Fine debut bouquet of fractal-not-fractional new age ambient from canny modular synthesists, issued in 2018 by the fringe-embracing Constellation Tatsu and predating their equally lovely tape for Métron (7FO, Meitei)
“OCA is a collaborative project by producer and musician Yo van Lenz (Through My Speakers, Monkeytown Records) and artist Florian T M Zeisig (Important Records/Cassauna, No Disk)
At the intersection of music being presented in a certain framework, questions regarding musical quality, intentionality, virtuosity and purpose arise. The work ‘Preset Music’ engages with questions regarding compositional intentions. Notes, chords – and often times improvised snippets of music – are exclusively serving the purpose of showcasing the instrument itself.
‘Preset Music’ aims to display the juxtaposition of intentionality and non-intentionality in music and composition. With the gesture of intentionally sampling and composing, using non- intentional musical material – in the sense of purposive presentation regarding the instrument – the seven compositions stand in direct contrast to the presenters’ original intentions.”
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Fine debut bouquet of fractal-not-fractional new age ambient from canny modular synthesists, issued in 2018 by the fringe-embracing Constellation Tatsu and predating their equally lovely tape for Métron (7FO, Meitei)
“OCA is a collaborative project by producer and musician Yo van Lenz (Through My Speakers, Monkeytown Records) and artist Florian T M Zeisig (Important Records/Cassauna, No Disk)
At the intersection of music being presented in a certain framework, questions regarding musical quality, intentionality, virtuosity and purpose arise. The work ‘Preset Music’ engages with questions regarding compositional intentions. Notes, chords – and often times improvised snippets of music – are exclusively serving the purpose of showcasing the instrument itself.
‘Preset Music’ aims to display the juxtaposition of intentionality and non-intentionality in music and composition. With the gesture of intentionally sampling and composing, using non- intentional musical material – in the sense of purposive presentation regarding the instrument – the seven compositions stand in direct contrast to the presenters’ original intentions.”
Fine debut bouquet of fractal-not-fractional new age ambient from canny modular synthesists, issued in 2018 by the fringe-embracing Constellation Tatsu and predating their equally lovely tape for Métron (7FO, Meitei)
“OCA is a collaborative project by producer and musician Yo van Lenz (Through My Speakers, Monkeytown Records) and artist Florian T M Zeisig (Important Records/Cassauna, No Disk)
At the intersection of music being presented in a certain framework, questions regarding musical quality, intentionality, virtuosity and purpose arise. The work ‘Preset Music’ engages with questions regarding compositional intentions. Notes, chords – and often times improvised snippets of music – are exclusively serving the purpose of showcasing the instrument itself.
‘Preset Music’ aims to display the juxtaposition of intentionality and non-intentionality in music and composition. With the gesture of intentionally sampling and composing, using non- intentional musical material – in the sense of purposive presentation regarding the instrument – the seven compositions stand in direct contrast to the presenters’ original intentions.”
Fine debut bouquet of fractal-not-fractional new age ambient from canny modular synthesists, issued in 2018 by the fringe-embracing Constellation Tatsu and predating their equally lovely tape for Métron (7FO, Meitei)
“OCA is a collaborative project by producer and musician Yo van Lenz (Through My Speakers, Monkeytown Records) and artist Florian T M Zeisig (Important Records/Cassauna, No Disk)
At the intersection of music being presented in a certain framework, questions regarding musical quality, intentionality, virtuosity and purpose arise. The work ‘Preset Music’ engages with questions regarding compositional intentions. Notes, chords – and often times improvised snippets of music – are exclusively serving the purpose of showcasing the instrument itself.
‘Preset Music’ aims to display the juxtaposition of intentionality and non-intentionality in music and composition. With the gesture of intentionally sampling and composing, using non- intentional musical material – in the sense of purposive presentation regarding the instrument – the seven compositions stand in direct contrast to the presenters’ original intentions.”