Boomkat Product Review:
IVVVO conveys intense emotions in Prince of Grunge, leading on from Good, Bad, Baby, Horny with Rabit’s Halcyon Veil with a visceral suite that “explores conflicting truths and accounts of depression, social anxiety and fear in the name of progress” for NYX Unchained, a new label and event series based in London.
The Portuguese producer has picked a thorny and ubiquitously topical subject for examination, effectively tending to the psychological flipside of his favourite subject; Rave culture, its unfulfilled dreams, and the possible after-effects of toxic excess.
Where grunge emerged as dissatisfaction with the cheesiness and mainstream role of ‘80s stadium rock, we can take his Prince of Grunge mantle as metaphor for a unhappiness with modern rave culture and its rote rituals, and the perceived distance between the original object and subjective, contemporary iterations.
in six succinct pieces he trawls subcultural ephemera from black metal to hardstyle and mutant electronica, framing a blistering reverie or elegy for unity and self-expression in a crowd that takes in the unheimlich entry of Born, with its wailing baby and acid rain tones, alongside the screeching chorales and hardstyle peaks of Until I Die. With Prince of Grunge he inverts trance breakdowns somewhere closer to a black metal intro, and V convulses classical piano arpeggios in a techno panic, before the thought broadcasting intimations of I Don’t Know, and finishing on something like a Xyn Cabal track, or Lorenzo Senni reworked by Naked in the bittersweet trance blooz ov Fantasy.