Under the Millsart moniker that signifies his most experimental, jazzy inclinations, Jeffrey yokes his machines to slinky, syncopated trills and cuboid zoners shades away from his spiritual brethren Jamal Moss.
Launched on the Axis Expressionist Series and deriving from his Every Dog Has Its Day project, the ‘Powerland’ EP captures Jeff Mills properly vibing out as a one-man machine band mediating on “an engineered string of energy called the 37th parallel.” Aye we’re in proper X-Files Mills terrain here, channelling the supernatural and cosmic jazz a la Sun Ra and Hieroglyphic Being (whom he has released on Axis) between the lounge lizard Detroit house slink and sax bleats of ‘The Savvy Provocateur of Parallel 42’, thru the tumultuous harmonic kaos and crafty step sequenced drum programming of its title tune, to the Cuban-style polyrhythmic swinge of ‘The Divine Line’ with its killer square bass line and strings reminding to 808 State’s fruitiest, and going on like Sun ra if came thru in the ’80s/‘90s instead of the ‘space age on ‘Hippie Wild Woman’.
The man is not of this earth.
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Under the Millsart moniker that signifies his most experimental, jazzy inclinations, Jeffrey yokes his machines to slinky, syncopated trills and cuboid zoners shades away from his spiritual brethren Jamal Moss.
Launched on the Axis Expressionist Series and deriving from his Every Dog Has Its Day project, the ‘Powerland’ EP captures Jeff Mills properly vibing out as a one-man machine band mediating on “an engineered string of energy called the 37th parallel.” Aye we’re in proper X-Files Mills terrain here, channelling the supernatural and cosmic jazz a la Sun Ra and Hieroglyphic Being (whom he has released on Axis) between the lounge lizard Detroit house slink and sax bleats of ‘The Savvy Provocateur of Parallel 42’, thru the tumultuous harmonic kaos and crafty step sequenced drum programming of its title tune, to the Cuban-style polyrhythmic swinge of ‘The Divine Line’ with its killer square bass line and strings reminding to 808 State’s fruitiest, and going on like Sun ra if came thru in the ’80s/‘90s instead of the ‘space age on ‘Hippie Wild Woman’.
The man is not of this earth.
Under the Millsart moniker that signifies his most experimental, jazzy inclinations, Jeffrey yokes his machines to slinky, syncopated trills and cuboid zoners shades away from his spiritual brethren Jamal Moss.
Launched on the Axis Expressionist Series and deriving from his Every Dog Has Its Day project, the ‘Powerland’ EP captures Jeff Mills properly vibing out as a one-man machine band mediating on “an engineered string of energy called the 37th parallel.” Aye we’re in proper X-Files Mills terrain here, channelling the supernatural and cosmic jazz a la Sun Ra and Hieroglyphic Being (whom he has released on Axis) between the lounge lizard Detroit house slink and sax bleats of ‘The Savvy Provocateur of Parallel 42’, thru the tumultuous harmonic kaos and crafty step sequenced drum programming of its title tune, to the Cuban-style polyrhythmic swinge of ‘The Divine Line’ with its killer square bass line and strings reminding to 808 State’s fruitiest, and going on like Sun ra if came thru in the ’80s/‘90s instead of the ‘space age on ‘Hippie Wild Woman’.
The man is not of this earth.
Under the Millsart moniker that signifies his most experimental, jazzy inclinations, Jeffrey yokes his machines to slinky, syncopated trills and cuboid zoners shades away from his spiritual brethren Jamal Moss.
Launched on the Axis Expressionist Series and deriving from his Every Dog Has Its Day project, the ‘Powerland’ EP captures Jeff Mills properly vibing out as a one-man machine band mediating on “an engineered string of energy called the 37th parallel.” Aye we’re in proper X-Files Mills terrain here, channelling the supernatural and cosmic jazz a la Sun Ra and Hieroglyphic Being (whom he has released on Axis) between the lounge lizard Detroit house slink and sax bleats of ‘The Savvy Provocateur of Parallel 42’, thru the tumultuous harmonic kaos and crafty step sequenced drum programming of its title tune, to the Cuban-style polyrhythmic swinge of ‘The Divine Line’ with its killer square bass line and strings reminding to 808 State’s fruitiest, and going on like Sun ra if came thru in the ’80s/‘90s instead of the ‘space age on ‘Hippie Wild Woman’.
The man is not of this earth.
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Under the Millsart moniker that signifies his most experimental, jazzy inclinations, Jeffrey yokes his machines to slinky, syncopated trills and cuboid zoners shades away from his spiritual brethren Jamal Moss.
Launched on the Axis Expressionist Series and deriving from his Every Dog Has Its Day project, the ‘Powerland’ EP captures Jeff Mills properly vibing out as a one-man machine band mediating on “an engineered string of energy called the 37th parallel.” Aye we’re in proper X-Files Mills terrain here, channelling the supernatural and cosmic jazz a la Sun Ra and Hieroglyphic Being (whom he has released on Axis) between the lounge lizard Detroit house slink and sax bleats of ‘The Savvy Provocateur of Parallel 42’, thru the tumultuous harmonic kaos and crafty step sequenced drum programming of its title tune, to the Cuban-style polyrhythmic swinge of ‘The Divine Line’ with its killer square bass line and strings reminding to 808 State’s fruitiest, and going on like Sun ra if came thru in the ’80s/‘90s instead of the ‘space age on ‘Hippie Wild Woman’.
The man is not of this earth.