Apparently it's been over a decade since avant jazz deity Pharoah Sanders recorded any new music, it took Sam Shephard aka Floating Points to coax the 80 year old out of near-retirement.
Anyone familiar with Sanders' work will know how life-affirming his music can be, from his early work with John Coltrane, through 1967's mind-altering "Tauhid" to his spiritual pairing with Alice Coltrane on "Journey in Satchidananda". Here, he takes a more restrained role, offering bursts of tenor to compliment Shephard's pretty snippets of piano and synth. As "Promises" builds, the London Symphony Orchestra's presence becomes more stark, evolving the slow-moving work into cinematic levels of grandeur.
It's pretty senseless comparing "Promises" to Sanders' early catalogue as he's most definitely in a completely different place mentally. But his cloud-reaching brilliance is still a joy to behold; when his familiar overblown phrases appear from Shephard's gossamer synth clouds, it's hard not to smile. We can't help but wonder how different it might have been if Sanders had been paired with Dean Blunt, mind you. Just saying.
View more
Apparently it's been over a decade since avant jazz deity Pharoah Sanders recorded any new music, it took Sam Shephard aka Floating Points to coax the 80 year old out of near-retirement.
Anyone familiar with Sanders' work will know how life-affirming his music can be, from his early work with John Coltrane, through 1967's mind-altering "Tauhid" to his spiritual pairing with Alice Coltrane on "Journey in Satchidananda". Here, he takes a more restrained role, offering bursts of tenor to compliment Shephard's pretty snippets of piano and synth. As "Promises" builds, the London Symphony Orchestra's presence becomes more stark, evolving the slow-moving work into cinematic levels of grandeur.
It's pretty senseless comparing "Promises" to Sanders' early catalogue as he's most definitely in a completely different place mentally. But his cloud-reaching brilliance is still a joy to behold; when his familiar overblown phrases appear from Shephard's gossamer synth clouds, it's hard not to smile. We can't help but wonder how different it might have been if Sanders had been paired with Dean Blunt, mind you. Just saying.
Apparently it's been over a decade since avant jazz deity Pharoah Sanders recorded any new music, it took Sam Shephard aka Floating Points to coax the 80 year old out of near-retirement.
Anyone familiar with Sanders' work will know how life-affirming his music can be, from his early work with John Coltrane, through 1967's mind-altering "Tauhid" to his spiritual pairing with Alice Coltrane on "Journey in Satchidananda". Here, he takes a more restrained role, offering bursts of tenor to compliment Shephard's pretty snippets of piano and synth. As "Promises" builds, the London Symphony Orchestra's presence becomes more stark, evolving the slow-moving work into cinematic levels of grandeur.
It's pretty senseless comparing "Promises" to Sanders' early catalogue as he's most definitely in a completely different place mentally. But his cloud-reaching brilliance is still a joy to behold; when his familiar overblown phrases appear from Shephard's gossamer synth clouds, it's hard not to smile. We can't help but wonder how different it might have been if Sanders had been paired with Dean Blunt, mind you. Just saying.
Apparently it's been over a decade since avant jazz deity Pharoah Sanders recorded any new music, it took Sam Shephard aka Floating Points to coax the 80 year old out of near-retirement.
Anyone familiar with Sanders' work will know how life-affirming his music can be, from his early work with John Coltrane, through 1967's mind-altering "Tauhid" to his spiritual pairing with Alice Coltrane on "Journey in Satchidananda". Here, he takes a more restrained role, offering bursts of tenor to compliment Shephard's pretty snippets of piano and synth. As "Promises" builds, the London Symphony Orchestra's presence becomes more stark, evolving the slow-moving work into cinematic levels of grandeur.
It's pretty senseless comparing "Promises" to Sanders' early catalogue as he's most definitely in a completely different place mentally. But his cloud-reaching brilliance is still a joy to behold; when his familiar overblown phrases appear from Shephard's gossamer synth clouds, it's hard not to smile. We can't help but wonder how different it might have been if Sanders had been paired with Dean Blunt, mind you. Just saying.
140g vinyl LP. Housed in a gatefold die-cut sleeve.
Estimated Release Date: 30 April 2021
Please note that shipping dates for pre-orders are estimated and are subject to change
Apparently it's been over a decade since avant jazz deity Pharoah Sanders recorded any new music, it took Sam Shephard aka Floating Points to coax the 80 year old out of near-retirement.
Anyone familiar with Sanders' work will know how life-affirming his music can be, from his early work with John Coltrane, through 1967's mind-altering "Tauhid" to his spiritual pairing with Alice Coltrane on "Journey in Satchidananda". Here, he takes a more restrained role, offering bursts of tenor to compliment Shephard's pretty snippets of piano and synth. As "Promises" builds, the London Symphony Orchestra's presence becomes more stark, evolving the slow-moving work into cinematic levels of grandeur.
It's pretty senseless comparing "Promises" to Sanders' early catalogue as he's most definitely in a completely different place mentally. But his cloud-reaching brilliance is still a joy to behold; when his familiar overblown phrases appear from Shephard's gossamer synth clouds, it's hard not to smile. We can't help but wonder how different it might have been if Sanders had been paired with Dean Blunt, mind you. Just saying.
Limited Edition 180g vinyl LP. Housed in a gatefold die-cut sleeve.
Out of Stock
Apparently it's been over a decade since avant jazz deity Pharoah Sanders recorded any new music, it took Sam Shephard aka Floating Points to coax the 80 year old out of near-retirement.
Anyone familiar with Sanders' work will know how life-affirming his music can be, from his early work with John Coltrane, through 1967's mind-altering "Tauhid" to his spiritual pairing with Alice Coltrane on "Journey in Satchidananda". Here, he takes a more restrained role, offering bursts of tenor to compliment Shephard's pretty snippets of piano and synth. As "Promises" builds, the London Symphony Orchestra's presence becomes more stark, evolving the slow-moving work into cinematic levels of grandeur.
It's pretty senseless comparing "Promises" to Sanders' early catalogue as he's most definitely in a completely different place mentally. But his cloud-reaching brilliance is still a joy to behold; when his familiar overblown phrases appear from Shephard's gossamer synth clouds, it's hard not to smile. We can't help but wonder how different it might have been if Sanders had been paired with Dean Blunt, mind you. Just saying.
Out of Stock
Apparently it's been over a decade since avant jazz deity Pharoah Sanders recorded any new music, it took Sam Shephard aka Floating Points to coax the 80 year old out of near-retirement.
Anyone familiar with Sanders' work will know how life-affirming his music can be, from his early work with John Coltrane, through 1967's mind-altering "Tauhid" to his spiritual pairing with Alice Coltrane on "Journey in Satchidananda". Here, he takes a more restrained role, offering bursts of tenor to compliment Shephard's pretty snippets of piano and synth. As "Promises" builds, the London Symphony Orchestra's presence becomes more stark, evolving the slow-moving work into cinematic levels of grandeur.
It's pretty senseless comparing "Promises" to Sanders' early catalogue as he's most definitely in a completely different place mentally. But his cloud-reaching brilliance is still a joy to behold; when his familiar overblown phrases appear from Shephard's gossamer synth clouds, it's hard not to smile. We can't help but wonder how different it might have been if Sanders had been paired with Dean Blunt, mind you. Just saying.