Boomkat Product Review:
Two of the great unsung protagonists binding Manchester’s DIY scene unite for this limited edition release taking in some of the many multidisciplinary interests the pair have been involved with as sound and visual artists.
John Powell-Jones is perhaps best known for his work in the creative arts and as a visual designer and printer for projects as diverse as Mogwai, Jamal Moss, Delroy Edwards, Raime, Moon Duo and Demdike Stare, as well as a technical demonstrator in printmaking and Risograph techniques at the University of Salford. Alongside his most recent work in sculpture, Powell-Jones has also had a number of music releases for the Sacred Tapes label since 2014.
Craig Tattersall needs little introduction round these parts, having been involved in numerous projects close to our orbit since the late 90’s as part of Hood, The Remote Viewer and The Boats, as well as running the much loved (and missed) Cotton Goods label.
This release emerged as the result of a sound art and print workshop the duo ran together at the University of Salford, based on a premise of capturing sounds during the process of printing. The resulting prints would act as both 'sketches' of the workshop, but also as gestural marks that would replicate those sounds, like a visual score.
Making use of contact mics, tape loops, manipulated radios/cassettes and an altered turntable to make the sound, the pair then used different mono printing and dry point etching techniques, as well as an old typewriter to make the images.
The A-side starts off baring the hallmarks of classic location recording; all clicks and whirrs, it slowly develops into a mesmerising, whirling drone piece. But it’s the b-side that envelopes in warmth, a sublime study in stillness and beauty that’s quite the contrast to the rattling, microscopic chaos of that opener. Over the space of almost 20 minutes, Tattersall and Powell-Jones bridge between celestial and personal dimensions with ease, creating a kind of barely-there rendering of the sublime that recalls everything from William Basinski to the quiet music of Jürg Frey, an effect heightened by the ferric quality of the recording...