Cuboid acid house zingers by Tom Carruthers, pumping out six propulsive bits of Amiga torque skooled by likes of Juan Atkins, Derrick May, AGCG, 808 State, and Altern-8.
Built to bounce bodies off sweaty walls, ‘Programmed World’ hails the late ‘80s pivot around midi technology, when Amiga DAWs and Cubase software tightened up early house’s cut ’n spliced 4-track tekkerz to a shinier new push.
‘In The Night’ embraces the darkside with its room-scanning pads and clipped strut, while ‘Data Sync’ commands the jack with tangy bleeps and bullish square bass. ‘Digital World’ dials up Juan or Derrick-style Detroit inspirations with classy grasp of hi-tech funk, and ‘Factory Settings’ likewise leans to the kinkier side of 313 a la Blake Baxter. ‘On + On’ injects a bit of dafter UK gurn into the mix with its dippy leads also recalling Novo Line’s skewed return to early rave flavours, and ‘House Jam’ spanks reverse edits and stop/start grooves into a tight jakkers frenzy.
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Cuboid acid house zingers by Tom Carruthers, pumping out six propulsive bits of Amiga torque skooled by likes of Juan Atkins, Derrick May, AGCG, 808 State, and Altern-8.
Built to bounce bodies off sweaty walls, ‘Programmed World’ hails the late ‘80s pivot around midi technology, when Amiga DAWs and Cubase software tightened up early house’s cut ’n spliced 4-track tekkerz to a shinier new push.
‘In The Night’ embraces the darkside with its room-scanning pads and clipped strut, while ‘Data Sync’ commands the jack with tangy bleeps and bullish square bass. ‘Digital World’ dials up Juan or Derrick-style Detroit inspirations with classy grasp of hi-tech funk, and ‘Factory Settings’ likewise leans to the kinkier side of 313 a la Blake Baxter. ‘On + On’ injects a bit of dafter UK gurn into the mix with its dippy leads also recalling Novo Line’s skewed return to early rave flavours, and ‘House Jam’ spanks reverse edits and stop/start grooves into a tight jakkers frenzy.
Cuboid acid house zingers by Tom Carruthers, pumping out six propulsive bits of Amiga torque skooled by likes of Juan Atkins, Derrick May, AGCG, 808 State, and Altern-8.
Built to bounce bodies off sweaty walls, ‘Programmed World’ hails the late ‘80s pivot around midi technology, when Amiga DAWs and Cubase software tightened up early house’s cut ’n spliced 4-track tekkerz to a shinier new push.
‘In The Night’ embraces the darkside with its room-scanning pads and clipped strut, while ‘Data Sync’ commands the jack with tangy bleeps and bullish square bass. ‘Digital World’ dials up Juan or Derrick-style Detroit inspirations with classy grasp of hi-tech funk, and ‘Factory Settings’ likewise leans to the kinkier side of 313 a la Blake Baxter. ‘On + On’ injects a bit of dafter UK gurn into the mix with its dippy leads also recalling Novo Line’s skewed return to early rave flavours, and ‘House Jam’ spanks reverse edits and stop/start grooves into a tight jakkers frenzy.
Cuboid acid house zingers by Tom Carruthers, pumping out six propulsive bits of Amiga torque skooled by likes of Juan Atkins, Derrick May, AGCG, 808 State, and Altern-8.
Built to bounce bodies off sweaty walls, ‘Programmed World’ hails the late ‘80s pivot around midi technology, when Amiga DAWs and Cubase software tightened up early house’s cut ’n spliced 4-track tekkerz to a shinier new push.
‘In The Night’ embraces the darkside with its room-scanning pads and clipped strut, while ‘Data Sync’ commands the jack with tangy bleeps and bullish square bass. ‘Digital World’ dials up Juan or Derrick-style Detroit inspirations with classy grasp of hi-tech funk, and ‘Factory Settings’ likewise leans to the kinkier side of 313 a la Blake Baxter. ‘On + On’ injects a bit of dafter UK gurn into the mix with its dippy leads also recalling Novo Line’s skewed return to early rave flavours, and ‘House Jam’ spanks reverse edits and stop/start grooves into a tight jakkers frenzy.
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Cuboid acid house zingers by Tom Carruthers, pumping out six propulsive bits of Amiga torque skooled by likes of Juan Atkins, Derrick May, AGCG, 808 State, and Altern-8.
Built to bounce bodies off sweaty walls, ‘Programmed World’ hails the late ‘80s pivot around midi technology, when Amiga DAWs and Cubase software tightened up early house’s cut ’n spliced 4-track tekkerz to a shinier new push.
‘In The Night’ embraces the darkside with its room-scanning pads and clipped strut, while ‘Data Sync’ commands the jack with tangy bleeps and bullish square bass. ‘Digital World’ dials up Juan or Derrick-style Detroit inspirations with classy grasp of hi-tech funk, and ‘Factory Settings’ likewise leans to the kinkier side of 313 a la Blake Baxter. ‘On + On’ injects a bit of dafter UK gurn into the mix with its dippy leads also recalling Novo Line’s skewed return to early rave flavours, and ‘House Jam’ spanks reverse edits and stop/start grooves into a tight jakkers frenzy.