Reissue of 4AD’s post-punk classic by Tones On Tail, a craftily innovative side project of Bauhaus guitarist Daniel Ash and roadie Glenn Campling, and playful antithesis to the band’s goth posturing
It’s ‘Pop’ but with a touch of goth around the eyes, and apparently some Big Macs and hash on the lips, revolving classic material in the synth-pop centrepiece ‘Performance’ and sleazy goth backroom business in ‘Happiness’ and ‘Movement Of Fear’, while ‘Real Life’ jangles with Neo-folksy strings in a way that was just in the air around the ‘80s Midlands, and bleeds out into the beautifully bleak scenes described in ‘Rain’, and wrapped up with streaks of innovative production genius that set Tones On Tail’s sole album out as cult classic.
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Reissue of 4AD’s post-punk classic by Tones On Tail, a craftily innovative side project of Bauhaus guitarist Daniel Ash and roadie Glenn Campling, and playful antithesis to the band’s goth posturing
It’s ‘Pop’ but with a touch of goth around the eyes, and apparently some Big Macs and hash on the lips, revolving classic material in the synth-pop centrepiece ‘Performance’ and sleazy goth backroom business in ‘Happiness’ and ‘Movement Of Fear’, while ‘Real Life’ jangles with Neo-folksy strings in a way that was just in the air around the ‘80s Midlands, and bleeds out into the beautifully bleak scenes described in ‘Rain’, and wrapped up with streaks of innovative production genius that set Tones On Tail’s sole album out as cult classic.
Reissue of 4AD’s post-punk classic by Tones On Tail, a craftily innovative side project of Bauhaus guitarist Daniel Ash and roadie Glenn Campling, and playful antithesis to the band’s goth posturing
It’s ‘Pop’ but with a touch of goth around the eyes, and apparently some Big Macs and hash on the lips, revolving classic material in the synth-pop centrepiece ‘Performance’ and sleazy goth backroom business in ‘Happiness’ and ‘Movement Of Fear’, while ‘Real Life’ jangles with Neo-folksy strings in a way that was just in the air around the ‘80s Midlands, and bleeds out into the beautifully bleak scenes described in ‘Rain’, and wrapped up with streaks of innovative production genius that set Tones On Tail’s sole album out as cult classic.
Reissue of 4AD’s post-punk classic by Tones On Tail, a craftily innovative side project of Bauhaus guitarist Daniel Ash and roadie Glenn Campling, and playful antithesis to the band’s goth posturing
It’s ‘Pop’ but with a touch of goth around the eyes, and apparently some Big Macs and hash on the lips, revolving classic material in the synth-pop centrepiece ‘Performance’ and sleazy goth backroom business in ‘Happiness’ and ‘Movement Of Fear’, while ‘Real Life’ jangles with Neo-folksy strings in a way that was just in the air around the ‘80s Midlands, and bleeds out into the beautifully bleak scenes described in ‘Rain’, and wrapped up with streaks of innovative production genius that set Tones On Tail’s sole album out as cult classic.
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Reissue of 4AD’s post-punk classic by Tones On Tail, a craftily innovative side project of Bauhaus guitarist Daniel Ash and roadie Glenn Campling, and playful antithesis to the band’s goth posturing
It’s ‘Pop’ but with a touch of goth around the eyes, and apparently some Big Macs and hash on the lips, revolving classic material in the synth-pop centrepiece ‘Performance’ and sleazy goth backroom business in ‘Happiness’ and ‘Movement Of Fear’, while ‘Real Life’ jangles with Neo-folksy strings in a way that was just in the air around the ‘80s Midlands, and bleeds out into the beautifully bleak scenes described in ‘Rain’, and wrapped up with streaks of innovative production genius that set Tones On Tail’s sole album out as cult classic.