Written and produced by Sam Shackleton and Waclaw Zimpel. Electronics, sequencing, and programming by Sam Shackleton. Alto clarinet, violin, harmonium, e-piano, organ, frame drum, percussions, lira, and monochord by Waclaw Zimpel, If Shackleton made Klezmer...
Watching Shackleton's music morph from dislocated bass experimentation into psychedelic electro-jazz fusion has been a joy. This latest is his most cosmic set to date, following last year's heady Tunes Of Negation LP "Reach The Endless Sea" with an undulating trio of organic/electronic collaborations with Polish clarinet virtuoso and multi-instrumentalist Wacław Zimpel. "Primal Forms" follows its own beat, with two artists reacting to each others instincts and areas of expertise, following ideas to their mindbending conclusion in a haze of repetition, rhythm and synapse-popping fizzy ASMR lushness.
At this stage, the skeleton of dubstep has been almost completely burned away, but Shackleton's well-honed engineering expertise still plays a part. Subs rattle expertly beneath Zimpel's flurrying notes and Shackleton's pineal-tickling drum circles. It's almost ritualistic at times, sounding like an ancient incantation rebuilt by AI-assisted cyber beings on a distant planet. Ingest whichever mind-splitting substance is most preferred, dive in and watch the colors.
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Written and produced by Sam Shackleton and Waclaw Zimpel. Electronics, sequencing, and programming by Sam Shackleton. Alto clarinet, violin, harmonium, e-piano, organ, frame drum, percussions, lira, and monochord by Waclaw Zimpel, If Shackleton made Klezmer...
Watching Shackleton's music morph from dislocated bass experimentation into psychedelic electro-jazz fusion has been a joy. This latest is his most cosmic set to date, following last year's heady Tunes Of Negation LP "Reach The Endless Sea" with an undulating trio of organic/electronic collaborations with Polish clarinet virtuoso and multi-instrumentalist Wacław Zimpel. "Primal Forms" follows its own beat, with two artists reacting to each others instincts and areas of expertise, following ideas to their mindbending conclusion in a haze of repetition, rhythm and synapse-popping fizzy ASMR lushness.
At this stage, the skeleton of dubstep has been almost completely burned away, but Shackleton's well-honed engineering expertise still plays a part. Subs rattle expertly beneath Zimpel's flurrying notes and Shackleton's pineal-tickling drum circles. It's almost ritualistic at times, sounding like an ancient incantation rebuilt by AI-assisted cyber beings on a distant planet. Ingest whichever mind-splitting substance is most preferred, dive in and watch the colors.
Written and produced by Sam Shackleton and Waclaw Zimpel. Electronics, sequencing, and programming by Sam Shackleton. Alto clarinet, violin, harmonium, e-piano, organ, frame drum, percussions, lira, and monochord by Waclaw Zimpel, If Shackleton made Klezmer...
Watching Shackleton's music morph from dislocated bass experimentation into psychedelic electro-jazz fusion has been a joy. This latest is his most cosmic set to date, following last year's heady Tunes Of Negation LP "Reach The Endless Sea" with an undulating trio of organic/electronic collaborations with Polish clarinet virtuoso and multi-instrumentalist Wacław Zimpel. "Primal Forms" follows its own beat, with two artists reacting to each others instincts and areas of expertise, following ideas to their mindbending conclusion in a haze of repetition, rhythm and synapse-popping fizzy ASMR lushness.
At this stage, the skeleton of dubstep has been almost completely burned away, but Shackleton's well-honed engineering expertise still plays a part. Subs rattle expertly beneath Zimpel's flurrying notes and Shackleton's pineal-tickling drum circles. It's almost ritualistic at times, sounding like an ancient incantation rebuilt by AI-assisted cyber beings on a distant planet. Ingest whichever mind-splitting substance is most preferred, dive in and watch the colors.
Written and produced by Sam Shackleton and Waclaw Zimpel. Electronics, sequencing, and programming by Sam Shackleton. Alto clarinet, violin, harmonium, e-piano, organ, frame drum, percussions, lira, and monochord by Waclaw Zimpel, If Shackleton made Klezmer...
Watching Shackleton's music morph from dislocated bass experimentation into psychedelic electro-jazz fusion has been a joy. This latest is his most cosmic set to date, following last year's heady Tunes Of Negation LP "Reach The Endless Sea" with an undulating trio of organic/electronic collaborations with Polish clarinet virtuoso and multi-instrumentalist Wacław Zimpel. "Primal Forms" follows its own beat, with two artists reacting to each others instincts and areas of expertise, following ideas to their mindbending conclusion in a haze of repetition, rhythm and synapse-popping fizzy ASMR lushness.
At this stage, the skeleton of dubstep has been almost completely burned away, but Shackleton's well-honed engineering expertise still plays a part. Subs rattle expertly beneath Zimpel's flurrying notes and Shackleton's pineal-tickling drum circles. It's almost ritualistic at times, sounding like an ancient incantation rebuilt by AI-assisted cyber beings on a distant planet. Ingest whichever mind-splitting substance is most preferred, dive in and watch the colors.
Edition of 500 copies, Photography by Sara Kałużna. Mastered and Cut by Loop-o.
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Written and produced by Sam Shackleton and Waclaw Zimpel. Electronics, sequencing, and programming by Sam Shackleton. Alto clarinet, violin, harmonium, e-piano, organ, frame drum, percussions, lira, and monochord by Waclaw Zimpel, If Shackleton made Klezmer...
Watching Shackleton's music morph from dislocated bass experimentation into psychedelic electro-jazz fusion has been a joy. This latest is his most cosmic set to date, following last year's heady Tunes Of Negation LP "Reach The Endless Sea" with an undulating trio of organic/electronic collaborations with Polish clarinet virtuoso and multi-instrumentalist Wacław Zimpel. "Primal Forms" follows its own beat, with two artists reacting to each others instincts and areas of expertise, following ideas to their mindbending conclusion in a haze of repetition, rhythm and synapse-popping fizzy ASMR lushness.
At this stage, the skeleton of dubstep has been almost completely burned away, but Shackleton's well-honed engineering expertise still plays a part. Subs rattle expertly beneath Zimpel's flurrying notes and Shackleton's pineal-tickling drum circles. It's almost ritualistic at times, sounding like an ancient incantation rebuilt by AI-assisted cyber beings on a distant planet. Ingest whichever mind-splitting substance is most preferred, dive in and watch the colors.