned robotic mechanics of the 4th cut, and the persistently morphing algorithmic swagger of the 5th part, this one’s a must for all hard-to-satisfy ravers with three feet and extra hips.